Sunday Morning Ethics Warm-Up, 2/28/21: A Missing Part 2, And More…

“Never on a Sunday” was a surprise international hit film in 1960, a romantic comedy starring Melina Mercuri as a choosy Greek prostitute. The actress also recorded the film’s title song, which had a, er, slightly different meaning in Greek, as my mother, who spoke Greek, delicately explained to me at the time. “Kiss,” mom said, doesn’t exactly mean kiss. Nevertheless the song was covered by lots of singers. including the pre-“Downtown” Petula Clark, and was ubiquitous for months. It was also the first song I ever wrote a parody of, #1 of hundreds.

1. It’s comforting to know that the conservative media is trying to be just as unfair to President Biden as the progressive news media (also known as “the media”) was to President Trump. Yesterday i read many stories about how Biden had a complete meltdown during a speech, didn’t know where he was and asked, “What am I doing here?” As you can see for yourself, that’s a false representation. Joe looks vague and unwell, but he merely got lost momentarily reading a list of names. I have said out loud, “What am I doing?” on more than one occasion while speaking.

2. And this is why it’s important to have a conservative Supreme Court: The Supreme Court ruled on February 26 that Santa Clara County may not enforce a complete ban on indoor religious services as part of California’s draconian pandemic measures. (Wait, I’m confused: who are the fascists again?) Earlier, the Court told California that indoor church services could not be banned because of the pandemic, but allowed the state to cap attendance at 25% capacity and to prohibit singing and chanting.

Santa Clara argued that its ban and limitations on any indoor gatherings should be allowed to stand because its restrictions for churches were the same as those imposed on other establishments where people can visit but not gather in groups. The Justices’ unsigned order last week said that the earlier order “clearly dictated” that Santa Clara’s ban could not stand. Chief Justice John Roberts had written at the time,

“The state has concluded, for example, that singing indoors poses a heightened risk of transmitting COVID-19. I see no basis in this record for overriding that aspect of the state public health framework. At the same time, the state’s present determination—that the maximum number of adherents who can safely worship in the most cavernous cathedral is zero—appears to reflect not expertise or discretion, but instead insufficient appreciation or consideration of the interests at stake.”

Showing their insufficient appreciation of the interest at stake—the right to worship—were the three liberal Justices, Kagan, Sotomayor, and Breyer.

3. I was going to post a follow-up to this post about the film “Denial” (hence the “Part I” in the headline) and other issues intervened. (Sorry). To summarize briefly, Part 2 was going to recount my own run-in with Prof. Lipstadt at the time of her defamation trial when she was sued for defamation by a Holocaust-denying British historian in 2005. In my previous ethics website, the suddenly returned Ethics Scoreboard, I gave C-Span an Ethics Dunce award based on Prof. Lipstadt’s account that it had insisted that the Holacuast denier’s arguments be presented on video as a condition of her appearance on its broadcast. I wrote in part,

Continue reading

“Denial”: An Ethics Movie (Part 1)

“Denial,” a 2016 British film that I missed (along with most moviegoers in the U.S.), tells, reasonably accurately, the story of a 1996 libel suit brought by David Irving, an anti-Semite, Holocaust-denying British historian, against Deborah E. Lipstadt, author of the 1993 book “Denying the Holocaust: The Growing Assault on Truth and Memory.” After the suit, her account of the ordeal, “History on Trial: My Day in Court with a Holocaust Denier,” formed the source of the screenplay.

Irving brought a lawsuit in Britain against Lipstadt (played by Rachel Weisz), and her publisher, Penguin Books, for calling him a Holocaust denier, a liar, and an anti-Jewish bigot. Irving is a long-time Hitler defender, and claimed there were no gas chambers at Auschwitz. British libel laws, unlike those in the United States, place the burden of proof on the defendant to prove that what was written was justified. Thus Lipstadt’s legal team must focus on proving Irving’s evidence is false, and that he knows it is false. The stakes were suddenly high, for if a court ruled that Irving’s theories had legitimacy, the results would have been catastrophic. For this reason, at least according to the film, a group of Jewish leaders urged Lipstadt to settle the suit before trial.

The movie is now on Amazon Prime. It is not a flamboyant legal drama but an intelligent and clear one (I would love to put it on stage). It also raises important ethics and legal issues, among them:

Continue reading