Emmys

Comment of the Day: “Ethics Dunce And Unethical Quote of the Week: Emmy Winner Hannah Einbinder, Plus Another ‘Nah, There’s No Mainstream Media Bias’ Moment by the Times…”

/ Jack Marshall / 14 Comments

I used to follow up every Oscar telecast by chiding the Academy of Motion Picture Sciences for their omissions in the annual “In Memoriam” segment, which were often egregious. (How do you snub the likes of Harry Morgan and Stella Stevens?) I never did the same with the Emmys because I never watch the Emmys, but it has occurred to me that increasingly that awards show is more indicative of the state of American culture than the Oscars. Movies are going the way of live theater (Gee, thanks Wuhan virus!), and given the incompetence and political arrogance of Hollywood, it’s not the tragedy I once would have thought it was.

I found a special treat in the comment by AM Golden about this weekend’s Emmy Awards broadcast, as I saw an Emmys version of my annual Oscar posts! Here’s that Comment of the Day on the post “Comment of the Day: Ethics Dunce And Unethical Quote of the Week: Emmy Winner Hannah Einbinder, Plus Another ‘Nah, There’s No Mainstream Media Bias’ Moment by the Times…”. I’ll have a few comments at the end…

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Does anyone care about these awards anymore? Does anyone know any of the actors nominated?

As is my tradition, I skipped the ceremony and watched the In Memoriam this morning. I do this to grumpily catalog how many deaths were overlooked.

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Ethics Dunces: Rob McElhenney, Kaitlin Olson and the Hacks Who Wrote Their Material For The Emmys

/ Jack Marshall / 7 Comments

I usually ignore the Emmys unless something especially egregious happens on this perpetually unexciting and predictable awards show. Even the current topic, the rude and unfunny jibes of two C-list show-biz types at the expense of Meryl Streep during the latest installment, isn’t a big deal, just a provocative one prompting several ethics musings on the state of American culture and society.

Presenting the award for outstanding supporting actress in a comedy series ( Streep was a nominee) Rob McElhenney and wife Kaitlin Olson engaged in this scripted banter:

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Distracted Ethics Warm-Up, 11/24/2020: “A Website, Two Governors And An Actress Walk Into A Bar…”

/ Jack Marshall / 26 Comments

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I’m writing this while simultaneously watching an Ethics Rock Extreme Zoom replay and answering typed-in questions from participants. Boy, I hate watching and listening to myself….

1. Unethical website? www.everylegalvote.com is labeled by the New York Times as “promoting claims of fraud, built on fantasy.” I’d call the big map showing Biden with 214 Electoral votes and the President with 232 misleading. I also find the Times’ constant refrain in headlines and stories that the President is “trying to subvert a free and fair election with false claims of fraud” an outright lie.” The 2020 election was not “fair” because of biased and manipulated reporting by the Times and most of the media, and there is no question that many of the allegations of fraud are accurate, with legitimate reasons to suspect broader corruption.

The site is also serving valid purpose since the news media isn’t reporting the current controversies objectively.

2. And this is why most celebrities and actors should shut up, because they make people stupid. Here is actress Kristen Stewart’s response to a interviewers question on how she feels about gay activists demanding that only gay actors should be allowed to play gay characters (Stewart decided she was gay mid-career. Whether she stays gay —think Ann Heche—is an open question. It’s all about branding…) :

I would never want to tell a story that really should be told by somebody who’s lived that experience. Having said that, it’s a slippery slope conversation because that means I could never play another straight character if I’m going to hold everyone to the letter of this particular law. I think it’s such a gray area. There are ways for men to tell women’s stories, or ways for women to tell men’s stories. But we need to have our finger on the pulse and actually have to care. You kind of know where you’re allowed. I mean, if you’re telling a story about a community and they’re not welcoming to you, then fuck off. But if they are, and you’re becoming an ally and a part of it and there’s something that drove you there in the first place that makes you uniquely endowed with a perspective that might be worthwhile, there’s nothing wrong with learning about each other. And therefore helping each other tell stories. So I don’t have a sure-shot answer for that….Sometimes, artfully speaking, you’re just drawn to a certain group of people. I could defend that, but I’m sure that somebody with a different perspective could make me feel bad about that — and then make me renege on everything I’ve just said. I acknowledge the world that we live in. And I absolutely would never want to traipse on someone else’s opportunity to do that — I would feel terrible about that. So my answer is fucking think about what you’re doing! And don’t be an asshole.

Thanks for that clarification, Kristen..

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Ethics Dunce: Glenn Weiss

/ Jack Marshall / 24 Comments

Awww! YECCHHH!

Director Glenn Weiss made a surprise proposal to his longtime girlfriend Jan Svendsen during his Emmy Awards acceptance speech.

The Ethics Alarms rule, hinted at in other posts, is that anyone who issues a marriage proposal in public, putting unethical pressure on his or her loved one to accept, should be rejected on the spot. The act is unfair, disrespectful, and signature significance for a jerk and a bully who is unlikely to be a pleasant life partner. This goes for sports stadium TV screen proposals, but Weiss’s version is especially bad: the coast-to-coast live TV proposal.

It was unethical in other respects as well. The Emmys aren’t license for any winner to hijack the show  and divert it for his or her own  personal objectives.  Making an acceptance speech into political rant is wrong, but the recent culture of award shows has ratified the obnoxious practice: that’s why the ratings for awards shows are falling like ripe apples in October. In Weiss’s case, there was also the hypocrisy factor. He has produced and directed 18 Tonys telecasts for CBS, and is known “as an unforgiving stickler when it comes to keeping acceptance speeches to the allotted 45 seconds.” One theater exec told Page Six that “every year, Glenn gives this pompous speech to all the nominees, lecturing everyone about how the clock starts the second your name is called and that going long is unfair to your fellow nominees because it eats time for everyone whose categories come later in the evening. Leave it to him to completely flout his own rule in order to grab as much attention as humanly possible for him and his girlfriend.”

