Disney

Weekend Ethics Spring Bouquet

/ Jack Marshall / 15 Comments

I recently noticed that one of my Facebook friends of long-standing whom I respect greatly is now officially bonkers, thank to the Trump Derangement pandemic. I find this more than sad: it’s terrifying that a lifetime of critical thinking and rational, balanced analysis can be unmoored simply by having too many friends and associates who are ignorant hysterics and not realizing that the news media you frequent every day is mind poison.

Lawyers and ethicists are being hit especially hard; the fact that almost all of my theater associates are freaking out is less of a shock, for most of them have always been this way. My legal ethics specialist listserv is in the process of melting down over a few well-reasoned objections to the most of the opinions being offered residing more in the realm of progressive politics than legal ethics. But Trump is a threat to the rule of law! There wasn’t any concern whatsoever expressed on this same platform when Donald Trump was being targeted by Democratic prosecutors so that their party could continue to hold power. If Merrick Garland or Joe Biden were even mentioned there in four years, I must have missed it. I was amused to see one of the loyal “non-partisan,””objective” ethicists defend the group’s obsession with Trump by quoting the “Man for All Seasons” speech about giving the Devil the benefit of the law (Guess who the Devil is!) as another resorted to the hoary “First they came for the socialists, and I did not speak out..” quote from Martin Niemöller. Trump’s not the Devil, he’s Hitler! My friend, a retired partner in big D.C. law firm, is just about as impossible to argue with now as this idiot. Watching him devolve is like seeing a zombie movie…

Meanwhile,

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The Last “Snow White” Post (I Promise)

/ Jack Marshall / 2 Comments

Why is the Cognitive Dissonance Scale the graphic I chose for the final word on Disney’s “live-action” remake of Walt’s biggest and most important hit, 1937’s “Snow White and the Seven Dwarfs”? (For some perspective, realize that we have the same relationship on the timeline to that film that it had to the Presidency of Millard Fillmore.) It is clear that this cultural ethics train wreck, which EA has been dutifully covering (here, here, here, here here, and here), is now stuck inextricably in cognitive dissonance territory. For most viewers, what they think about the movie will be influenced far more by their biases and what they associate with the movie than the movie itself.

That’s how the scale works, as I keep explaining ad nauseam. If Disney is generally a plus-5 on a ticket-buyer’s scale (once upon a time, Disney would have been a plus-10 or higher on everyone’s scale) and the movie in a vacuum would be at “Meh”-level Zero, Disney would pull the film into positive territory. If Disney is in negative territory already for a different viewer, the film begins with an anchor chained to its metaphorical ankles.

Thus it is hardly surprising to see this as the early returns on the film (which doesn’t officially open in theaters until tomorrow):

Now that’s polarization!

What’s going on here? Well, a lot…

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Disney Faces An Inevitable Consequence of the Wokism Game: Ginsberg’s Theorem

/ Jack Marshall / 19 Comments

Ginsberg’s Theorem is a parody of the laws of thermodynamics applied to other human pursuits, in the current case, the hopeless race for woke virtue recognition in the Age of the Great Stupid. It begins with the fact that an entity or an individual has begun playing a game, and continues,

1. You can’t win the game.

2. You can’t break even in the game.

3. You can’t quit the game.

The Disney Corporation stumbled into Ginsberg Theorem territory when it decided to make a live action version of “Snow White and the Seven Dwarfs” in the throes of the company’s self-destructive woke virtue-signaling addiction. It began by casting a Snow White “of color,” which, of course, made no sense at all, since the whole story is based on an obsession to be the “fairest one of all,” and the central character is named Snow White. Snow that is not white has many icky implications.

Having started to play the game, Disney felt it had to react appropriately when actor Peter Dinklage of “Game of Thrones” fame, the best known of all performing “Little People,” gratuitously attacked the project, saying, “It makes no sense to me. You’re progressive in one way, but then you’re still making that fucking backward story about seven dwarfs living in a cave together!” That single critique from a single individual who had appointed himself as the voice of all small people everywhere was all it took for Disney to make the mind-blowing—but woke!—decision to make “Snow White and the Seven Dwarfs” without dwarfs. As chronicled here at the time, as soon as a picture of the seven replacements hit social media…

…the backlash and ridicule was so furious that those whatever-the-hell they were supposed to be were canned, the movie’s premiere was cancelled, and the whole film went back to the drawing board. Let’s see now: the live action version of “Snow White and the Seven Dwarfs” couldn’t have dwarfs play dwarfs because…well, because Peter Dinklage said so. They couldn’t replace Little People actors with non-dwarfs, no matter how “diverse” and “inclusive” they were, because that made no sense, though it took the social media mob to explain this to Disney’s creative team. Ah-HA! The solution was to have a live action movie with 7/8 of the title characters not played by actors, but by weird CGI things reminiscent of the original animated film’s iconic dwarfs, but neither as charming nor as convincing….

