The Georgetown Gilbert and Sullivan Society is the now half-century old theater organization I inadvertently spawned as a first year law student (before they were called “1Ls”) at Georgetown University Law Center. Right now, the group, which calls itself “The only theater group with its own law school,” is nearing an all-time peak in student participation, interest and talent, making this old lawyer-theater guy proud and happy indeed.
Last night I attended closing night of the group’s ambitious, full production of “Hamlet,” which most community theater groups wouldn’t dare attempt. It was a modern dress version (period set “Hamlet’s” are the exception rather than the rule and have been for decades) with an “emo” concept that worked just fine. The student director staged with skill and intelligence, the casting was spot on, and it even gave me some new insights into the work despite having see the play too many times to list. Yes, a woman played the Danish prince, but the 1L actress was excellent, and female Hamlets first appeared in 1899, when the great Sarah Bernhardt played the role.
