Dick Wolf

Rationalization #71: Dick Wolf’s Mantra, or “They Only Want A Better Life”

/ Jack Marshall / 24 Comments

As with all of the more recent rationalizations added to the list, #71, the first non-sub rationalization in a while, and thus the highest number so far, should have been included years and years ago. Who hasn’t been hearing and reading “They only want a better life!’ from illegal immigrant enablers, apologists and accessories after the fact for decades? Jeb Bush said it during his mercifully short Presidential run in 2015. Axis media like the New York Times may not use the exact words, but that is the underlying argument in their routine reporting of “good illegal immigrant” stories.

Why am I dubbing this annoying rationalization after Dick Wolf, the prolific TV producer and writer responsible for about a third of the dramas on TV among the reality shows quiz shows and sitcoms? It is because he drops the line into his productions virtually every time an illegal immigrant appears in the story line. I was tempted to call #71 “Mariska’s Rationalization,” because the star of “Law and Order: SVU” mouths the sentiment repeatedly throughout the show’s apparently endless seasons (after Mariska Hargitay finally dies on the job, the show will probably have her mummified corpse leading the police unit, like El Cid).

I confess: after announcing last year that I would be boycotting all Wolf shows after a particularly disgusting woke lecture in one episode I was unfortunate enough to hear, I tuned-in to an SVU re-run last night when my pathetic options were that, “Two-and-a-Half Men,” “Smile 2” and even worse junk. Sure enough, Olivia Benson was tracking down a white monster who was trafficking poor teens from Mexico and who set one of them on fire when she balked at being forced into prostitution to pay for getting across the border. When one of the other girls told Benson that she was afraid of being sent back to Mexico if she cooperated with “policia” to shut down the operation, Mariska, her face full of sympathy and her voice oozing motherly concern, said, “I know. But you you’ve done nothing wrong: you just want a better life!” At least in this episode Mariska didn’t talk about ICE like it was the Gestapo.

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Here’s Another Futile Boycott, But I Don’t Care: I’m Not Watching Another Dick Wolf Show Again…

/ Jack Marshall / 7 Comments

To hell with Wolf and all his shows— “Law and Order,” the “FBI” series, “Chicago Med,” “…Fire,” “…P.D.” I could take, barely, the perpetual sympathy for illegal immigrants and appeal to open-border sentiment, but now I am convinced Wolf is a malign force, not just an active member of the Axis of Unethical Conduct but an unscrupulous agent of personal destruction.

Yeah, I know: it won’t make any difference, and I can’t change anything. But at least I’ll be able to look at myself in the mirror.

I just watched “The Long Arm of the Witness” episode 6 from “Law & Order: Special Victims Unit” on season 22 (2021). It was an hour-long assault on Supreme Court Justice Brett Kavanaugh, putting his public victimization by a politically motivated accuser from his distant past in a damning and malicious who conveniently had a recovered memory of a sexual assault that had no witnesses, at a party she couldn’t identify, in order to discredit a distinguished judge because the Left didn’t want another conservative on the Court.

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Morning Ethics Warm-Up, 12/31/2018: “Goodbye 2018, And Good Riddance!” Edition

/ Jack Marshall / 12 Comments

Happy dying gasps of 2018!

1. Double standards inquiry: Will someone please explain to me why this magazine cover, which made O.J. Simpson blacker than he really is…

 

was universally condemned as racist, and this current cover of New York Times Magazine, making the late Aretha Franklin look like a ravenous rotting zombie from Hell..

…is just an artistic choice? (ARRGHHHHH!!!)

2. And speaking of looks…It is impossible not to notice that TV commercials are increasingly featuring overweight, ordinary-looking actors instead of the impossibly beautiful people who once were the automatic choices to sell products. This is an ethical development for the culture generally, and should help children develop more realistic aspirations regarding their own appearance. Now if only TV dramas would adopt the same inclusive casting policies—a particularly egregious candidate for reform is “law and Order” creator Dick Wolf.  His old series cast one eye-popping beauty after another as the male ADA’s sidekick, and now he is stocking his current NBC line-up of Chicago Med, Chicago Fire, and Chicago PD, with police women, female firefighters and distaff doctors who would be right at home in the pages of Vogue.

