UPDATE: Bill Maher, Hypocrite And Coward…HBO Too

I guess no good deed really does go unpunished: I stand up for the vile and hateful comedian’s legitimate use of “nigger” in a witticism on live TV, and the former host of “Politically Incorrect” caves to political correctness, which he has sworn repeatedly that he will never do.

What a spineless, hypocritical weasel.

In 2011, when Maher was asked about calling Sarah Palin “a cunt” and “dumb twat,” Maher was bold and unbowed:

“Well, you know, I’ve been through this so many times. There’s a lot of people in America who have, of course, nothing to do except look for something to get mad at. And I’ve been a frequent target and I’m happy to provide that service. So, you know, I always say, as I’ve said many times in these kind of situations, if I hurt somebody’s feelings, I’m always sorry about that, I’m not trying to hurt somebody’s feelings. But if you want me to say I’m sorry what I said was wrong, no, sorry, I can’t go there.”

I guess what he meant is that he can’t go there when he’s only using vile language to denigrate conservative women who feminists and NOW don’t regard as worthy of their alleged principles, in attacks that make his ideologically sympatico crowd secretly snicker and chuckle because those twats deserve it.

This time, however, he offended the all-powerful race grievance lobby by calling himself—himself! a “house nigger,” in a “Gone With The Wind” reference prompted by a Republican Senator asking him if he’d do field work. Lacking the integrity and fierce belief in the Jester’s Privilege that he has proclaimed before when it wasn’t progressives carrying the torches and pitchforks, Maher capitulated like Galileo, even though in this case, he had been neither vicious nor insulting, just “offensive” to those who want to ban words—you know: liberals.

The hypocrite said, Continue reading

Oh, Great, Now I Have To Defend Bill Maher, The “House Nigger” [UPDATED]

When Bill Maher participated in the lowering of civil political discourse and the escalation of hate and ad hominem rhetoric in the culture by calling female Republican figures “cunts” and “twats’ as his leftist studio audience squealed with delight, there was no significant objections from NOW or other feminsits entranced by his anti-conservative fervor, nor were mainstream media liberals in the pundit ranks overwhelmingly indignant. After all, Sarah Palin and Michelle Bachmann didn’t deserve  civility, and besides, it was just a joke! Maher’s pass on breaching basic rules of decorum in public speech greased the slippery slope that led us to “cockholster” and beheaded Presidents today. In addition, the double standard was established that vulgar and gross gutter language was acceptable when aimed at conservatives, but only conservatives. Is there any question whether Maher would still be leaving his slime trails at HBO if he had called Hillary Clinton, Diane Fienstein, or Michelle Obama a cunt?

Nevertheless, the principle at issue is that we all have an ethical duty to extend basic human respect to our fellow dwellers on this planet, or civilization rots and falls apart in chunks. Indeed, this is the duty too many progressives and Democrats have been breaching in their treatment of the President of the united States for the past six months. Entertainers and comedians get some special dispensations, but they need to be sternly rebuked when they abuse the privilege by using it to express hatred and to spread intolerance. We do not ban words in the United States. We do reserve the right to regulate conduct in the interests of out democratic and pluralistic ideals, often by expressing vocal disapproval.

Which brings us back to Bill Maher. On Friday’s edition of Maher’s “Real Time,” Maher was verbally fencing with Republican Nebraska Republican Senator Ben Sasse. At one point—the context doesn’t matter—Sasse facetiously invited the host to “work in the fields.”

“Senator, I’m a house nigger!” Maher said , quickly adding, in response to some audible gasps, “It’s a joke.” Continue reading

Comment of the Day: “Ethic Quiz: ‘Springtime For Hitler’ Ethics”

Producers-2

This most recent  ethics thread commentary from Rick Jones (a.k.a. “Curmie,” who chronicles education fiascos, among other matters, during the year on his own blog) involves the recent kerfuffle over a high school production of “The Producers” having its Nazi decorations stripped away. I confess that I specifically requested Rick’s take on this one, knowing him to be a theater colleague as well as a teacher, and he did not disappoint….except that he uses the British spelling of “theatre.”

Here is Rick’s Comment of the Day on the Ethics Quiz: “Springtime for Hitler” Ethics.

Oh, Jack… You couldn’t just let me have a spring break without feeling compelled to reply to one of your posts, could you?

And… as I suspect you may have been expecting if not hoping, I agree with your arguments but disagree with your conclusion.

First, let me confess to ignorance of the stage version of The Producers. I know the film, of course, but being neither a big musical theatre guy nor made of money, I’ve never actually seen the play. Assuming it to be substantially similar to the film, therefore, is for me (but not for those more informed) a risky proposition.

It is not clear whether the school’s administration formally signed off on the choice of play, but de facto they did: the rights and royalties for a musical will cost—depending on a variety of factors such as venue size, number of performances, and ticket prices—hundreds or (more likely) thousands of dollars, and no high school theatre director can just write a check on a school account for that amount of money. Expenditures of that size need approval.

So here’s where I agree with your point that cultural illiteracy was very much at play from the beginning of this saga. I’m not suggesting that every high school administrator should have seen the movie or the play, but certainly the “Springtime for Hitler” shtick has long since passed into the public consciousness. I was too young (in junior high, perhaps?) to have seen the film on its first run, but I knew about the campy production number long before I actually saw the film when I was in high school or college. Similarly, I know that “I will take what is mine with fire and blood” is a ”Game of Thrones” reference without ever having picked up one of the books or tuned in to the television show. A competent administrator would at the very least have known what s/he was signing off on. Or… you know… asked: that’s an option, apparently.

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Ethic Quiz: “Springtime For Hitler” Ethics

And speaking of Donald Trump…

In South Orangetown, New York, the school superintendent stepped in and cut the swastikas from Tappan Zee High School’s student production of “The Producers” less than a week before the production. Of course, the Mel Brooks musical satire based on his film “The Producers” employs swastikas on Nazi flags and armbands during its famous campy “Springtime For Hitler” number and at other points in the show. Before someone posted a picture of the swastikas on the stage on a Facebook page, this aspect of “The Producers” had somehow escaped the attention of school administrators.

Some parents were shocked, and complained. After checking out the stage, the superintendent cut the costume details and set dressing.“There is no context in a public high school where a swastika is appropriate,” South Orangetown Superintendent Bob Pritchard told CBS. Pritchard consulted with local rabbis before making his decision.

Rabbis, of course, would be a natural audience for “The Producers.” (Reports that the rabbis suggested a production of “Fiddler on the Roof” instead have not been confirmed.)

Your spring-is-in-the-air Ethics Alarms Ethics Quiz of the Day is…

Is this example of school censorship of the performing arts fair, responsible and ethical?

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