film reviewers

Morning Ethics Warm-Up, 3/23/2021: Shots

/ Jack Marshall / 12 Comments

This morning served as a perfect example of how the news is now automatically politicized and prioritized for partisan ends. On CNN, a panel was discussing the mass shooting in Boulder. Colorado, and instantly transforming the segment into gun-control mass rant. On Fox, the crisis of the day was the chaos at the border, where the virtual open-borders policies everyone—including those planning to be illegal immigrants—knew would come in along with the Biden administration is having the predictable effects. That segment was a diatribe against the wink-wink, nudge-nudge Democratic enabling of uncontrolled immigration.

CNN wins in the closely contested dubious ethics category by having “contributor” Andrew McCabe on the panel. McCabe epitomized the FBI’s corrupt and partisan efforts to injure the Trump Administration from within; he leaked information to the media and lied about it; he was fired, and deserved to be. McCabe’s high-profile anti-Trump conduct was sufficient to get him a gig on CNN, where being part of “the resistance” is all one needs to endear oneself to the Trump Deranged.

McCabe should have lost his law license, as any attorney who leaks confidential information should, and personally, I wouldn’t trust him to walk my dog.

1. You want to be paid $15 an hour for doing a job this poorly? This morning, having been forced to get up and move my car at 7 am, I decided to drive to the local McDoanld’s for my favorite guilty morning pleasure, a sausage biscuit and some hash browns. For once I could understand the heavily accented woman on the intercom, and I made a clear and distinct order. But given false security by this unusual development, for the first time in a long while I didn’t check the bag—this McDonald’s bats about .500 in getting orders right—and sure enough, when I arrived home, I found an Egg McMuffin instead of a sausage biscuit. I hate Egg McMuffins.

This isn’t brain surgery. I know it’s a crummy job, but it is what they are being paid for. Don’t tell me someone who is that inattentive deserves “a living wage.” Pay them for not working, if you foolishly want to treat them as charity cases; at least then they aren’t getting rewarded for doing a job badly.

2. Why can’t McDonald’s work this efficiently? My experience getting my first Wuhan virus vaccination (in Alexandria, Virginia) was excellent. The elaborate process, staged at a middle school about five minutes from my home, was well-planned, cheerful, and quick, even on a Saturday with long lines. I must have personally thanked ten volunteers.

Continue reading →

“Jurassic World” Ethics: Why Movie Reviewers Are Useless

/ Jack Marshall / 44 Comments

I’m going to see “Jurassic World: Fallen Kingdom” just as soon as I can, as I have seen all of the other “Jurassic Park” films since Spielberg’s first. Of course I am: I love dinosaurs.

I have loved dinosaurs since I was about 4, and my dad brought me a bronze model of  a T-Rex when he returned from a business trip to Chicago. That five-inch model was the first entry into a collection that eventually reached over thirty dinosaurs, greatly abetted by my mom, who was a ceramicist. She would peruse the dinosaur books I borrowed from the library and pick out artwork that she liked. Thus I became the only kid in Arlington, Mass. with ceramic models of a gorgosaurus and a styracosaurus.When I was in the first grade, I gave a talk about my collection and the species they represented—in those days they hadn’t even discovered velocirapters yet, thought dinosaurs dragged their tails, and assumed they were cold-blooded, like reptiles—at theParmenter School sixth grade hobby show.

The more I learned about dinosaurs the more  I loved them. I still can’t get over the fact that these amazing creatures existed, when they look like the results of a fantasy artist’s bad drug trip. I must confess, I also love the fact that dinosaurs drive evolution deniers and Fundamentalists crazy. If the Earth is the only planet with life, doesn’t the fact that God filled it with dinosaurs suggest that they were his favorites too? Might it even suggest that God looks like a T-Rex? My first face to face experience with an intelligent person who simply denied facts that didn’t fit in with her ideology was a U.S. Chamber of Commerce colleague who noted the large, leather pteranodon hanging in my office and said, which a superior smirk, “You don’t really believe those things existed, do you?”

Mostly, however, dinosaurs fill me with wonder, exactly as they did when I was 4.

This was the aspect of the first film that Spielberg captured so well: It’s not a monster movie, but a pro-dinosaur movie. People forget now, but many critics dismissed “Jurassic Park” as junk: they were  enthralled with Spielberg’s other movie that year, “Schindler’s List,” an important movie. The critics didn’t get “Jurassic Park,” and still don’t.

