James Poniewozik

Anti-Trump Hate Porn

/ Jack Marshall / 9 Comments

I’ve written my quota of “resistance” ethics articles today I know, but I can’t help posting this one.

I was stuck in the DMV, and read a New York Times book review titled “Which Came First, Trump or TV?” The reviewer is Gary Shteyngart, who is described in biographies as a writer of satire. The book he reviews is “Donald Trump, Television, and the Fracturing of America” by James Poniewozik, the Times TV critic.

Both the positive review and the book it describes cannot be justified except as salacious efforts to slake the hate of the most Trump-Deranged among Americans. Poniewozik‘s book, described as non-fiction, is full of negative characterizations of the President, his thinking and his personality that are not justified by the author’s education, background, research or expertise. Poniewozik is a TV critic, and that’s pretty much all he has ever been. He has no special expertise or experience in politics or history; he is not a biographer; he isn’t a psychologist. This is his only book, and he is obviously using Trump hate to attract readers and sales, as well as positive reviews by writers who also have no qualifications to justify their getting the assignment. Both the book and the review are the product of bias, designed to foster bias.

Early in the review, we get this:

But Poniewozik, the chief television critic of this newspaper, uses his ample comedic gifts in the service of describing a slow-boil tragedy. If humor is the rocket of his ICBM, the last three years of our lives are the destructive payload.

Everything is terrible! Where have I heard that Big Lie before? I would have stopped reading right there, but you know: Department of Motor Vehicles.

Almost immediately after that moment of signature significance from the reviewer, we get this… Continue reading →

Unethical Comment of the Month: Homeland Co-Creator Alex Gansa

/ Jack Marshall / 23 Comments

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“We wish we’d caught these images before they made it to air. However, as ‘Homeland’ always strives to be subversive in its own right and a stimulus for conversation, we can’t help but admire this act of artistic sabotage.”

—-Alex Gansa, co-creator of Showtime’s hit series “Homeland,” discussing a recent episode in which the Arabic street artists the show hired to paint  graffiti on walls used as a backdrop to a scene spray-painted messages that translated into “ ‘Homeland’ is racist,” “There is no ‘Homeland’, ”  ‘Homeland is a joke,’and “ ‘Homeland’ is not a show.”

It might be (generously)  called an act of artistic sabotage if the artists snuck onto the set and changed the Arabic graffiti on their own time and dime. That was not what they did, however. They accepted money under false pretenses, and did not deliver the services promised. This is not merely sabotage, but fraud, dishonesty and a breach of trust. Rather than engage in civil disobedience and accept the consequences, which would be a principled and courageous act (however misguided)  Egyptian artist, Heba Y. Amin, decided to profit from it as well.

If they at least had the integrity to return their fees, they could win back some ethics points. Continue reading →