Addendum To “Since The Editor Of The New York Times Just Proved That He Doesn’t Comprehend Journalism Ethics…”

A relentless Times apologist–you know which one—chides me for leaving out this from his  interview in the New Yorker, which is the context for the “version of the truth” gaffe, when Baquet said the quiet part out loud (if the Times-enabler hadn’t begun his complaint with “Um,” I might have let it go):

The system of “objectivity” (and I know that’s going to be a bad word) was designed to create a system—Wesley Lowery is right when he describes that—in which the organization’s job was to make sure that whatever your perspective was it didn’t get in the way of reporting the truth. I believe in that very strongly. That’s not the job of every institution. But the job of the New York Times should, in the end, be to come out with the best version of the truth, with your own political opinion held in check by editors and editing. Not everybody believes that, but I believe that. And I think that if you come to work for the New York Times—if you really want to work for the New York Times—you have to embrace that, because that’s what the New York Times is.

In fact, I intended to include that outrageous and insulting lie, but felt it would have just muddled the more important point of the post. (That, and the New Yorker site blocked my access unless I subscribed…) Continue reading

“Denial”: An Ethics Movie (Part 1)

“Denial,” a 2016 British film that I missed (along with most moviegoers in the U.S.), tells, reasonably accurately, the story of a 1996 libel suit brought by David Irving, an anti-Semite, Holocaust-denying British historian, against Deborah E. Lipstadt, author of the 1993 book “Denying the Holocaust: The Growing Assault on Truth and Memory.” After the suit, her account of the ordeal, “History on Trial: My Day in Court with a Holocaust Denier,” formed the source of the screenplay.

Irving brought a lawsuit in Britain against Lipstadt (played by Rachel Weisz), and her publisher, Penguin Books, for calling him a Holocaust denier, a liar, and an anti-Jewish bigot. Irving is a long-time Hitler defender, and claimed there were no gas chambers at Auschwitz. British libel laws, unlike those in the United States, place the burden of proof on the defendant to prove that what was written was justified. Thus Lipstadt’s legal team must focus on proving Irving’s evidence is false, and that he knows it is false. The stakes were suddenly high, for if a court ruled that Irving’s theories had legitimacy, the results would have been catastrophic. For this reason, at least according to the film, a group of Jewish leaders urged Lipstadt to settle the suit before trial.

The movie is now on Amazon Prime. It is not a flamboyant legal drama but an intelligent and clear one (I would love to put it on stage). It also raises important ethics and legal issues, among them:

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