film directing

Victor Fleming Was a Genius

/ Jack Marshall / 4 Comments

And attention should be paid.

Victor Fleming is never included in the list of immortal Hollywood film directors. I never understood why, and now I really don’t understand why. Everybody knows, or should, that Fleming pulled off the all-time film directing achievement of helming two deathless classics in two distinct genres in the same year, 1939. The films: “The Wizard of Oz” and “Gone With the Wind.” The closest to that amazing performance anyone else ever came was in 1993, when Stephen Spielberg delivered both “Schindler’s List” and “Jurassic Park.” But Spielberg is automatically in the discussion when great film directors are the topic, and Fleming is not.

I could make the argument that Fleming belongs in that discussion based on his output alone. Though he died at the age of 59 and had only 20 years to create movies in the sound era, Fleming had several other classic films that still hold up: “The Virginian,” “Captains Courageous,” “Treasure Island,” Dr. “Jekyll and Mr. Hyde,” “A Guy Named Joe” and “Joan of Arc” in addition to his two 1939 icons. But that isn’t the reason for this post.

Victor Fleming was ahead of his time, way, ahead, in two respects that only noticed recently:

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Unethical Quote of the Week: Ampersand on “Alas! A Blog”

/ Jack Marshall / 28 Comments

Into the Woods

There is no reason in the world, other than Hollywood’s endless racism and lack of imagination, for this movie (or the original play, alas) to have an all-white cast. Why do movies feel like they’d rather die than show us a diverse cast? (And please don’t say “they cast the best people for the roles.” I thought the whole cast was good, but Streep was the only one who turned in a performance so unique that you couldn’t imagine anyone else doing the role.)

—–Ampersand, a.k.a. Barry Deutsch, opining on the assets and deficits of Rob Marshall’s film adaptation of “Into the Woods” on his blog

I hate to pick on Barry—OK, that’s not true, I enjoy it immensely—but this statement could stand as the distillation of knee-jerk liberal thinking on race, and it is wrong in so many ways that I hesitate to start counting. The sentiment, however, poses a nice counterpoint to the discussion here about the black James Bond controversy, so I can’t resist taking aim at it.

1. So casting a mega-million dollar film—-in a dicey genre (Have you heard? Big budget Hollywood musicals died in the Sixties…) and a limited audience—with actors who comport with that audience’s expectations of the musical the film is based on is racist, eh? More unfair words and inexcusable race-baiting were seldom uttered in word or written in ink. If a director had a vision that supported casting African American actors in traditional Grimms’ fairy tale roles and could make it work, I would salute him, but Rob Marshall had other priorities. He knew that every cut would be scrutinized and attacked by the Sondheim fanatics (which, by the way, are as white as a dove convention in a blizzard); he knew that the show itself was seriously flawed; he knew that every single adaptation of a Sondheim musical (“West Side Story” doesn’t count) has been a critical and box office bomb. He had every reason to keep his casting choices as close to the traditional images of the characters and the way they were portrayed on Broadway, and none of those reasons were racism.

2. It’s impressive how casually a race-obsessed progressive will accuse a professional of racism as a first response. Irresponsible, unfair, disrespectful, and in this case, ignorant of both commerce and art. Continue reading →