3.  More on “Enemies of the People”: Novelist and conservative gadfly Sarah Hoyt has issued a spirited defense—okay, it’s a screed, a rant even— of President Trump’s characterization of the news media, going over ground I have covered (most recently here and here), but with special brio. Read the whole thing— she is mostly right, if a bit hyperbolic and inflammatory—but here are some highlights: Continue reading →

Chicago Justice, Rights, And Pop Culture Malpractice

/ Jack Marshall / 8 Comments

Dick Wolf, the “Law and Order” creator, is in the process of taking over NBC prime time. He now has four linked dramas dominating the schedule—“Chicago Med,” “Chicago P.D.,” “Chicago Fire,” and the latest, “Chicago Justice.” (Soon to come, at this rate: “Chicago Sanitation,” “Chicago Pizza,” and “Chicago Cubs.”)

Yesterday was Episode #2 of “Chicago Justice.” The story in involved a “ripped from the headlines” riff on the Brock Turner case, where a woman was raped while unconscious and the rapist received a ridiculously lenient sentence. In Wolf’s alternate universe, however, the judge was murdered, and the rape victim and her ex-husband were suspects. There was another wrinkle too: one of the prosecutors had a close relationship with the dead judge, and was with him right before he was killed. She was going to have to be a witness, and her colleague and supervisor, prosecuting the case, asked her if she had been sleeping with the victim. Such a relationship would have been an ethical violation for the judge, and at least a pre-unethical condition for the prosecutor, requiring her to relocate to a Steven Bochco drama, where lawyers have sex with judges all the time.

The female prosecutor indignantly refused to answer the question. After the case was resolved—I won’t spoil it, but the name “Perry Mason” comes to mind—the two prosecutors made up over a drink. She said that she would have never slept  with “Ray” (the dead judge–when he was alive, that is), but that she remembered reading “in some old document” that we all had “unalienable rights,” she believed one of them was “the right to be respected by your fellow man.”

There is no “right to be respected.” The Declaration of Independence, the “old document” she referenced, lists three rights only, though they are broad ones: life, liberty and the pursuit of happiness. None of those encompass a right to be respected. The speaker, Anna Valdez (played by Monica Barbaro, a Latina dead ringer for Jill Hennessey, who played the equivalent “Law and Order” role for many years), is a lawyer, and should understand what a right is. It is a legally enforceable guarantee of an entitlement to have something, seek or obtain it,  or to act in a certain ways. As a lawyer, she must understand that this is different from what is right, just or honorable. Her statement, coming from the mouth of a character with presumed expertise and authority, misleads much of the public, which is constantly getting confused over  the difference between Jefferson’s use of “rights” and what is right. So do journalists and, sadly, too many elected officials. Continue reading →

“Chicago Med’s” Stupid Gun Tricks

/ Jack Marshall / 25 Comments

leafblower

Dick Wolf’ (Law and Order) has a new NBC show, “Chicago Med” (one of a series, including “Chicago Fire,” “Chicago Pet Shop,” or something: I can’t keep track). Tonight, the liberal activist’s hospital drama gave its audience a plot involving an NRA member’s wet dream gone horribly wrong. A man with an assault-type weapon bursts into a movie theater, sparking a mass panic and stampede and causing many injuries and at least one death. A mild-mannered, bespectacled young man in the audience (think Bernard Goetz, because that’s who the series wants you to think of) pulls out his pistol and shoots the gunman. He’s interviewed on the scene by an eager news media, and hailed as a fast-thinking hero.

Ah, but all is not what it seemed, or did seem. The “gunman” was a teen prankster with a website, who was filming material, and carrying not a weapon, but a leafblower. The hero, who had a concealed carry permit (he had been mugged in the past), wasn’t a hero at all, but the shooter of an unarmed kid—you know, just like all these trigger-happy cops. (The Mad Leaf Blower almost dies, but is saved by a liver transplant from a woman who died in the panic he started. Give-me-a-break. ). Now everyone at the hospital is looking at the one-time hero like he smells bad. He is overcome with remorse, and being relentlessly attacked on social media.

So he steps in front of a car, and is killed. Continue reading →

“Law and Order, SVU” vs. O’Reilly: Was Bill Smeared?

/ Jack Marshall / Leave a comment

Even if you can’t stand Bill O’Reilly, you have to admit that the Fox bloviator has an entertainingly thin skin. Are you a struggling TV talking head in need of a  ratings boost? Just take a shot, cheap or otherwise, at Battlin’ Bill, and he’ll double your audience by turning red-faced and calling you a slime. This time, O’Reilly is riled at Dick Wolf, the “Law and Order” producer, who recently had a character played by John Larroquette argue on “Law and Order, Special Victims Unit” that a man who killed the children of illegal immigrants had been primed by “Beck, Limbaugh, O’Reilly” who were like a “cancer spreading ignorance and hate.”  Continue reading →