cowardisce

A Case Study In Intimidation: The Self-Cancelling Children’s Book Author

/ Jack Marshall / 6 Comments

childrens book illustration

This could have been a standard Ethics Dunce post, but I think it warrants more attention than that category might suggest.

One of the reasons it is fair to say that the President had the election stolen from him, or, as he likes to say (and shouldn’t) “rigged,” is that his supporters have been relentlessly intimidated and indoctrinated into attitudes designed to make them doubt their own judgment and values, especially those that aligned with the President’s policies. The tactics have ranged from threatening and even physically attacking citizens for wearing MAGA hats, to forced resignations of company officials and academics for the “crime” of endorsing Donald Trump’s actions in office.

Self-censorship triggered by fear of rejection and social isolation allowed Facebook, for example, to become a progressive echo chamber with minimal dissent. (I haven’t posted on anything related to the election for a month. It’s just a waste of time, and I end up losing respect for people I would like to keep as friends while having to defend views that should require no defense.) We are also seeing the related phenomenon of self-flagellation, self-shaming and self-cancelling of the sort demanded by the “Silence is violence” mobs. Like tortured and brain-washed North Korean prisoners of war,  we are ordered to denounce our great sins, such as engaging in “systemic racism,” enjoying “white privilege,” defying the political correctness police, and daring to support the President of the United States. When Black Lives Matter terrorists burst into restaurants and demand that diners raise their fists or hands in support of the Marxist, racist, anti-law enforcement group, the photographic evidence is that they do as ordered in hopes that they be left alone. What nation’s citizens from the past, say, 85 years ago do these timid souls remind you of?

Never mind. I digress…

Adam Pottle’s children’s book “The Most Awesome Character in the World” tells of Philomena, a young deaf girl whose  deafness  has made her vibrant and  imaginative person. (The author is also deaf.)  .

Pottle did not have approval over the illustrations his publisher chose to complete his book, and with the nudging of some negative reviews online, was horrified at the illustration above.  He concluded that the single drawing was “racist,” and Pottle asked that it be changed. The publisher, Reycraft Books, refused (the profit margin on any book is small, and this would guarantee a money-losing project), so Pottle took to social media and asked people not to buy his book and retailers not to stock it. Several retailers supported him.

Continue reading →

Ethics Dunce: The Dr. Seuss Museum

/ Jack Marshall / 52 Comments

The fanatics who pollute the left end of our political spectrum apparently have no limits to their purges, political correctness tantrums, grandstanding, bullying, and efforts to warp the past, present and future. To fit their rigid view of a “just” culture, they have begun demanding that the cultural landscape must constantly be cleansed; no real or imagined discomfort to sensitive progressive souls can be permitted to survive in art, history, literature or the public square.

Since even their worst excesses are cloaked in self-righteousness and the Saint’s Excuse, what this requires of the rest of us—you know, those who have perspective and proportion, believe in diversity of thought, and object to airbrushing reality out of the nation’s palette—to have the courage and integrity to say, “No.”

Sometimes “Hell no.”

The directors of the new Dr. Seuss Museum in Springfield, Massachusetts lack these and other necessary markers of ethical character and responsible citizenship. Thus when three prominent children’s authors who had been invited to attend the Children’s Literature Festival at the Seuss Museum to be held on October 14 threatened to boycott the event because the above mural, painted to replicate a scene from Dr. Seuss’s “And to Think That I Saw It on Mulberry Street,”  was, they claimed, offensive, the museum cravenly excised that section of the painting.

Mo Willems, Mike Curato and Lisa Yee issued a public letter condemning the drawing as a “jarring racial stereotype… with chopsticks, a pointed hat, and slanted slit eyes.”

“We find this caricature of ‘the Chinaman’ deeply hurtful, and have concerns about children’s exposure to it,” they wrote.

If the directors possessed comment sense, principle or the backbone God gave a guppy, they would have written back,

“We are sorry you cannot attend, and also that you are so enamored of political correctness grandstanding that you would unjustly insult Theodore Geisel, his work, his millions of fans, and this museum by your false and hysterical characterization. We do not engage in censorship here, nor do we accept presentist slurs on past art that involve retroactively applying modern sensibilities or hyper-sensitivities, to classic works that are decades old.”

There is nothing racially jarring about Geisel’s painting of a “Chinaman” except to someone already looking for offense. Dr. Seuss’ drawings can be fairly termed cartoons. The definition of a cartoon is “a simple drawing showing the features of its subjects in a humorously exaggerated way.”  What are these juvenile children book authors asserting…that all cartoons are racially insensitive? That only cartoon of non-whites are offensive?

Let’s look at the offensive figure again: Continue reading →