That’s what this unholy mess of a high school play ethics train wreck would be called if it were an old “Perry Mason” episode.

The run of a student production of “The Crucible” at Fannin County High School in Blue Ridge Georgia was cut from two performances to one for reasons unknown. Understandably, the students and their parents were upset. The administration explained that the reason was a licensing agreement violation, and the school was afraid of having to pay damages, or something. It said in a statement,

“After Friday night’s performance of “The Crucible,” we received several complaints as to an unauthorized change in the script of the play. Upon investigation, we learned that the performance did not reflect the original script. These alterations were not approved by the licensing company or administration. The performance contract for The Crucible does not allow modifications without prior written approval. Failing to follow the proper licensing approval process for additions led to a breach in our contract with the play’s publisher. The infraction resulted in an automatic termination of the licensing agreement. The second performance of The Crucible could not occur because we were no longer covered by a copyright agreement.”

Ah, but woke theater Fury Howard Sherman, the same guy who thinks that it’s okay for actors to boycott performances they are contractually obligated to perform because they don’t like the political views of particular audience members (like, say, the President of the United States), is muckraking again. He writes on his website that he’s sure that the show was really cancelled because “the play about witch hunts, about the persecution of people out of hysteria, despite being an acknowledge American classic widely taught in high school classrooms and performed frequently on high school stages, had provoked the same moral persecution it portrayed as unjust.” See, somebody’s mother told a student that the principle had said “that somebody in the audience didn’t like the context of the play and said that it was demonic and disgusting” so the final performance was cancelled.

Does Sherman produce any evidence that isn’t double hearsay that such a sequence occurred? Nope. Do we hear a quote or see a message from the alleged illiterate lunatic who registered such a complaint? No again. But never mind: Sherman is a progressive (to be fair, most theater types are progressives…welcome to my world) with an agenda.

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