Harper Lee

Lost Tuesday Ethics Scraps, 12/11/18: Statues, Tucker Carlson And “To Kill A Mockingbird”

/ Jack Marshall / 13 Comments

Good whatever it is.

I guess I’m not as recovered as I thought: one high energy ethics presentation to a sluggish audience today and I was fried. This better not be encroaching old age, or I’ll be pissed.

1. Thank you for making the open forum this morning active: I wish you all had been in my audience today. I haven’t read any of it yet (I did finally get your excellent comment out of moderation, Michael R!); I’m trying to get my own posts up.

2. Stolen art ethics. No doubt: the looting of art from the Old World by American tycoons and museums is a long-time ethics scandal, and the international court battles settling the disputes will continue for a long, long time. The argument over a 2000-year-old bronze statue, known as “Victorious Youth between the Getty Villa and Italy, however, is not as clear as most. Italy’s highest court has ordered that the sculpture should be returned to Italy. Currently, it is on display at the villa on the outskirts of Los Angeles, which is part of the J. Paul Getty Museum. It was retrieved from Adriatic waters by Italian fishermen in 1964, and sold to successive collectors and dealers. After a decade-long legal battle, Italy’s Court of Cassation ruled  that the statue should be confiscated and brought back to Italy, rejecting the Getty’s appeal. Getty is not giving in.

The ethics as well as the law is murky. This is not a case like King Tut, where Indiana Jones-style archeologists and adventurers, just uncovered foreign cultural treasures and took them home. Before acquiring the prized artifact, the Getty undertook a comprehensive, five-year study of whether the statue could be purchased legally and in good faith. Their due diligence extensive analysis of international, Italian, American and California law and of Italian court decisions pertaining to the work.

In 1968, Italy’s Court of Cassation ruled that there was no evidence that the statue belonged to the Italian state; after all, it is Greek. Although the fishermen took the statue onto Italian soil, the court did not find that its brief presence in Italy transformed the sculpture into a component of Italian cultural heritage. Eventually the statue made its way to a German art dealer who put the statue up for sale. According to the Getty, in 1973, acting on a request from Italy, German police initiated an investigation into whether the German dealer had received stolen goods. The investigation was dropped for lack of evidence of wrongdoing. In 1977, the Getty purchased the bronze in Britain for almost $4 million from a gallery affiliated with the German dealer. The bronze has now been publicly exhibited, studied and cared for at the Getty for 40 years. Continue reading →

Morning Ethics Warm-Up, 3/17/2018: Mockingbirds, Headlines, And Reasonable Doubt

/ Jack Marshall / 25 Comments

Good Morning, Scout!

1 Assorted blog stuff. I’m going to have to fly to Boston next month for the hearing on my motion to dismiss the specious defamation suit against me by an Ethics Alarms  commenter to whom my responses were no more defamatory than what I have said to many of you when provoked…Every now and then some blog or social media participant with a huge following links to an old post here, and I am swamped with visits from a lot of individuals with no serious interest in ethics. They almost never comment, and if they do, the comments typically don’t meet my posting standards. Still, they swell the traffic stats, and I’ll take ’em. In 2017 I had none of these fluky hit avalanches, after a 2016 that had several. This time, the post suddenly drawing interest is a 2014 essay about a letter written to director Terry Gilliam in 2005. You just never know…Expect a lot of Comments of the Day this weekend: I am way behind, and I’m sorry. Tough week.

2. Keep hope alive! Yesterday’s New York Times front page headline perfectly embodied the fake news-by-innuendo tactic that has marked the mainstream media’s efforts to pander to the “resistance.” The Special Prosecutor’s fishing expedition just subpoenaed the business records of the Trump organization relating to its dealings in Russia. Says the Times headline: “Investigation nears President.” Ooooh! Scary!

Hype, and unprofessional. This is the “He’s getting closer! And closer!” narrative the anti-Trump journalists have been flogging for a year. Yeah, I guess any time an investigation involves someone’s business it is “near” the owner, but why would that obvious fact justify a headline?  The reality is that Trump’s organization had business dealings in Russia (legal and unremarkable), the fact that Mueller is looking does not prove or suggest that those dealings had any connection to the campaign, and Mueller could have asked for these records a year ago. There is nothing ominous about the request from the President’s perspective at all, unless, as this whole fiasco has presumed from the moment Democrats seized on Wikileaks and fake Facebook news as the designated excuses for Hillary’s inexcusable defeat, there really was “collusion.”

That an investigation has been launched does not imply, suggest, or indicate wrongdoing. The news media’s reporting continues to suggest otherwise because they want the President to be guilty of something heinous. Imagine that: there are Americans who want their elected President to be proven guilty of wrongdoing.

3. To kill a “To Kill A Mockingbird.”  Harper Lee’s estate filed a complaint last week in federal court in Alabama, arguing that a Broadway bound stage adaptation of “To Kill A Mockingbird” by “The West Wing” creator and “A Few Good Men” writer Aaron Sorkin violates a contract, between Harper Lee and the producers that stipulates that the characters and plot must remain faithful to the spirit of the book. (I wrote about the complexities surrounding Atticus Finch’s character in a 2015 post.) Continue reading →

Of Atticus Finch, “Go Set A Watchman,” And Icon Ethics

/ Jack Marshall / 22 Comments

AtticusToday Harper Lee’s “sequel” to “To Kill A Mockingbird” is officially released, though reviews have already been published. The big story is that the new novel’s now grown “Scout” discovers during the civil rights upheavals of the 1950s that her father and hero Atticus Finch is a racist, had attended a Klan meeting, and is prone to saying things like …

“Do you want Negroes by the carload in our schools and churches and theaters? Do you want them in our world?”

The new Atticus is providing ammunition to those who enjoy tearing down American heroes and icons. Finch is perhaps the most revered fictional lawyer in American culture, admired by the public as well as the legal profession. The American Bar Association named its award for fictional portrayals of lawyers in films and literature after Finch, whose pro bono defense of a wrongly accused black man in a bigoted Alabama town forms the central conflict of Lee’s classic. Burnishing Atticus’s reputation further was the beloved portrayal of the character, reputedly based on the author’s father, by Gregory Peck in the Academy Award winning film adaptation. Peck received the Award for Best Actor as well as the Presidential Medal of Freedom, and as a civil-rights activist often stated that he admired Finch over all his other roles. In 2003, American Film Institute voted Finch as the greatest hero in American film.Wrote Entertainment Weekly, “[Finch] transforms quiet decency, legal acumen, and great parenting into the most heroic qualities a man can have.”

Atticus, however, has had his detractors through the years, notable among them the late Monroe Freedman, a  habitual iconoclast and contrarian who wrote two law review articles declaring that Finch was neither hero nor a particularly admirable lawyer. He wrote in part: Continue reading →