Apu Returns! [Repaired]

There are some manifestations of “The Great Stupid” that, sorry not sorry, I refuse to concede even a millimicron of tolerance for. If you think the idiotic notion that only actors of the same race and ethnicity of a character in a movie, TV show or stage play can be ethically cast in the role is high on the Ethics Alarms intolerance list you are right (and you’ve been reading EA for a while), but my disgust for that woke crap is but a mole on a bee’s knees compared to the bonkers assertion that the same limitation applies to the voice actors in cartoons.

Way back in 2017 I wrote several posts about the ejection of Apu, the Indian immigrant “Kwik-E-Mart” owner on “The Simpsons,” from the show’s cast after an outbreak of political correctness outrage over the fact that the character was voiced by versatile non-Indian actor Hank Azaria. Azaria used a comic exaggeration of a stereotype Indian accent.

As I look back and re-read the main article in the group for the first time since I wrote it, I wonder if that kerfuffle wasn’t the true beginning of The Great Stupid, which I generally mark as getting fully underway in 2020.

I’m re-posting the whole piece below (fixed some typos!) because 1) I really like it, 2) I still agree with every word, 3) there has been a new development in the story and 4) this extended episode is really stupid. After the character was banished—Azaria didn’t help by blathering apologies and refusing to voice Apu because to do so would be racist (he’s talented by not very bright)—I never watched “The Simpsons” again, not even in re-runs. As I wrote in “The Problem With Apu?,”

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons.

The dilemma this kind of victimization gotcha! creates for writers and artists should be obvious: if all they are going to get is complaints, why have an Indian character at all? Apu was one of the very first characters of Indian descent to be in any TV series. “The Simpsons” deserves credit, not blame.  I don’t take offense that the main character in the show, a bald, white guy, is portrayed as an insensitive cretin. His father, Abe, is elderly, and talks like a stereotypical vaudeville old man. His stories wander; he falls asleep mid-sentence. We used to tease my late father, when he got lost in one of his rambling stories, that he was beginning to sound like Abe Simpson. He got it. Lionel Hutz, sadly deceased, was a lawyer who became transfixed when he heard an ambulance siren. Cletus the Slack-jawed Yokel is as cruel a caricature of a poor rural hick as one will ever see. (But funny!) Professor Frink, the local scientific genius, has thick glasses and talks like Jerry Lewis. Ned Flanders, an Evangelical Christian, is an absurdly mild-mannered do-gooder.  Officer Wiggum, the Chief of Police, is always eating donuts. Mr. Burns, the town tycoon, is a polluting, conniving, murdering, cackling personification of evil.  There are two frequently appearing Italian characters: one is a Mafia leader, and the other makes pizza, has a big, curled mustache and talks like Chico Marx.

I could go on and on, literally, because there are over a hundred such characters, all of them stereotyped and extreme, all of them effective comic devices. I wish there was a Greek-American character on “The Simpsons.” He would be a restaurant owner, and have curly hair, a big laugh, and olive skin. He would regard anyone who wasn’t Greek as a lower species, speak a weird hybrid of English and Greek around family, listen to balalaika music, and tend to hug people so hard they passed out. My relatives would see the humor in the exaggerations, and I would not issue a screed titled “The Problem with Stavros”…

The New York Times announced that Sunil Malhotra, an actor of “South Asian descent,” will now perform Apu in a non-funny accent. Apu returns in this year’s Halloween episode of “The Simpsons.” Malhotra did a fatuous Variety interview in which described “his doubts about voicing Apu,” saying that he had walked away from offers to voice other South Asian characters in the past when he felt they were caricatures. Uh, Sunil? Apu is still a cartoon. Cartoons are caricatures by definition. How is it more respectful to smart Indian-American characters to have them voiced by morons?

“It had been eight years since Apu had spoken on the show, and it got me thinking: Did the writers’ room look different now?” Malhotra said to Variety. “Could they bring him back in a way that acknowledged and apologized for past mistakes? Could I make the character my own, and reclaim him in some way?”

Ugh. As Rhett tells Scarlett, “Frankly my dear, I don’t give a damn.”

