Judy Garland

Saturday Ethics Warm-Up, 9/14/2019: “You Made Me Slam You (I Didn’t Want To Do It)” Edition

/ Jack Marshall / 8 Comments

Welcome!

1.  To be fair to Kerry Roberts, while we should not and cannot eliminate colleges, this is also true…From The American Thinker:

….Sarah Sanders made one of the best observations in recent weeks when, reflecting on the Democrats running for president, she observed, “I’m pretty sure they don’t even like America.”  She’s right.  They don’t.  For those who are wondering how the Democrats could have produced such a distinguished slate of the sanity-challenged, it is because of radical liberal control of America’s colleges and universities.  The Marxist radicals of yesterday became college professors of today, seizing ideological control of much of America….American universities are radicalizing an increasingly large share of America.  This is aided by the fact that nearly 70% of kids now go to college, where most of them are taught not to think. Every candidate on stage is convinced that the lion’s share of Democrat primary voters are radical Marxists.  Sadly, they’re all largely right, which is why any candidate who sounds remotely reasonable is running about the same percentage of voter support as you.  These candidates should know their voters, since every one of them is likely a product of America’s universities.  It is hard to overstate the damage this institution is inflicting on America but that outcome was on full display during the Democrat debate.

2.  Stipulated: Using PolitiFact as an authority in any political debate is proof that the user is either so biased he can’t recognize partisan slant when it’s right under his nose, or lying. I remember how most of the Ethics Alarms boycotters from the progressive collective, before they turned tail and ran, liked to cite the obviously manipulative fact-check service, the worst of the worst, if you don’t count Snopes. (FactCheck.org, though leftward tilting, is by far the fairest one of all, according to my magic ethics mirror on the wall…) Kudos, then, to Ted Cruz, who took the time to point out in a tweet:

“Just a reminder, when I said it, PolitiFact (a wholly-owned subsidiary of the DNC) rated ‘Beto wants to take our guns’ as FALSE,.” “Maybe they should buy one of his new t-shirts.”

You know..these:

Now I’m tempted to imitate Cruz’s tweak with my Facebook friends who indignantly protested when I described their favorite party as the champion of open borders, gun confiscation, and late-term abortion. Continue reading →

Tucson Aftermath: Don’t Let The Barn Door Close On Freedom, Please

/ Jack Marshall / 4 Comments

In the wake of Jared Loughner’s attack, the “barn door fllacy” is in full operation as intensely, and foolishly as I’ve ever seen it. Everyone from social reformers to yellow-bellied Congress members are proposing changes and suggesting “dialogues” aimed at stopping Jared Loughner’s completely unpredictable conduct, which, they seem to forget, has already occurred. Almost always, when everyone rushes to lock the metaphorical barn door after the horse is gone, they make the barn and everything around it uglier, less useful, more expensive, and less respectful of basic human dignity and freedom: witness the TSA’s outrageous new pat-down procedures, designed to stop 2009’s exploding underpants terrorist, who was unsuccessful. Continue reading →

“True Grit” Ethics

/ Jack Marshall / 15 Comments

I haven’t seen the remake of “True Grit,” but I know I will, and like many other fans of the original 1969 version, I’m trying to conquer my biases. The latest effort by the usually brilliant Coen brothers creates ethical conflicts for me, and I am hoping I can resolve them right now. Can I be fair to their work, while being loyal to a film that is important to me for many reasons?

The original, 1969 “True Grit” won John Wayne his only Oscar for his self-mocking portrayal of fat, seedy law man Rooster Cogburn, 

who is hired by a young girl to track down her father’s murderer. I love the film; I saw it on the big screen nine times, in fact. Remaking it with anyone else in the starring role feels like an insult, somehow, as if the Duke’s version was somehow inadequate.

Intellectually, I know that’s nonsense. Artists have a right to revisit classic stories and put their personal stamp on them, and they should be encouraged to do it. Every new version of a good story, if done well, will discover some unmined treasure in the material. Why discourage the exploration? Continue reading →