Now they are slamming the fifth in the series, the sequel to “Jurassic World,” which they also didn’t get, because most critics equate dinosaurs with Godzilla. I thought “Jurassic World” was easily the best of the sequels. I loved the attack of the pterosaurs (accompanied by air raid sirens!)—I had models of all of them! I loved the mossasaur—Mom made me a couple of different species—and its surprise role in the film’s climax. I loved how the T-Rex, just like in the first film, became an unlikely rescuer of the human stars. And look! There’s an ankylosaurus! Mom made me one of those! Continue reading →

Morning Ethics Warm-Up: 7/20/17

/ Jack Marshall / 63 Comments

Καλημέρα!

[This is pronounced “Kaliméra!,” not to be confused with “Calamari!” My father frequently got them confused when he visited Greece with my mom, the former Eleanor Coulouris, and embarrassed her by greeting the natives some mornings by cheerily saying, “Squid!“]

1. The newspaper Arts section headline says, “Mayor Ties Arts Money To Diversity.”

The mayor in question is New York City’s DeBlasio, and since his own family is “diverse,” naturally every other entity has to be, or it is baaaad. This is why I oppose government funding of the arts unless it guarantees that the nation, state or city will not attempt to use its support to control the arts organizations in any way.  Of course, governments will never do that, because manipulating the arts to advance  political agendas is usually the underlying motive in arts grants. Ideologues like De Blasio—wow, he’s terrible—will constantly be grandstanding and doing everything in their power to manipulate artists and their art to ensure that they send the “right” messages—you know, like Nazi art and Communist art. It is exactly the same theory and practice: art as political indoctrination.

Quick: who thinks that De Blasio will be focusing on “diversity” in the management (or on the website) of the Dance Theater of Harlem? Even if the government doesn’t attach strings to its support, arts organizations know that there are more of them than there is tax-payer money to disperse, so there is terrible and often irrsistable pressure to distort their product to give their state funders what the artists think they want—just to be safe.

My professional theater company refused to do that, sticking to the integrity of our mission and not resorting to tokens and virtue-signalling. My now defunct professional theater company, that is.

2. Yesterday, I highlighted the head-blasting comments of New York Times film critic A.O. Scott and his alternate-universe pronouncements about the Obama presidency. To be fair to A.O., his entire profession is packed with historical and political ignoramuses who make their readers dumber with every review. I once created a theater reviewer’s code of ethics, which I mailed to a critic, who sent it back to me with a note that said, “Mind your own business.” Years ago, I published an essay that was called “Why Professional Reviewers Are Unethical,” that began,

When Variety announced that it was firing its in-house film and drama reviewers, there was much tut-tutting and garment-rending over the impending demise of professional reviewing in magazines, newspapers and TV stations. The villain, the renders cry, lies, as in the Case of the Slowly Dying Newspapers, with the web, which allows any pajama-clad viewer of bootleg videos to write film reviews, and any blogger who cares to write a review of a play. “I think it’s unfortunate that qualified reviewers are being replaced,” said one movie industry pundit, “but that’s what’s happening.”

I say, “Good. It’s about time.”

It’s not happening quickly enough, though. “Dunkirk” is opening this week, and, as I predicted, film reviewers are showing their utter historical ignorance. The Washington Examiner skewers them deftly in an essay called “Why the (True) History of Dunkirk Matters.” Highlights, or rather lowlights:

  • USA Today critic Brian Truitt complains that “the fact that there are only a couple of women and no lead actors of color may rub some the wrong way.” He is not the only film critic to observe this.

Morons.

  • Slate.com critic Dana Stevens claims that the British Army at Dunkirk was the “last bulwark against Nazi invasion of the British mainland.”

Not even close to true. Continue reading →

The Ten Commandments for Ethical Reviewers

/ Jack Marshall / 7 Comments

Film critic Roger Ebert’s autobiography is out, and I’m sure it’s terrific: Ebert is a lively writer, and he has many good stories to tell. One tale from the book that has been recounted in several  reviews, however, caused me to slap my forehead. Ebert says that he adopted longtime New Yorker film critic Pauline Kael’s approach to film reviewing, which she wrote was, “I go into the movie, I watch it, and I ask myself what happened to me.”

Ah HA! That’s why Pauline Kael was such a destructive film reviewer, and the predominance of her attitude is why reviewers of stage and film do far more damage than good. Once upon a time, when critics had professional standards and cared about fairness, the accepted approach of someone who reviewed films or plays for public consumption wasn’t how a work made the critic feel, but rather how it was likely to make a typical audience member feel. It doesn’t take much insight to decide whether one likes a play or a movie; anyone can do that. Continue reading →