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A Nelson For Disney and “Snow White”

/ Jack Marshall / 11 Comments

“The Nelson,” the Ethics Alarms designation for very special episodes of swell-earned schadenfreude, was introduced in 2023 in a post about…Disney’s live-action reboot of “Snow White and the Seven Dwarfs,” the 1937 animated film that began building the Disney entertainment empire. Thus it is nicely symmetrical for Nelson to give his trademark “Ha ha!” to the trailer of this slow-motion disaster, which has set what is believed to be a YouTube record with, as of yesterday, 40,383 “likes” and 1,012,299 “dislikes.” The film is hitting theaters in March. Ethics Alarms warned Disney about what was bound to happen if and when this botched project ever got out of the cutting room. I wrote in part,

The ethics value defied here is competence, and what we are seeing is the classic sunk costs fallacy in its classic form. The Vietnam War was the most painful example of this breach of life competence and common sense, which holds that devoting a lot of time and/or resources to a failed project argues for devoting more of the same, lest those “sunk costs” go to waste. In reality however, what is being missed is that fact that whether or not one has invested a great deal in a lost cause, its status as a project that has proven itself unworthy of investment is unaltered. Doing what Disney is doing with the “Snow White” project is called “throwing good money after bad.” It is bad business—incompetent, wasteful, and irresponsible.

First, Disney woke fanatics thought it made sense to cast a Snow White-of-Color, which makes no sense since the story makes such a big deal about how “fair” the heroine is. Then, because a single au courant little person actor complained about the dwarfs in the classic fairy tail, Disney eliminated them in favor of these dorks…

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Ethics Dunce: ESPN (Disney)

/ Jack Marshall / 4 Comments

The College Football Playoff quarterfinal at the Allstate Sugar Bowl between the University of Georgia Bulldogs and Notre Dame, postponed from New Year’s Day to yesterday afternoon because of the deadly terrorist attack on Bourbon Street began with a solemn rendition of the National Anthem, a moment of silence, and a defiant crowd chant of “USA! None of this was deemed worthy of broadcasting by the main platform for the event on cable, ESPN. After all, they had ads to sell.

ESPN cut to a commercial break as the moment of silence began, and deliberately—don’t buy the narrative that it was inadvertent—chose not to let the national audience see the emotional prelude to the game including the “U.S.A!” eruption from the crowd. Disney and ESPN are so blinded by their institutional wokeness that they couldn’t recognize that the pre-game ceremonies had cultural and societal significance.

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Weenie of the Week: Disney [Pointer Corrected]

/ Jack Marshall / 18 Comments

Is it too much to ask Disney to at least have the courage of its oppressively woke convictions?

An episode of the new Disney animated show “Moon Girl and Devil Dinosaur” that centered on a transgender character was pulled from the series and there are no plans to broadcast it.

The Disney Channel will not show the episode in 2025 apparently because of its LGBTQ storyline, which involves a transgender character named Brooklyn who is on the girl’s volleyball team and faces discrimination from the opposing team’s coach. The evil coach uses a magic key to lock Brooklyn and her teammates in the girl’s locker room so they can’t play. Brooklyn, who wears pride-themed kneepads and has a “Trans is beautiful” sticker on her water bottle, tells her team mates, “I’m trans, my very existence breaks Greer’s rules.”

Although Disney claims that the timing of the cancellation notice is a coincidence, it seems that all of the artists involved in creating the episode believe that the Presidential election results motivated the decision. Emmy Cicirega, a storyboard artist, wrote on X, “Disney should be ashamed of themselves for canning this episode. You don’t get to approve approve approve something and then destroy it at the last minute, shattering the crew’s hard work and hopes.” Another animator tweeted, “If an episode got this far, it was approved multiple times by multiple divisions, only to suddenly be struck down at the last second? Total breakdown of process and spitting on your team’s careful/thoughtful work…The action being preemptive makes it so much worse to me. The absolute cowardice and second guessing when actually this is when this content is needed most.”

Disney denies it all, but why should anyone trust Disney these days? It does seem spectacularly stupid to self-censor a work of art because of a Presidential election and a close one at that. It seems just as stupid to pull an episode that everyone will think became too controversial because of Trump’s win. If Disney believes as fervently in its all-in support of LGBTQ issues as its much maligned output in recent years suggests, then the company should show some integrity and guts, stick to its metaphorical guns, and tell Brooklyn’s story. One thing you could count on Walt for: if he had a vision, he didn’t care whose ire it aroused. Like all great artists, innovators and creators, if where he was going was into a headwind, he wouldn’t turn back. The decision to red pencil Brooklyn’s story reeks of a company without principles just trying to go where the winds seem to be blowing. Weenies.

