Your Morning Ethics Update On The George Floyd Freakout

I was musing early yesterday about whether calling the current reaction/over-reaction/ exploitation/ “Hey great now we can do all kinds of stuff because nobody will dare say no to us!” to the George Floyd video a “freakout” was excessively denigrating it, trivializing or misrepresenting it.  I decided it was all three. By the end of yesterday, I realized I was wrong.

I’ll still use the “George Floyd Ethics Train Wreck” tag on posts  emanating  from this madness, but ethics train wrecks, situations where virtually anyone who gets involved instantly engages in unethical conduct, are more rational than ethics freakouts, which are almost entirely fueled by emotion, hysteria, hate, present time perspective, and mob mentality.

I haven’t used the description often here, but looking back through the lens of history, I’d list among past freakouts the Salem witch trials,  the French Revolution and “The Terror,”  World War I, the Holocaust, and the U.S.’s ” Red Scare.” There are others; I’m not looking to compile the definitive list.  The definition of a freakout, as opposed to a an ethics train wreck, is partially that once the fever has passed, virtually everyone looks back on the event and thinks, “What the hell? How did that happen? What was wrong with those people?” The other distinguishing factor is that while wise members of a society will contend with each other during an ethics train wreck and try to stop the runaway train, the tendency of the un-freaked during  a freakout is to try to keep their heads down,  avoid making eye contact, and if confronted with one of the raving, just nod and mutter, “Sure. Whatever you say.”

THAT, as the partial list above demonstrates, is a dire mistake. Ethics freakouts get people killed, and do damage to lives and society that can take decades to repair. Continue reading

Trump Tweets: The Movies

Stipulated: the ethics position here has been since long before the Trump years that Presidents should keep their opinions of persons, places, things and events having nothing to do with their duties or responsibilities to themselves.

Presidents are not kings, nor popes, nor universal authorities on everything. They have a role to fill, and they should fill it; it’s not like there should be plenty of time left over for weighing in on such matters as sports, popular culture, celebrities, and local controversies.

President Obama did far more of this than was responsible or good for the country, notably during race-related controversies. President Trump, obviously, has taken this misuse of his position into the stratosphere with his addiction to Twitter. His unrestrained tweets have done him at least as much harm as good; my own guess is that if he eschewed social media, his approval ratings would be 10% higher than they are.

It is also, I think, beyond argument that Trump’s use of Twitter guarantees that future Presidents will also use it to opine on matters that are none of their business. This is not a good thing.

The President’s latest self-made controversy, actually two controversies, came when he tweeted in part last week,

“How bad were the Academy Awards this year? Did you see? And the winner is: a movie from South Korea. What the hell was that all about? We’ve got enough problems with South Korea, with trade. On top of it, they give them the best movie of the year? Was it good? I don’t know? I’m looking for — where? — can we get ‘Gone with the Wind’ back please? ‘Sunset Boulevard.’ So many great movies. The winner is: from South Korea. I thought it was Best Foreign Film. Best Foreign Movie. No. Has this ever happened before? …”

And then he went off on Brad Pitt’s gratuitous crack about John Bolton. Continue reading

Ethics Hero Emeritus: Lena Horne, 1917-2010

When actress Hattie McDaniel, the imposing African-American actress who played “Mammy” in the film “Gone With the Wind,” was criticized for her willingness to accept stereotypical and often degrading roles, she countered, “I’d rather play a maid and make $700 a week than be one for $7.”  Not Lena Horne.  Breaking into the movie business as a dynamic and glamorous singer-actress in 1942, she insisted on a long-term contract with MGM that specified that she would never have to play a maid. Continue reading