The most recent nut-ball casting ethics lunacy that finds something anti-Semitic about prosthetic noses makes my brain hurt. It is such fanatic political correctness and woke “gotcha!” extremism that led to this recent post, in which I mused about owing vile radio talk show host Michael Savage an apology for condemning his claim years ago that liberalism is a mental disease.

Everything I wrote about the complaints that casting eminent non-Jewish actor Bradley Cooper as composer Leonard Bernstein and having him wear make-up (including a fake nose) to look more like Bernstein applies to the wacko criticism of casting Helen Mirren as Golda Meir in “Golda” (that’s Hellen on the right above) and having her outfitted with a big nose. In fact, you could just read the Bernstein post substituting “Golda Meir” for “Leonard Bernstein” and “Helen Mirren” for “Bradley Cooper.” In fairness, Mirren requires more make-up than Cooper because she is an attractive woman, and Golda was anything but (big nose notwithstanding, Lenny was a handsome man), and it would take a prosthetic nose to make almost any actress be a credible Golda Meir on screen. Mirren is perhaps the most distinguished actress in her age range right now, and a complex and historic figure like Meir deserves no less for her film biography. Never mind, though: what matters in these days of woke madness isn’t good acting or good movies, but racial, ethnic and gender spoils, all executed with the integrity of Calvinball.

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