Now watch everyone blame the lost episode of “Moon Girl and Devil Dinosaur” on Trump.

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Pointer: Willem Reese [This is a correction: I initially credited JutGory for the tip, who quickly disavowed. EA apologizes to all concerned.]

Not Frivolous, Just Dopey: Disney’s Wrongful Death Defense

/ Jack Marshall / 4 Comments

Wow. Disney is being sued by a man whose wife died from a reaction to severe food allergies at EPCOT. Disney’s lawyers have come up with a creative defense: the $50,000 lawsuit should be dismissed because the plaintiff, Jeffrey Piccolo, signed up for a one-month trial of the streaming service Disney+ in 2019. The deal’s fine print requires Disney+ trial users to submit “all disputes” with the company to arbitration. This, the theory goes, extends to attempts to sue Disney for matters having nothing to do with the streaming service.

Piccolo’s lawyer called Disney’s argument “preposterous” in court filings and said that the idea that signing up for a Disney+ free trial should bar a customer’s right to a jury trial “with any Disney affiliate or subsidiary, is so outrageously unreasonable and unfair as to shock the judicial conscience.” He accused the entertainment giant of seeking to block its 150 million Disney+ subscribers from ever bringing a wrongful death case against it in front of a jury even if the case facts have nothing to with Disney+.

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Ethics Hero Elon Musk vs. Ethics Villain Disney

/ Jack Marshall / 7 Comments

Elon Musk is weird, impulsive, sometimes hypocritical and often infuriating. He is also a national treasure: a true Ethics Hero in the culture wars.

Back in 2021, Disney fired Gina Carano, one of the stars of the Disney+ series “The Mandalorian” because her social media posts were insufficiently supportive of the progressive cant Disney is obsessed with (to its financial and cultural sorrow). The triggering tweet was one in which Carano, a conservative (can’t have that in Hollywood!) compared Nazi Germany’s anti-Jewish propaganda to efforts by the political left to demonize people based on their political beliefs. Proving her point, Disney canned her, explaining, falsely, that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”

Carano is now suing Disney and Lucasfilms. Her complaint can be read here. She is suing under California law, which states that
“No employer shall make, adopt, or enforce any rule, regulation, or policy: (a) Forbidding or preventing employees from engaging or participating in politics or from becoming candidates for public office. (b) Controlling or directing, or tending to control or direct the political activities or affiliations of employees.”

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Ha! Disney Gets The Message!

/ Jack Marshall / 8 Comments

Discussing the last Ethics Alarms post about the totally botched live -remake of “Snow White and the Seven Dwarfs,” one of the most influential and ground-breaking (and popular, and profitable) films in Hollywood history, I told my wife, “If I were in charge of Disney, I’d just re-release the original in a restored version.”

And that’s exactly what the company is doing.

The best part about the move is that it implicitly rebukes Rachael Zeigler, the current Snow Of Color who foolishly trashed her own vehicle by calling the original dated and “weird.” It also commits the company to the ultimate version of the live-action rip-off emerging as an homage to its predecessor, not a rejection of it: all those kids who see Walt’s movie and love it are not going to like a live-version that defames Snow and her friends. Even Disney’s not that stupid. (Are they?)

Anyway, there is hope: the profit motive and the instinct to survive may have overwhelmed toxic wokism. Disney may have rediscovered the ethical virtues of competence, responsibility, and respect.

Disney’s Sunk Costs Fiasco, And Introducing “The Nelson”

/ Jack Marshall / 20 Comments

Disney, which has completely lost its way as a cultural icon, story-teller, entertainment source and exemplar, recently announced that it will be delaying its release of the live-action “Snow White” for at least a year after terrible publicity and a big-mouthed star made its $300,000,000 plus investment look shaky at best. Initially, the thinking was that the studio, recently the victim of one high-budget bomb after another, was just hoping to let all the controversy fade away, but no. The plan, it turns out, is to spend as much as another 100 million dollars to add CGI dwarfs, modeled on the animated originals, to the film and to remove whatever the hell these were…

…which was the DEI-driven, uber-woke Disney replacement for the iconic little fellas after a single short actor had complained that keeping that feature of the classic fairy tale would be uncool. The company really made an artistic decision this way. It really did. Morons. Walt would have rolled in his grave if he weren’t frozen stiff.

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