The Netflix series The Crown, which had its 4th season debut over the weekend, is a terrific historical soap-opera featuring some superb acting by its regulars and walk-ons. It is also historical fiction involving living people, notably Queen Elizabeth, Prince Charles, and other members of Great Britain’s royal family. This is an ethically problematic area that Ethics Alarms has delved into before. There are legitimate ethical objections to a work of fiction misrepresenting the actions of any historical figure to that individual’s detriment and damage to his or her reputation. The ethical breach is worse when the fictional version of reality involves those who are still alive, and worse still, at least in the eyes of many Brits, when the dubious narratives put into vivid dramatic form involve the current head of state. This is an issue in part because such works of artistic license are too often accepted as fact by viewers who are too lazy to check Google, Wikipedia, or a history book.
“The Crown’s” scriptwriter, Peter Morgan, has said, “Sometimes you have to forsake accuracy, but you must never forsake truth,” whatever that means. The four seasons of his series have made sensational use of some genuinely disturbing chapters of British royal history that the monarchy would like to forget—this infamous cover-up of a Communist spy in Buckingham Palace is particularly stunning— but Morgan has also been justly criticized for making up events out of gossamer and parallel universe annals.
In the current season, for example, a lot of time is devoted to a rift between Prince Charles and Lord Mountbatten that Morgan admits never happened. The problem is that when complete fantasy is mixed in with real events, public understanding of what is fact and what is fiction becomes blurred. (See “Titanic” and “JFK”)
This may allow the Royals to wiggle out of the implications of the astounding scandal revealed in one of Season 4’s episodes, “The Hereditary Principle.” Some of the details are fudged—the horrible truth was not, as far as we know, uncovered by Princess Margaret (played by Helena Bonham Carter)—but it is true that five of her and Queen Elizabeth’s cousins were secretly committed to a mental hospital in 1941 and declared dead.
Ethics Alarms 