I doubt that it will win “Best Picture” at the Oscar (though the consensus seems to be that J.K. Simmons, who dominates the film, has “Best Supporting Actor” in the bag), but “Whiplash” is the best film of the year that explores an ethics conundrum of long standing.

Without spoiling the film for those of you—the odds say a majority—who haven’t seen it, let me explain why.

“Whiplash” is ostensibly about a gifted music student’s quest to become not merely a good but a great jazz drummer. On the way, he encounters a fanatic, merciless, manipulative and demanding teacher (Simmons) who sees the young man’s passion and potential and is determined to either make his greatness bloom or break him trying. The movie raises the eternal question of the ethical obligation of the gifted to use their gifts to enrich society, culture and mankind. Arturo Toscanini once berated Bing Crosby for “wasting” his once-in-a-lifetime voice on popular music rather than opera. Is possession of a remarkable ability or talent something that forces the possessor to live an altruistic existence, subordinating his or her own desires to what will most benefit others? Is it unethical to refuse, to choose another path, one that is less daunting, easier, more relaxing, surer, without the stress, without the burden of chasing perfection and extraordinary success? Continue reading →