On James Bond, The BFI’s Trigger Warnings, and “Poisoning the Well.”

And now for something completely stupid…The British Film Institute, which screens classic films in its Southbank location in London and has the mission of preserving British cinema, has slapped a ridiculous trigger warning on the early James Bond movies, along with some others from the same period. It reads,

“Please note that many of these films contain language, images or other content that reflect views prevalent in its time, but will cause offence today (as they did then). The titles are included here for historical, cultural or aesthetic reasons and these views are in no way endorsed by the BFI or its partners.

The “Look out! You’re going to be offended if you are right-thinking Brit!” is offensive itself for many reasons, as that description might suggest. The BFI is for adults, not children; there’s no need to warn grown-ups about characters smoking, naughty bits, violence and the terminology of the time. The date should be enough: “Oh, right, this film is six decades old! Things were different then!” The BFI is treating viewers like idiots, as well as imposing its woke, nanny sensibilities on others.

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Black James Bond Ethics

Fleming's Bond (l) and Bond-in-Waiting Idris Elba

Fleming’s Bond (l) and Bond-in-Waiting Idris Elba

There’s really no denying it: some conservatives have persistent hang-ups about race, and it undermines their more rational, perceptive views on other matters. A relatively trivial but revealing example occurred in the aftermath of the Sony computer hack by North Korea (or Hacker X). One of the revelations was that Sony, which owns the James Bond franchise, was seriously considering re-booting the character, currently played by the estimable, but aging, Daniel Craig, with a black  British actor (be sure to mock anyone who calls him an “African-American), Idris Elba.

If you are unfamiliar with Elba, you should watch the British series “Luther” on Netflix. He’s terrific: athletic, sexy, charismatic and passionate, not to mention his  aura of cold-bloodedness and danger—in short, perfect for James Bond. But Rush Limbaugh, apparently seeking to retroactively validate the title of Al Franken’s book, “Rush Limbaugh Is A Big Fat Idiot,” decided to use the threat of non-traditional casting to make liberal heads explode, his mission in life:

“That’s NOT who James Bond is, and I know it’s racist to probably even point this out: We had 50 years of white Bonds because Bond is white. Bond was never black. Ian Fleming never created a black Brit to play James Bond. The character was always white. He was always Scottish.”

It is hard to pack so much idiocy into five sentences, but Rush is up to the task. James Bond is a British secret agent: race doesn’t factor into the stories at all. We’ve had 50 years of white Bonds because that’s the conventional way of portraying the character, that’s all. Rush’s argument here is just “Everybody does it.” So what? James Bond movies are entertainment, and if an entertaining James Bond film can be made with Elba as Bond, and there is no reason in the world why not, then James Bond can be black. Continue reading