Elvis Presley

Addendum: Joy Reid’s Rant

/ Jack Marshall / 13 Comments

This little factoid is too rich to pass up. As noted yesterday in the pot pourri post, the execrable racist Joy Reid had done an interview raging about how everything whites invented had been stolen from black innovators, focusing especially on music. “We black folk gave y’all country music, hip hop, R&B, jazz, rock and roll, they couldn’t even invent that. But they have to call a white man The King. Because they couldn’t make rock and roll. So they have to stamp The King on a man whose main song, was stolen from an overweight black woman,” the former MSNBC star said.

The “overweight black woman” she was referring to was Big Mama Thornton, the original artist to sing “You Ain’t Nothing But a Hound Dog,” which she recorded on August 13, 1952. It was Thornton’s only hit record, selling over 500,000 copies. Elvis, of course, subsequently recorded the song and it became not only an even bigger hit, but his breakthrough record.

Mark Hemingway of The Federalist pointed out on “X” that, as usual, Reid didn’t know what she was talking about. For while Big Mama was black and was the first to sing the song, she didn’t write it. “Hound Dog” was written by the immortal Jerry Leiber and Mike Stoller, who were as white as Elvis.

They wrote or co-wrote over 70 chart hits including many of Elvis’s most famous songs. Among their hits for other artists: “Stand by Me,” “Leader of the Pack,” “On Broadway,” and Peggy Lee’s “Is That All There Is?” Peggy was very white. Lieber and Stoller were inducted into the Songwriters Hall of Fame in 1985 and the Rock and Roll Hall of Fame in 1987.

Quoth Hemingway: “Reid is an idiot.” Yes, and she’s a racist idiot who makes anyone who listens to her more ignorant than they were when she started talking.

Twerk Ethics

/ Jack Marshall / 23 Comments

[The following is blurry, but perhaps that is for the best. It is the only full version of the performance at issue currently available on YouTube, and it may not be there for long. Watch at your own risk.]

To listen to the horrified reaction to Miley Cyrus’s relatively obscene performance at the nationally televised MTV Music Video awards (not so long ago, Miley was that cute tween Hannah Montana on the Disney Channel) , one would think that rock and pop stars intentionally crossing the established lines of symbolic pubic sexual decorum was unprecedented. The furious and shocked condemnations seemed to emanate from some parallel culture, like the alternate universe that implicitly exists on CBS’s updated Sherlock Holmes drama “Elementary” (Sherlock is a precariously recovering alcoholic and drug addict; Dr. Watson is a former Charlie’s Angel) where nobody ever heard of “The Hound of the Baskervilles,” Basil Rathbone or the dancing men cipher, because Arthur Conan Doyle never invented the character. ( The British updated Sherlock, uncreatively titled “Sherlock,” is so far superior to “Elementary” —which isn’t bad–that  it’s unsettling.) Have Isadora Duncan, Josephine Baker, Sally Rand, Elvis, the Stones, Jim Morrison,, Madonna and Christina Aguilera been erased from the past by some music-hating cyborg from a dystrophy future where everyone sings like Matt Munro?

Gross simulated sexual display on television prime time has unethical elements, to be sure. It’s uncivil, to begin with, intentionally placing socially objectionable content before a lot of viewers who don’t want to see it. That’s a breach of respect, but a minor one in this context. Janet Jackson flashed a breast during the Superbowl half-time show, after all: the argument that this was a family event that shouldn’t have been unexpectedly transformed into a peep show was grounded in fact. This week, however, I heard earnest mothers protesting that their delicate pre-teens were watching the MTV awards and had the innocence cruelly seared out of them by the unexpected and horrifying sight of Miley twerking ( simulating sex while dancing—a brand new addition to the Oxford dictionary) on Robin Thicke, dressed as Beetlejuice. Those mothers, not to be excessively cruel myself, are idiots.

What did they expect to see? This is a live show populated by competing shameless self-promoting narcissists who know that the performer who says or does the most outrageous thing will win the publicity game, and be a topic of debate for days or even weeks. Miley won, that’s all. If a child saw something age-inappropriate, the parents can only blame themselves.  This was roughly the equivalent of letting your kid watch “The Walking Dead” and complaining to AMC that the show’s violence is excessive for children. Ethics breach #1 is by any parent who allowed a child to watch this show while wanting to protect the child’s exposure to sexually provocative material. Irresponsible, incompetent, and stupid. Continue reading →

The Weintraub Delusion

/ Jack Marshall / Leave a comment

Jerry Weintraub, the epically successful producer of movies and manager of legendary performers, notably Elvis Presley, has written an entertaining autobiography entitled, “When I Stop Talking You’ll Know I’m Dead: Useful Stories From a Persuasive Man.” Maybe the stories are useful, but clearly not in the way Weintraub thinks they are.

As Weintraub was promoting his book on NPR this morning, he told several stories, all amusing. One involved a period when he was managing the late singer John Denver. Continue reading →

Astrology Ethics

/ Jack Marshall / 7 Comments

Considering absurd hypotheticals can still be valuable. Consider this ridiculous question from a site with the tautological title, “Astrology or Superstition?” :

“Would it be unethical to use astrology to gain advantage over someone in the work environment?”

Obviously not, because astrology is a crock. But if it were not a crock, what would the answer to this question be? Continue reading →