“Don’t Breathe” Ethics

I just watched the 2016 horror/suspense thriller “Don’t Breathe,” in which Stephen Lang, always excellent, plays a blind veteran whose home is invaded by three self-righteous young sociopaths who intend to rob him. The movie is the latest genre movies with ethical mind-benders concocted in the House of Raimi, as Sam Raimi, the flamboyant auteur behind “The Evil Dead,” “Xena,” the first couple Spiderman movies and especially “Drag Me To Hell,” was the lead executive producer here and Raimi’s protege, Fede Alvarez, directed and wrote the script.

How do I do this without spoiling the film for someone who hasn’t seen it? I can’t. If you intend to ever see the hit 2016 movie but have not yet, then just wait for the next post. Otherwise, read on.

“Don’t Breathe” becomes one of those monster movies where you start rooting for the monster, and even that doesn’t encompass the  ethical morass the movie creates. Imagine “Wait Until Dark”except that the imperiled blind woman (Audrey Hepburn) is replaced by a blind Steven Seagal (the younger, thinner version), or maybe Billy Jack, and he beats the living daylights out of  or kills the three middle-aged male thugs—including a creepy evil mastermind played by Alan Arkin— who get into his house.

Got that? Okay, now replace the three thugs with three attractive twenty-somethings, including a troubled young woman trying to start a new life after an abusive childhood. Continue reading