Good luck, Jan.

Afternoon Ethics Warm-Up, 9/19/18: Conditional Authoritarianism, Fake Reparations, And Profitable Harassment

/ Jack Marshall / 26 Comments

Having a good and ethical day?

1. Here’s a useful definition…that I formulated while reading another issue of the increasingly and inexcusably anti-Trump propaganda obsessed New York Book Review section. This past weekend’s addition was more obvious than usual. “Democracy at Risk!”  (Not by an opposition party setting out to topple a Presidency with the assistance of the news media—no no no! The risk justifies the opposition party doing this!) “Is Donald Trump a Fascist?”  Hey, what’s Bob Woodward reading, just to pick a celebrity out of a hat? (The interview highlights the lack of self-awareness among the Trump-haters: Bernstein points out how intolerance and hate destroyed Richard Nixon as the Times allows and promotes hate in its war against the current President.) There’s an essay about…white nationalism! A Times reporter has written a book that pronounces the United States as “DOOMED!” And here’s Andrew Sullivan extolling an American revisionism exercise while referring to the current “spasm” of authoritarianism, and Doris Kearns, my old presidential power prof in college, with a new book about her faves, Lincoln, Teddy, FDR, and LBJ. These were great leaders.

The definition: Authoritarianism is when a President you don’t like exerts strong leadership within his powers to accomplish policy goals you disagree with. When a President you do like stretches and exceeds his Constitutional powers to achieve policy goals you approve of, that’s not authoritarianism. That’s great leadership.

As an aside, Andrew Sullivan tells us in his review that “the 2008 Heller decision rejecting a D.C. handgun ban is quite obviously bonkers.” All righty then! I guess that settles it!

2.  Speaking of Bonkers: Emmys Ethics. Michael Che appeared in a pretaped bit in which he handed out “reparation Emmys” to  black performers who supposedly were overlooked by the voting academy. These included Jaleel White (Urkel  on“Family Matters”), Marla Gibbs (nominated five times for her role as Florence on “The Jeffersons”), Tichina Arnold (“Martin,” “Everybody Hates Chris”) and Kadeem Hardison (“A Different World”).
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Emmy’s Transgender Nomination: Important, Inspiring, and a Breach of Integrity

/ Jack Marshall / 18 Comments

laverne-cox-timeThe Emmys made cultural history yesterday, nominating Netflix’s “Orange Is the New Black” actress Laverne Cox, who plays Sophia Burset in the prison drama, in the category of outstanding guest actress in a comedy series. It is the first time an openly transgendered actress has been nominated for an Emmy.

She joined several of her colleagues  on the show who were also recognized in various acting categories: stars Taylor Schilling, Kate Mulgrew, Uzo Aduba and Natasha Lyonne.

The problem is that Cox received the nomination for political and social reasons unrelated to her performing skills. This will be denied, of course, and since all awards are subjective, no one will be able to prove this is the case. It is, however. In the large, uniformly superb ensemble cast, Cox’s role is relatively minor, and I have a difficult time believing that anyone would objectively identify her as a standout in the show based on her acting. (In the current season, which I have seen in its entirety, her character is almost invisible). This isn’t intended to diminish Cox in any way, for in the role she plays, I cannot imagine it being played better. Nevertheless, there are many un-nominated actresses in that show—as well as other shows— whose characters are more vivid, who have to show more range, and who are more deserving of a nomination once the process is stripped of irrelevant political baggage. Among them: Taryn Manning, whose transformation into the complex religious fanatic Tiffany “Pennsatucky” Doggett is frightening; Yael Stone, as the heartbreaking stalker Lorna Morello; Samara Wiley, as te alcoholic moralist Poussey Washington, and several others.

Everyone is thrilled for Cox, with Cox, reasonably, leading the way. “I’m on cloud nine. I’m through the roof,” said the actress, whose path to an award was  paved when she was featured on the cover of Time magazine.“What a wonderful, wonderful day for “Orange” and for black trans-women,” she said.

Undoubtedly. It’s not such a great day for the acting profession generally, the Emmys, or the principle that awards based on merit should be decided based on merit, and not social and political agendas. I would say, “But that’s Hollywood,” except that it isn’t just Hollywood. Continue reading →

Emmy Ethics: Honoring Elmo, Or Honoring A Child Molester?

/ Jack Marshall / 22 Comments

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I am assuming, based on the fact that this story was featured on the conservative muckraking website Brietbart, that some people think it is inappropriate to award three Daytime Emmys for children’s programming to Kevin Clash, the Muppets puppeteer whose career as fuzzy red monster Elmo on Sesame Street ended with a series of child molestation accusations.

If I am right, these people are dead wrong. Clash is an artist, and a talented one. Whether or not the allegations of his having illicit contact with under-aged boys are true, and none have been tested in court, his skill in manipulating and voicing the cutest and most vulnerable of the Muppets is beyond debate. The Emmy has never been nor claimed to be a character award. An Emmy recognizes excellence in television, in this case children’s programming, and it doesn’t make a smidgeon of difference if an artist is a child molester, a bank robber, a cannibal, a Nazi or a Billy Ray Cyrus fan—if he or she delivered the best artistic product, the honor is deserved.

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Spark, Facts and Graphic: Breitbart