diveristy

Morning Ethics Warm-Up, 12/4/19: Trump Derangement And The Bad Guys

/ Jack Marshall / 11 Comments

 

Good Morning!

1. Quote of the Day: David Bernstein on Instapundit: “What do you call a candidate pool with too women, a gay man, a jew, a half-Jew, and a Catholic?  If you’ve drank a certain type of Kool-Aid, you can this “not diverse”–even though there has been only one Catholic president, and no gay, Jewish, or woman presidents. The obsession with arbitrary and artificial “official” minority status may be the single worse feature of the modern chattering classes.”

Well, of course the problem is “white”: the Democratic party has been demonizing whites for years, and anti-white bigotry is accepted and even cheered. I also disagree  that the “obsession with arbitrary and artificial “official” minority status may be the single worse feature of the modern chattering classes.”  I can think of worse features, but it’s certainly a bad one.

2. Now THIS is Trump Derangement!Long time Leftist wacko Amanda Marcotte persuaded the fast-sinking Salon tp publish her screed headlined, “How Donald Trump ruined Christmas: I won’t celebrate this year, and he’s why: My enthusiasm for the Christmas season was always weak. Amid the ugliness of Trump’s America, it’s disappeared.”

Her lament fits squarely into Big Lie #5 (“Everything is terrible.”) What is amusing and telling is that even though Salon’s readership is as hard left as the site, virtually every comment on her piece is negative. Here is the first one to come up, but the rest pretty much echo it:

Summary: The author is an atheist who doesn’t even believe in the central premise of Christmas, doesn’t have a great relationship with her family, and never really put forward an effort to celebrate the holiday in the past, but somehow Trump has ruined Christmas. She still likes Thanksgiving, however, because it has fewer cultural attachments.

Reaction: How in the world something this mind-bendingly stupid managed to get published by a major company is beyond me, and it’s an example of how the fanatical left has adopted a rhetoric of self-perpetuating trauma around this presidency. “How dare you vote for Trump because it makes me sad! Yes, linoleum makes me sad too, but especially Trump!” It is as if, somehow, they consider the rest of the country responsible for making sure that no part of their eggshell-tranquility is maintained, regardless of the fact that their fragility is entirely of their own making. News flash: No one cares.

Continue reading →

Bad Ethics Chess: The Insufficiently Diverse High School “Sound of Music”

/ Jack Marshall / 33 Comments

The real mystery here is how the school administrators and teachers could not have seen this coming. Thus the ethical value at issue is, as it often seems to be with public education, competence, or rather the lack of it.

In April of 2016, Marshfield High (in Wisconsin) presented its annual musical.  The production involved a cast of 40 students with 30 more in the crew and orchestra. Students from two elementary schools were in the cast. The show? Rogers and Hammerstein’s “The Sound of Music,” based on the story of the Von Trapp singers and their escape from Austria when the Nazis took over.

In March 2016, a complaint was received from a parent alleging that  the musical’s casting violated the district’s non-discrimination policy.  The parent asked why the cast did not “represent the demographics of the school district” and why a deliberate effort was not made “to ensure diversity in the cast.” The parent further said that even if the organizers of the play did not intend to discriminate, they did so “in the most overt and egregious manner.” For more than a year, district officials tried to keep the complaint and the resulting investigation out of the news. Now the investigation is out, and it found that indeed the casting did violate the policy.

I didn’t have to read the whole article, or much of it at all, to guess what happened. All I needed to know was that a high school with a diverse student body had chosen “The Sound of Music” as its annual musical. Everyone has seen the movie, and knows that it is about the cutest Austrian family on Earth stocked with a group of brothers and sisters whose ascending ages and heights constitute the most vivid visual image of the play.  High schools seldom produce this musical, for exactly these reasons. A theater department barging ahead with this Rodger and Hammerstein classic will be instantly risk appearing to exclude anyone who isn’t so white that their brilliant gleam will blind the audience (and African-American Nazis are even more jarring than  Hispanic-American and Asian Austrians), or it must commit to the most show-undermining non-traditional casting imaginable. There isn’t even a true choice: if you produce this show in a public school, you have to be ready to cast a black Maria, brown Nazis, Asian Austrian nuns and a brood of Von Trapps that suggests that the Captain was rather naughty in his travels, if admirably open to amorous affections regardless of race, color or creed. Continue reading →

Morning Ethics Warm-Up: 7/20/17

/ Jack Marshall / 63 Comments

Καλημέρα!

