Introducing Rationalization 25C, The Romantic’s Excuse, Or “I Care So Much!”

It should have been depressing for any American to observe Senator Chuck Schumer’s  recent two-day display of horrific ethics, beginning with his threatening two Supreme Court Justices if they refused to do his bidding–Chuck doesn’t get that “separation of powers” thingy, unless it can muzzle the other party’s President—and concluding with a record-setting rationalization orgy on the Senate floor as he tried to weasel out of accountability for his outrageous and dangerous abuse of position and decency.

In some ways, his second outburst was worse than his first. Rationalizations are lies, essentially, and a U.S. Senator who resorts to them to defend himself is insulting the intelligence and character of the American public  as well as deceiving and corrupting them. Unfortunately, rationalizations are how our culture, in the absence of a competent educational system, tends to teach most people how to reason when ethics are on the line. Since rationalizations are all lazy, dishonest, flawed and damaging ways to approach decision-making, for a U.S. Senator like Schumer to parade them so shamelessly rots more than just the principles of logic.

There is good news, though! In his frenzy to try to babble his way out of the Senate censure he had earned, Schumer revealed a new rationalization for the list that somehow Ethics Alarms had missed. Chuck’s exhaustive collection of justifications included  this lament, “I feel so passionately about this issue and I feel so deeply the anger of women all across America!” Oh! Then we completely understand why you would threaten two Supreme Court justices and said they wouldn’t know what hit them if they displeased you, Senator! No problem, then. Carry on!

I think this is the 101st entry on the Rationalizations list. As we get farther and farther down our categorizing  the wide variety of lies we tell ourselves and others to make it seem like doing wrong is doing right, there is a danger of slicing them too thin. I am persuaded, however, that The Romantic’s Excuse is, indeed, a necessary addition, so here it is: Continue reading

When The Anti-Liberty Mobs Attack, Courage And Character Are Paramount, Part I: The “Rub & Tug” Fiasco

As I explained in the initial post about the “Rug and Tug” controversy, the protests against Scarlett Johansson being cast as a biological female who led her life as a transsexual male  (that’s “Tex” on the left) made no sense. The arguments put forth by the transgender cyber-mob and others  undermined the movement for non-traditional casting that would provide minorities, like trans actors, more opportunities in their chosen field.  Their position was a double standard and  internally inconsistent, asserting that biological males who had transitioned to female were a more logical choice to play a real life character who was born female, than a female actress who would be playing a female identifying as a male…when as a female actress, that’s what she would be doing in reality. The controversy was unfair to Johansson (again) and was contrary to the whole concept of acting. Never mind! Transsexuals are currently the darling victim group of the Left, and don’t have to make sense, be consistent, or even advocate causes that avoid undermining other progressive causes and constituencies. What they say is just right, because they say so, that’s all, and anyone who disagrees is a bigot, and that’s that. They want what they want, and because they have been discriminated against in the past, they don’t have to be logical or consistent.

Thus, in episodes like this they can become monsters, using bullying and  social media to demand their desires regardless of whether it is an ethical position or not. Make no mistake: in this case, their position was not an ethical one. What is desperately needed when groups misbehave this way and abuse their influence and power is for their target to say no. Unfortunately, doing so requires unusual levels of principal, character, responsibility, intelligence and courage.

Johansson is a talented actress and a major star, but she does not, we now know, have what it takes. Noticing that no significant voices in Hollywood rallied to her defense, the actress quit the project and resigned from the role, issuing standard Hollywood political correctness blather:

“In light of recent ethical questions raised surrounding my casting as Dante Tex Gill, I have decided to respectfully withdraw my participation in the project. Our cultural understanding of transgender people continues to advance, and I’ve learned a lot from the community since making my first statement about my casting and realize it was insensitive. I have great admiration and love for the trans community and am grateful that the conversation regarding inclusivity in Hollywood continues. According to GLAAD, LGBTQ+ characters dropped 40% in 2017 from the previous year, with no representation of trans characters in any major studio release. While I would have loved the opportunity to bring Dante’s story and transition to life, I understand why many feel he should be portrayed by a transgender person, and I am thankful that this casting debate, albeit controversial, has sparked a larger conversation about diversity and representation in film. I believe that all artists should be considered equally and fairly. My production company, These Pictures, actively pursues projects that both entertain and push boundaries. We look forward to working with every community to bring these most poignant and important stories to audiences worldwide.”

This is Authentic Frontier Gibberish, self-contradictory and easily translated as “Hey, whatever the anointed  in-group says is right is right with me! I’m certainly not going to buck conventional wisdom if it means losing fans, roles, and money! You tell me what to think, and I’ll think it. Tell me to jump, and I’ll say “How high?” I welcome my Political Correctness Masters, and will do their bidding.” Continue reading