Here’s “The Problem With Apu?”…

Comment Of The Day: Poll-Fest: Is This Ethnic Humor Offensive?

First, the poll results!

 

Now here is Charles Green’s Comment of the Day on the post, Poll-Fest: Is This Ethnic Humor Offensive?

They’re all pretty funny to me. However, this is making me think.

The term “offensive” is more meaningfully understood as being about the offendee, not about the offending material.

There are some things that are so universally experienced as offensive, across most cultures and most history, that we can easily lapse into using “offensive” as an adjective to describe the subject matter.

But that’s a mistake. Continue reading →

Poll-Fest: Is This Ethnic Humor Offensive?

I was going to include these in the previous post, but decided to let it stand alone.

Please review these comedy clips, and vote on whether or not each is potentially and legitimately offensive to the ethnic group portrayed, parodied, or stereotyped.

1.  Danny Kaye: “Anatole of Paris”

 

2. Cleavon Little: “Blazing Saddles”

 

Continue reading →

Afternoon Ethics Incitement, 4/10/2018: All About Apu

Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character  Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:

Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.

(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)

At the end of her screed, she writes,

“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”

I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter.  It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.

This is me, by the way:

 

(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading →

The Problem With Apu?

Commenting on the recent attacks from progressives on the allegedly racist drawings of Dr. Seuss, I wrote,

I’ve missed it: have social justice warriors been protesting “The Simpsons”? No? Not even Apu, the Indian immigrant Springfield resident—Wait! Isn’t the Dr. Seuss Museum in Springfield?–who has the stereotypical ethnic occupation of a convenience food proprietor (Full disclosure: my local 7-11 is owned by an Indian American)? You know, this guy?

Apparently I inadvertently set something in motion in the zeitgeist; I’m so sorry. For the New York Times informs us that a new documentary debuting Nov. 19 on truTV  is called “The Problem with Apu,” and “wrestles with how a show praised for its incisive humor — over the years, it has explored issues like homophobia and political corruption — could resort to such a charged stereotype. Making matters worse is the fact that the Indian character is voiced by a non-Indian (albeit an Emmy-winning) actor, Hank Azaria.”

The article goes on,

“In the film, Mr. Kondabolu places Apu within the broader history of Hollywood’s depiction of Indians, including Peter Sellers’s brownface rendition of an idiot in the 1968 Blake Edwards film “The Party” and the Indians feasting on chilled monkey brains in Steven Spielberg’s “Indiana Jones and the Temple of Doom.” He also reached out to a who’s-who of South Asian actors to talk about their experiences in Hollywood.”

The Indian-Americans quoted in the artical are especially upset that Apu’s accent isn’t authentic; it’s just funny. Can’t have that.

Move through the muck and emerge in the b right sunlight of reality,  there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons. Continue reading →

The Fojol Bros., Innocent of Racism, Political Correctness Victims

In its advanced stages, 21st century political correctness becomes a kind of delusional illness, causing sufferers to interpret  benign, harmless and even socially healthy conduct as offensive and sinister. An outbreak of this variety of political correctness is in full flower in Washington, D.C., where more than the usual number of officious defenders of that which needs no defending are trying to gin up public outrage against a creative, fun, and successful small business enterprise, Fojol Bros.

The company sends food trucks around downtown D.C. and serves strangely named hybrid ethnic dishes inspired by Indian, Ethiopian and Thai cuisines. The Fojol employees who hand out the delicious fare wear turbans, robes and fake mustaches,  claim to hail from  “Merlindia” and “Benethiopia,” and go by names like “Kipoto.” This was once called “theater” and “fantasy,” no more offensive than Disney employees in Frontierland dressing in cowboy and saloon girl garb and calling themselves “Tex” and “Lilly.” Now some are calling it “offensive,” because too many people have forgotten what offensive is. Continue reading →

More Humor Ethics: the “Offensive Joke”

Ethicist Jeffrey Seglin answers ten everyday ethics questions over at the Real Simple website, and pretty much knocks them out of the park…except this one:

“If someone tells an offensive joke, is it my responsibility to speak up about it?” Continue reading →