[This is pronounced “Kaliméra!,” not to be confused with “Calamari!” My father frequently got them confused when he visited Greece with my mom, the former Eleanor Coulouris, and embarrassed her by greeting the natives some mornings by cheerily saying, “Squid!“]

1. The newspaper Arts section headline says, “Mayor Ties Arts Money To Diversity.”

The mayor in question is New York City’s DeBlasio, and since his own family is “diverse,” naturally every other entity has to be, or it is baaaad. This is why I oppose government funding of the arts unless it guarantees that the nation, state or city will not attempt to use its support to control the arts organizations in any way.  Of course, governments will never do that, because manipulating the arts to advance  political agendas is usually the underlying motive in arts grants. Ideologues like De Blasio—wow, he’s terrible—will constantly be grandstanding and doing everything in their power to manipulate artists and their art to ensure that they send the “right” messages—you know, like Nazi art and Communist art. It is exactly the same theory and practice: art as political indoctrination.

Quick: who thinks that De Blasio will be focusing on “diversity” in the management (or on the website) of the Dance Theater of Harlem? Even if the government doesn’t attach strings to its support, arts organizations know that there are more of them than there is tax-payer money to disperse, so there is terrible and often irrsistable pressure to distort their product to give their state funders what the artists think they want—just to be safe.

My professional theater company refused to do that, sticking to the integrity of our mission and not resorting to tokens and virtue-signalling. My now defunct professional theater company, that is.

2. Yesterday, I highlighted the head-blasting comments of New York Times film critic A.O. Scott and his alternate-universe pronouncements about the Obama presidency. To be fair to A.O., his entire profession is packed with historical and political ignoramuses who make their readers dumber with every review. I once created a theater reviewer’s code of ethics, which I mailed to a critic, who sent it back to me with a note that said, “Mind your own business.” Years ago, I published an essay that was called “Why Professional Reviewers Are Unethical,” that began,

When Variety announced that it was firing its in-house film and drama reviewers, there was much tut-tutting and garment-rending over the impending demise of professional reviewing in magazines, newspapers and TV stations. The villain, the renders cry, lies, as in the Case of the Slowly Dying Newspapers, with the web, which allows any pajama-clad viewer of bootleg videos to write film reviews, and any blogger who cares to write a review of a play. “I think it’s unfortunate that qualified reviewers are being replaced,” said one movie industry pundit, “but that’s what’s happening.”

I say, “Good. It’s about time.”

It’s not happening quickly enough, though. “Dunkirk” is opening this week, and, as I predicted, film reviewers are showing their utter historical ignorance. The Washington Examiner skewers them deftly in an essay called “Why the (True) History of Dunkirk Matters.” Highlights, or rather lowlights:

  • USA Today critic Brian Truitt complains that “the fact that there are only a couple of women and no lead actors of color may rub some the wrong way.” He is not the only film critic to observe this.

Morons.

  • Slate.com critic Dana Stevens claims that the British Army at Dunkirk was the “last bulwark against Nazi invasion of the British mainland.”

Not even close to true. Continue reading →

Yoga Class Discrimination Based On Race: It’s Benign Because Gay, Non-White Progressives Are Doing It!

/ Jack Marshall / 18 Comments

 

Yoga

“War is peace, freedom is slavery, ignorance is strength”—I wonder how George Orwell missed “Segregation is Integration”? Maybe because that was too obviously ridiculous even for Big Brother to pull off….or so he thought.

Apparently yoga and meditation studios in multiple locales in the U.S. are running “no whites allowed” classes in the interests, say the operators, of making Eastern self-help disciplines more accessible to “people of color” [ I detest this phrase, but I’m quoting] by excluding people of less valued color—that is, whites. The New York Times just published an uncritical profile of such a place in Oakland, by a reporter who shrugged off the fact that she was refused in her request to attend a class because she was too little “of color.” Incredibly, the Times reporter just accepts the Bizarro World logic and utter hypocrisy fed to her as if it makes as much sense as “freedom is slavery” makes to poor Winston after his brain cells have been scrambled by the threat of rats eating his face.

“Specific classes at the center bar white or straight people — in order to be inclusive of some, they exclude others. Those who run the center say that the practice ultimately makes the center community more diverse…Brenda Salgado, the director of the center, said that as part of its diversity efforts, the center has four different sitting groups that meet weekly. “An L.G.B.T.Q.I. sitting group, one for people of color, a Friday open sit, open to everyone — those can fluctuate between 50 or 100, Ms. Salgado said. “We also have the Every Body Every Mind group, for people with disabilities and chronic illness.”

For all but the “open sits,” the expectation is that only people who identify with the target group will attend. (I learned as much when my request to attend People of Color Yoga was turned down.) And for open sits, organizers use a Web application to ensure that white people do not crowd out others. When the spots allotted for white people fill up, registration is capped to save spots for others.”

Oh, naturally: quotas too! Continue reading →