President Trump Is Spot-On About Signers For The Deaf. Of Course He’s Going To Be Attacked For It.

All the headlines and articles about this ongoing example of political correctness and the tyranny of a minority in action are sneering and biased. “Sign language services ‘intrude’ on Trump’s ability to control his image, administration says,” is PBS’s intro. The President is right: there is no need or justification for a signer to be standing in view while the President of the United States is addressing the nation. None. Nada. Zilch. It is distracting, of course it is. I wrote this on the issue eight years ago. Just substitute President Trump’s name for Rick Scott, and that’s the bulk of my commentary today.

“Yesterday I watched Florida Governor Rick Scott give his pre-hurricane warnings, or tried to, since standing next to him was a signer for the deaf, gesticulating and making more elaborate faces than the late Robin Williams in the throes of a fit. I have mentioned this in the context of theatrical performances: as a small minority, the deaf should not be enabled by political correctness to undermine the best interests of the majority. What Scott was saying was important, and could have been adequately communicated to the deaf citizens present by the signer standing off camera. TV viewers could and should have been able to watch a text crawl following Scott’s speech, or closed captioning. Public speaking involves verbal and visual communications, and having a vivid distraction like a professional signer—many of whom feel it is their duty to add broad facial expressions to their translations—is unfair to both the speaker and his or her audience. This is one more example of a sympathetic minority bullying the majority to establish its power.”

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There’s Nothing Wrong With “Dwarf Pride,” But When It Means Making Sure Your Kids Don’t Grow, It’s Unethical

Yeah, I know I’ve been using this clip and the “Blazing Saddles” “You, know, morons” clip too often lately, but it is because people proclaiming objectively stupid positions that are being taken seriously is becoming an epidemic, and one that has the potential to do more damage than any virus.

Today’s example: a study published  in the journal The Lancet reveals that an experimental drug called vosoritide increases growth in children with the most common form of dwarfism, achondroplasia. Taken early enough and long enough, such children can grow at nearly the same rate as  children without the malady. Achondroplasia leads to eventual back pain and breathing difficulty in addition to guaranteeing that its sufferers will look up to jockeys and call Mickey Rooney imitators “Stretch” for their entire lives. Yet the existence of a treatment has sparked opposition among some parts of the “Little Person” community, which insists that being only four feet tall  is “a unique trait to be celebrated, not a problem in need of a cure.”

See Rationalization # 64, “”It isn’t what it is.” Continue reading

Zombie Ethics, Spoiling Things For Everyone, And The Barn Door Fallacy

With so many terrible news stories going on around the world, it is not surprising that a bumper crop of strange and stupid ones this week went almost unnoticed. In Indiana, a truck crashed and spilled 45,000 pounds of butter, whipped cream and other dairy products on an interstate. In the skies, an elderly woman went berserk on an airplane and began beating everyone is sight with her artificial leg. This, however, wins the prize: the annual Comic Con  “Zombie Walk” in San Diego went horribly wrong when a group of rogue zombie portrayers, dressed like rotting corpses and moaning, carried their method acting too far and swarmed a car containing a family with young children—a deaf family with deaf children. Ignoring the obvious alarm and terror on the faces of the car’s occupants, the Walking Dead Wannabes pounded on the car, broke its windshield, and one zombie jumped onto the hood. At that point the driver panicked, and tried to pull away from the crowd, running down a 64-year-old woman who was seriously injured as a result. Continue reading

The Fake Japanese Beethoven And Musical Cognitive Dissonance

Not a composer, not deaf, and maybe Irish, female, and 12-years old, for all we know.

Not a composer, not deaf, and maybe Irish, female, and 12-years old, for all we know.

There need be no debate about whether this was unethical, or why. It is obviously one of the great arts hoaxes of all time.

Mamoru Samuragochi, the composer sometimes known as “The Japanese Beethoven,” was exposed this week as being more like a Japanese Milli Vanilli. A double fraud, he didn’t compose the works that made him Japan’s most popular classical composer, and he isn’t even really deaf, which was a large element of his fame and notoriety. Samuragochi has perpetrated a long, elaborate, audacious hoax, hiring a musical ghostwriter to compose for him over nearly two decades. The Man Behind the Curtain revealed himself as Takashi Niigaki, a  lecturer at a Tokyo music college, who admitted to writing more than twenty compositions for Samuragochi since 1996, receiving the equivalent of about $70,000.  Samuragochi’s  most famous works include Symphony No. 1 “Hiroshima,” the theme music for the popular video games “Resident Evil” and “Onimusha,” and especially the “Sonatina for Violin,” which is the program music for the Japanese Olympic figure skater Daisuke Takahashi.

What interests me most about this strange story is how it illustrates the power of cognitive dissonance in the arts. Continue reading