Ethics Observations On Actress Emma Thompson’s Resignation Letter

British acting grande dame Emma Thompson dropped out of the voice cast of Skydance Animation’s upcoming film “Luck.” The reason was  ex-Pixar creative force John Lasseter being hired to lead animation at David Ellison’s studio; Ethics Alarms wrote about his new job here. A quote from that post…

The hire, Time’s Up added in a statement, “endorses and perpetuates a broken system that allows powerful men to act without consequence.”

Got it. Women, at least these women, want to see men ruined, shunned and reduced to living by crowdfunding and begging on the street if possible, without the certainly of due process and regardless of circumstances. How does someone like Lasseter show “true remorse”? They get to decide. What work do they have to do to reform their behavior? That’s the activists’ call too, I suppose. Meanwhile, absent a trial, what is restitution? If the women involved have a lawsuit, let them bring it. What is the cost of an unwanted workplace hug?

Thompson’s reps released her letter on last week, first published in the Los Angeles Times, that Thompson had sent to Skydance management. Here it is:

As you know, I have pulled out of the production of “Luck” — to be directed by the very wonderful Alessandro Carloni. It feels very odd to me that you and your company would consider hiring someone with Mr. Lasseter’s pattern of misconduct given the present climate in which people with the kind of power that you have can reasonably be expected to step up to the plate.

I realise that the situation — involving as it does many human beings — is complicated. However these are the questions I would like to ask:

If a man has been touching women inappropriately for decades, why would a woman want to work for him if the only reason he’s not touching them inappropriately now is that it says in his contract that he must behave “professionally”?

If a man has made women at his companies feel undervalued and disrespected for decades, why should the women at his new company think that any respect he shows them is anything other than an act that he’s required to perform by his coach, his therapist and his employment agreement? The message seems to be, “I am learning to feel respect for women so please be patient while I work on it. It’s not easy.”

Much has been said about giving John Lasseter a “second chance.” But he is presumably being paid millions of dollars to receive that second chance. How much money are the employees at Skydance being paid to GIVE him that second chance?

If John Lasseter started his own company, then every employee would have been given the opportunity to choose whether or not to give him a second chance. But any Skydance employees who don’t want to give him a second chance have to stay and be uncomfortable or lose their jobs. Shouldn’t it be John Lasseter who has to lose HIS job if the employees don’t want to give him a second chance?

Skydance has revealed that no women received settlements from Pixar or Disney as a result of being harassed by John Lasseter. But given all the abuse that’s been heaped on women who have come forward to make accusations against powerful men, do we really think that no settlements means that there was no harassment or no hostile work environment? Are we supposed to feel comforted that women who feel that their careers were derailed by working for Lasseter DIDN’T receive money?

I hope these queries make the level of my discomfort understandable. I regret having to step away because I love Alessandro so much and think he is an incredibly creative director. But I can only do what feels right during these difficult times of transition and collective consciousness raising.

I am well aware that centuries of entitlement to women’s bodies whether they like it or not is not going to change overnight. Or in a year. But I am also aware that if people who have spoken out — like me — do not take this sort of a stand then things are very unlikely to change at anything like the pace required to protect my daughter’s generation.

Yours most sincerely,

Emma Thompson

Observations: Continue reading

Your Harvey Weinstein Ethics Train Wreck Update, With The Ethics Quote Of The Week From Screenwriter Scott Rosenberg

In 2009, after fugitive cinema auteur/child rapist Roman Polanski was arrested by Swiss police following a request by the U.S. Justice Department that he be extradited to serve his sentence, Harvey Weinstein authored an op-ed arguing  that  “Roman Polanski is a man who cares deeply about his art and its place in the world.” The article dismissed Polanski’s rape and sodomizing of a 13-year-old actress as “a so-called crime.”

 Weinstein then signed am infamous petition for Polanski, along with many Hollywood celebrities.

Last week, Academy Award-winning British actress Emma Thompson appeared on the BBC to  denounce Weinstein’s conduct.  Newsnight’s Emily Maitlis asked her, since she felt so strongly about sexual assault, why she had signed the Polanski petition.

No, I have not heard or read that any U.S. journalist has had the courage or integrity to ask the question of other actresses who have similarly flip-flopped.   Thompson she said she had signed “without really thinking about it . . . I had been absolutely bamboozled by my respect for his art.”

Sure. Emma, that explains it What woman doesn’t sign a “Forgive the rapist” petition without thinking about it?

2.  Hollywood Screenwriter Scott Rosenberg took to Facebook to post a provocative exposition on his early days at Weinstein’s Miramax Films, with a tough kicker: “Everybody fucking knew.” If everybody fucking knew, is it really believable that the Clintons, the Obamas, the other Democrats who gleaned millions from Harvey and Harvey’s connections, and the journalists that never exposed him at the cost of undermining their favorite party didn’t know?

No. It isn’t believable.

Here’s Rosenberg: Continue reading