I was going to include these in the previous post, but decided to let it stand alone.
Please review these comedy clips, and vote on whether or not each is potentially and legitimately offensive to the ethnic group portrayed, parodied, or stereotyped.
1. Danny Kaye: “Anatole of Paris”
2. Cleavon Little: “Blazing Saddles”
Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:
Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.
(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)
At the end of her screed, she writes,
“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”
I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter. It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.
This is me, by the way:
(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading
Commenting on the recent attacks from progressives on the allegedly racist drawings of Dr. Seuss, I wrote,
I’ve missed it: have social justice warriors been protesting “The Simpsons”? No? Not even Apu, the Indian immigrant Springfield resident—Wait! Isn’t the Dr. Seuss Museum in Springfield?–who has the stereotypical ethnic occupation of a convenience food proprietor (Full disclosure: my local 7-11 is owned by an Indian American)? You know, this guy?
Apparently I inadvertently set something in motion in the zeitgeist; I’m so sorry. For the New York Times informs us that a new documentary debuting Nov. 19 on truTV is called “The Problem with Apu,” and “wrestles with how a show praised for its incisive humor — over the years, it has explored issues like homophobia and political corruption — could resort to such a charged stereotype. Making matters worse is the fact that the Indian character is voiced by a non-Indian (albeit an Emmy-winning) actor, Hank Azaria.”
The article goes on,
“In the film, Mr. Kondabolu places Apu within the broader history of Hollywood’s depiction of Indians, including Peter Sellers’s brownface rendition of an idiot in the 1968 Blake Edwards film “The Party” and the Indians feasting on chilled monkey brains in Steven Spielberg’s “Indiana Jones and the Temple of Doom.” He also reached out to a who’s-who of South Asian actors to talk about their experiences in Hollywood.”
The Indian-Americans quoted in the artical are especially upset that Apu’s accent isn’t authentic; it’s just funny. Can’t have that.
Move through the muck and emerge in the b right sunlight of reality, there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status, but there is no problem with Apu.
I would love to know why Indian-Americans feel all the other characters in the show can be outrageous stereotypes and extreme caricatures, but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons. Continue reading
In its advanced stages, 21st century political correctness becomes a kind of delusional illness, causing sufferers to interpret benign, harmless and even socially healthy conduct as offensive and sinister. An outbreak of this variety of political correctness is in full flower in Washington, D.C., where more than the usual number of officious defenders of that which needs no defending are trying to gin up public outrage against a creative, fun, and successful small business enterprise, Fojol Bros.
The company sends food trucks around downtown D.C. and serves strangely named hybrid ethnic dishes inspired by Indian, Ethiopian and Thai cuisines. The Fojol employees who hand out the delicious fare wear turbans, robes and fake mustaches, claim to hail from “Merlindia” and “Benethiopia,” and go by names like “Kipoto.” This was once called “theater” and “fantasy,” no more offensive than Disney employees in Frontierland dressing in cowboy and saloon girl garb and calling themselves “Tex” and “Lilly.” Now some are calling it “offensive,” because too many people have forgotten what offensive is. Continue reading