Good Morning!
1 A strange disconnect. Does anyone else find it strange that Turner Movie Classics, which I would generally describe as a national cultural treasure, would choose Christmas Day of this year to highlight the career of director Alfred Hitchcock? As Hollywood and the movie industry are going to extreme lengths to purge themselves of the sexual predators in their midst, in some cases literally sending artistically outstanding works and careers into cultural purgatory, and with even calls for moderation and proportion (Matt Damon) or protestations of naive or denial-fueled ignorance (Meryl Streep) being sufficient to spark a professional crisis and widespread public criticism, TCM, the modern day TV curator of Hollywood’s Golden Age, selected the most infamous sexual predator among all legendary American directors as its special Christmas treat.
Yeesh.
I don’t know what to make of this. Did the ethics alarms just go dead at TCM? Is this a case of “The King’s Pass,” as in, “Yes, male power figures in Hollywood engaging in sexual misconduct has been a terrible problem and it is important that this is finally being addressed, buuuut this is Alfred Hitchcock, after all. We have to over-look all of that because he’s a genius…”? The work of an artist should not be devalued because of his character or his unethical conduct, personal or professional, but at the same time, cheering the great sexual harassers of the past while trying to destroy tolerance of sexual harassment in the present seems like activities that should not be occurring simultaneously, since the two objectives undermine each other.
2. Is fake “doom and gloom” unethical?
The constant representation to the American people that the nation is in the midst of existential disaster when it obviously–well, if one isn’t completely addled by confirmation bias it should be obvious—is not can’t exactly be called “fake news,” but it is just as sinister in intent and just as dangerous in its potential results.
My errant focus was brought to this phenomenon in a film review, of all places. A.O. Scott, the New York Times reviewer who is incapable of not bringing his partisan and political biases into his reviews (thus making him a lousy reviewer, like the New Yorker’s late Pauline Kael) began his take on Matt Damon’s eco-fantasy “Downsizing” with this statement:
“A radically dystopian future seems like the best we deserve these days..”
Then I began looking for sentiments in pundit pieces and other commentary in the news media about how uniquely horrible it was to be an American in 2017. That assumption has tainted so much news reporting this year that it amounts to virtual brainwashing, and yet that characterization is false, in both comparative and absolute terms. Not only are many trends and developments uncontroversially positive, such as the long-delayed economic recovery, including booming business and consumer confidence, but in other areas as well. Yet The New York Times consistently publishes pieces like this one, by Paul Krugman on Christmas Day, titled, “America Is Not Yet Lost.” It is like a medical school case study on derangement, or a broadcast from the Bizarro Planet. We are told, directly or indirectly, that the reasons that the United States is in historically dire straits is because the Democrats lost the election, the headlong rush towards becoming just like the European socialist nanny states that they thought was finally assured has been stalled, and because, most of all, Donald Trump is President.
I can’t decide whether all these pundits really believe this, in which case they are mentally and emotionally unfit to do their jobs, or if this is a concerted, desperate effort to create panic and hysteria in defiance of reality, in order to justify undoing the election. The characterization of the GOP tax bill was the most recent example of how the negativism makes legitimate analysis impossible. “This is wrong !” is always a perfectly responsible argument in a democratic society. “This is evil and will destroy us all!” is not. Continue reading










This comment by Humble Talent, one of several COTD entries he has made lately, has to get up today before the ick that was the Alabama Senate Race subsides, and the comment feels moot—though it would not be.
But first, my epiphany about investigative reporting…
Humble’s comment made me realize something that was right in front of my eyes, and has been for a long time, and yet I never before connected the dots. This is especially galling because it involves distrust of the news media, and as you know, I think about this a lot.
What I only now realize, thanks to Humble Talent, is that investigative reporting is virtually always partisan or agenda-driven one way or the other. It isn’t the highest form of journalism, as we of the post-Watergate era have been taught to believe. It may be the most sinister.
Journalists can’t investigate everything. They have to choose what to investigate, and when, and those choices are inevitably determined by biases and political agendas. If choices are made, and they have to be—what do we investigate, about who? When do we know we have something worth printing? When do we run it? What will happen if we do?—the choices will reflect biases, unless coins are flipped and lots are drawn.
I never thought about whether the timing of the Roy Moore teen dates stories the Post ran were timed to come out when they did. But Humble makes me think: did the Post bother to look for dirt on Jones? I doubt it. I think an editor said, “This guy Moore is horrible. I bet there’s some scandal out there that can take him down, maybe a sex scandal. Let’s dig.” The Post sees that as a public service—Moore is objectively horrible—but the “investigative reporting” is essentially opposition research to benefit the Democratic candidate. Then the damning results of the investigation were published when they were deemed to be able to cause the most chaos in the campaign.
Why didn’t this occur to me when I was watching “Spotlight”? We see, in that film about the Boston Globe’s investigation into child abuse in the Boston Catholic Diocese, how the story was held up for months as a mater of tactics and politics. The story almost wasn’t run at all. Now, why did I just assume that it was random chance that…
I’m an idiot. Was I the only one this gullible? I knew that the press could have ended JFK’s Presidency almost at will, but was intimidated out of doing so and wasn’t that unhappy about it. I knew the press intentionally kept the Clinton rape allegation from the public, for fear it would affect the impeachment outcome. I knew that CBS and Dan Rather’s investigative reporting about President Bush’s National Guard conduct was devised and timed (and falsified) to give Kerry the election.
Investigative reporting regarding politics is always politically driven. It has to be.
Duh.
I am completely dedicated to the Bill of Rights’ guarantee of a free and unencumbered press. A democracy without a free press is doomed. I am also convinced that a free press that abuses its power and influence is as great a threat to democracy as no free press at all.
Here is Humble Talent’s Comment of the Day on the post, “The Popeye,” From The Ethics Alarms Ethics Estoppel Files: I Can Say The Republican Party Is Rotting, Democrats, But You Can’t: Continue reading →