I must disclose as my initial bias in approaching this topic that I am not a fan of HBO’s “Curb Your Enthusiasm” (though I liked the use of the Gilbert and Sullivan “Three Little Maids from School” melody in its early seasons). Essentially the saga of an unrepentant wealthy asshole in Hollywood, which Larry David, the star and creator, actually seems to be and is apparently proud of it, the show is repetitious and shrill, made more so by David’s irritating voice and narrow range. Never mind: lots of people seem to think it’s hilarious, so I must rate the thing good because “it works.” Fine.

Now (FINALLY!) “Curb” is over, and it had to have an “eagerly awaited” final episode that wraps everything up. Ever since “The Fugitive” set Nielson ratings records by closing the series with David Janssen finally finding the elusive one-armed man and proving his innocence, popular TV series have striven for a boffo send-off, usually failing. “MASH” and “The Mary Tyler Moore Show” pulled it off; “Cheers” not so much. “Friends” finale was just okay. “St. Elsewhere” and “The Sopranos” last episodes are playing in a loop in Hell. ” Newhart’s” last episode, in contrast, was probably the pinnacle of the genre (“You should wear more sweaters.”)

One of the biggest letdowns was the final episode of “Seinfeld,” written by Larry David, who was the template for George Constanza, the worst sociopath in the group of four toxic (but funny!) narcissists who drove the “show about nothing.” It just wasn’t funny: the concept, which seemed to be to be one of those “Wouldn’t it be great if…” ideas someone raises in jest and it ends up being taken seriously, was that all the many victims of Jerry, George, Elaine and Kramer through the years testify against them in a criminal trial. Virtually everyone hated the episode; in fact, it’s infamous. Larry David, being the jerk he is, has insisted that his script was hilarious, and that he’s proud of it.

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