“The Great Stupid” Across The Pond: We Helped Save Roald Dahl’s Children’s Books From The Censors; Now They’re Coming For OO7

…who might soon be called “008” to soothe readers offended by the number seven. Seven deadly sins, seven dwarves, that creepy Morgan Freeman movie with Gwinneth Paltrow’s head in a box…it’s a touchy number, you have to admit.

I’d like to think in some tiny way Ethics Alarms helped spread the news of the despicable bowdlerizing of Dahl’s classics that resulted in his publisher backing down and adopting the New Coke solution to a fiasco: the anti-authors’ rights business announced over the weekend that it will henceforth offer “Dahl Classic” along with the vandalized “New Dahl.” Yeah, let’s see which sells more copies. There was hardly time to pop the champagne, however: we then learned that Ian Fleming’s James Bond novels are being re-written for “modern readers“to omit alleged “racist language” and “racial references.” The censored novels will be published in April to mark the 70 years since “Casino Royale,” the first in the series, was published.

There’s nothing quite like honoring an author by defacing his most famous works. At least they’re leaving “Chitty Chitty Bang Bang” alone. I think.

The indefensible conduct comes after Ian Fleming Publications Ltd, which owns the rights to Fleming’s work, commissioned a review by “sensitivity readers.” The British really don’t get that freedom of speech and expression thingy, do they? Neither does the rest of the world beyond our shores and porous borders. Now watch: U.S. progressives will argue that once again, the United States is out of step with its betters by not censoring literature and movies with the same wild abandon that it pulls down statues.

The disclaimer accompanying Fleming’s reissued novels, echoing Dahl’s publisher Puffin, will read: “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace. A number of updates have been made in this edition, while keeping as close as possible to the original text and the period in which it is set.”

If Ian Fleming “might be considered offensive” to the political correctness police, imagine what’s going to happen to Mark Twain.

Continue reading

Black James Bond Ethics

Fleming's Bond (l) and Bond-in-Waiting Idris Elba

Fleming’s Bond (l) and Bond-in-Waiting Idris Elba

There’s really no denying it: some conservatives have persistent hang-ups about race, and it undermines their more rational, perceptive views on other matters. A relatively trivial but revealing example occurred in the aftermath of the Sony computer hack by North Korea (or Hacker X). One of the revelations was that Sony, which owns the James Bond franchise, was seriously considering re-booting the character, currently played by the estimable, but aging, Daniel Craig, with a black  British actor (be sure to mock anyone who calls him an “African-American), Idris Elba.

If you are unfamiliar with Elba, you should watch the British series “Luther” on Netflix. He’s terrific: athletic, sexy, charismatic and passionate, not to mention his  aura of cold-bloodedness and danger—in short, perfect for James Bond. But Rush Limbaugh, apparently seeking to retroactively validate the title of Al Franken’s book, “Rush Limbaugh Is A Big Fat Idiot,” decided to use the threat of non-traditional casting to make liberal heads explode, his mission in life:

“That’s NOT who James Bond is, and I know it’s racist to probably even point this out: We had 50 years of white Bonds because Bond is white. Bond was never black. Ian Fleming never created a black Brit to play James Bond. The character was always white. He was always Scottish.”

It is hard to pack so much idiocy into five sentences, but Rush is up to the task. James Bond is a British secret agent: race doesn’t factor into the stories at all. We’ve had 50 years of white Bonds because that’s the conventional way of portraying the character, that’s all. Rush’s argument here is just “Everybody does it.” So what? James Bond movies are entertainment, and if an entertaining James Bond film can be made with Elba as Bond, and there is no reason in the world why not, then James Bond can be black. Continue reading