The Ethics of “Improving” Mark Twain

From Publishers Weekly:

“Mark Twain …defined a “classic” as “a book which people praise and don’t read.” Rather than see Twain’s most important work succumb to that fate, Twain scholar Alan Gribben and NewSouth Books plan to release a version of Huckleberry Finn, in a single volume with The Adventures of Tom Sawyer, that does away with the “n” word (as well as the “in” word, “Injun”) by replacing it with the word “slave.”

“This is not an effort to render Tom Sawyer and Huckleberry Finn colorblind,” said Gribben, speaking from his office at Auburn University at Montgomery, where he’s spent most of the past 20 years heading the English department. “Race matters in these books. It’s a matter of how you express that in the 21st century.”

No law can stop Gribben and NewSouth from doing this vandalism to Twain’s classics. The two books are firmly ensconced in the realm of the public domain: no longer subject to copyright,  Huckleberry Finn and The Adventures of Tom Sawyer can be published in Pig Latin or with all the characters transformed into Martians. Still, it is wrong, obviously wrong and inexcusably wrong, and the most responsible thing any of us can do in the name of respect for literature, authors, American history, and education is to say so as vociferously as possible in as many ways and media as possible, so no misguided, politically correct fool will ever be tempted to do anything like this again. Continue reading

Mailbag: Why Different Ethical Standards for Food and Theater Critics?

“Dear Mr. Marshall: Don’t you find it odd that in one post you condemn theater critics for coming to review a play uninvited, yet slam a restaurant owner who exposes the identity of a restaurant critic trying to review his establishment surreptitiously? Why are consumers served by secret food reviews, but not by secret show reviews? This is why people hate people like you.” Continue reading

Ethics Dunce: Arnold Schwarzenegger

  • Here’s what an ethical governor does with the power to pardon and commute sentences, when he believes a young man sentenced for his participation in a murder was sentenced too harshly: Continue reading

When Does A Nasty E-Mail Exchange Constitute Punishable Unethical Conduct?

Now we know—at least when Florida lawyers are concerned.

Tampa lawyer Nicholas F. Mooney  and Palmetto lawyer Kurt D. Mitchell received suspensions from the Florida Bar and the Florida Supreme Court after an escalating e-mail exchange that  continued over six months.

A lack of civility is considered a breach of professionalism in all jurisdictions, but not an ethical violation calling into question fitness to practice law—the standard for bar discipline—unless it is extreme, and usually not until there have been warnings issued. Apparently this particular spat was just too much for the Bar to take, perhaps because it reflects badly on the entire profession. Continue reading

Ex-Rep. Steve Driehaus and Sore Loser Ethics

Former U.S. Rep. Steve Driehaus (D-Ohio), who lost his seat last November to Republican Steve Chabot, is suing an anti-abortion group for making statements that he says misled voters about his stance on abortion, leading to his demise at the polls.

In his defamation lawsuit, Driehaus argues that the Susan B. Anthony List lied about him in public statements and then sued him for trying to stop the group from posting misleading billboards, thereby “depriving him of his livelihood.” Driehaus, who campaigned as an anti-abortion candidate, voted for the controversial national health care law, which many anti-abortion activists maintain supports taxpayer-funded abortion. Driehaus argued and still maintains that the claim was false, and that the law bars any federal funding of abortion.

Driehaus’s suit is unethical and  ridiculous. Continue reading

The Second Annual Ethics Alarms Awards: The BEST of Ethics 2010

The Best in Ethics 2010. Not nearly long enough…but still a lot of men, women and deeds worth celebrating.

Most Important Ethical Act of the Year: Continue reading

Ethics Dunce: Red Medicine Owner Noah Ellis

Red Medicine is a Beverley Hills restaurant; Noah Ellis is the owner. S. Irene Virbila is the Los Angeles Times restaurant critic, who, like most U.S. food critics, works at staying anonymous, which she had successfully done for sixteen years. Not being recognized served the needs of diners, who want to know what the food and service is likely to be at an eating establishment when the customer isn’t preparing to write a critique that can make the difference between a restaurant’s long-term success or failure.

Last week, Noah Ellis intentionally destroyed Virbila’s ability to perform this service, or at least made it more difficult. Continue reading

The Second Annual Ethics Alarms Awards: The Worst of Ethics 2010 (Part 1)

Happy New Year, and welcome to the Second Annual Ethics Alarms Awards, recognizing the Best and Worst of ethics in 2010!

This is the first installment of the Worst; the rest will appear in a subsequent post. (The Best is yet to come.) Continue reading

Hall of Fame Ethics: The Jeff Bagwell Dilemma

Members of the Baseball Writers Association of America have been turning in their ballots for the Hall of Fame, their collective totals eventually determining which retired major league baseball stars will have plaques in Cooperstown. If you follow baseball closely, you are aware of the big debates this year: Is Tim Raines worthy? Will Bert Blyleven finally make it? Has Alan Trammel been unfairly neglected? What about Jack Morris and Roberto Alomar? If you don’t follow baseball, you couldn’t care less, and I pity you. One controversy this year, however, should be of interest to non-fans as well as fans, because it involves the proper application of the ethical principles of fairness and equity in an environment of doubt. It is the Jeff Bagwell dilemma. Continue reading

The Ethics of Reviewing “Spiderman: Turn Off The Dark” During Previews

John Simon, long the toughest of American theater critics and undeniably the most erudite and eloquent writer among them, has launched a blog. His very first post is on an ethical issue: is it ever appropriate for a critic to review a Broadway show that is still in previews?

The issue has emerged because the much-anticipated and incredibly expensive Spiderman musical, Spiderman: Turn Off The Dark, has been engulfed in all kinds of intrigue since the very first preview: falling actors, injuries, malfunctioning sets and special effects, and most recently the surprise withdrawal of the show’s leading lady. A couple of critics, Jeremy Gerard of Bloomberg News and Linda Winer of Newsday could not resist paying for tickets and coming uninvited to performances, resulting in one diagnostic feature story on the production’s progress (by Winer) and one full, and not very complimentary, review by Gerard. Simon properly calls foul, describing the act of reviewing a show before its official opening as the equivalent “grabbing a dish from a restaurant kitchen before it is fully cooked, and then judging the meal by it.”

Exactly. The critics have their rationalizations ready, naturally. The musical is the most expensive in Broadway history. Is that a reason to suspend critical fairness? There is unusual interest in the show and its pre-opening travails. Should the degree of interest suspend long-standing critical standards? The usual excuse, also trotted out in this case, is that preview audiences are paying regular show prices—up to $300 a seat—to see the production right now. Isn’t this a case of “the public has a right to know” if the show is a stinker or not?

No, it isn’t. Broadway audiences know that previews are early glimpses of works in progress, and that is part of their appeal. The audiences for previews are part of the creative process, for how they react to a performance will help decide what stays and what gets cut. The prices they pay for the privilege of being Broadway guinea pigs are fair if they choose to pay them. Continue reading