Kennedy Center Honors

From The “UGH! Will They EVER Stop Making Me Defend President Trump?” Files: The Kennedy Center Honors Double-Bind

/ Jack Marshall / 63 Comments

I really, really wanted to bury this one in the Morning Warm-Up. I’m thoroughly sick of writing about the dishonest manipulation of facts and principle used to attack President Trump every day, many times, in the mainstream news media. I am sick of pointing out how unprofessional the Trump-hating publications are that uncritically publish screeds that they would never accept as meeting basic standards of ethical journalism if it weren’t for the identity their target: this President of the United States. I’m also sick of readding proyests from readers trying to rationalize such miserabl ejournalism and punditry. I know readers are sick of all of this too, but the important point is that gullible members of the public and partisan journalists are not sick of the tactic, or ready to play it straight.  They are counting on those who care about fairness, process and truth to give up before they do.

Well, they will wait a long time for me, especially when they publish opinion pieces as bad—misleading, unfair, and unethical— as this one, by playwright Sarah Ruhl.

Ruhl criticizes the President in inflammatory terms for not attending the Kennedy Center Honors ceremony as its host. The White House announced in August that the Trumps would not participate in the December 3 event in Washington, D.C. to avoid “political distraction.” “The president and first lady have decided not to participate in this year’s activities to allow the honorees to celebrate without any political distraction,”  Sarah Sanders said in a statement, adding that the president and Melania Trump “extend their sincerest congratulations and well wishes to all of this year’s award recipients for their many accomplishments.”

Ruhl criticizes the decision in the most inflammatory terms:

“In dictatorships, the artists are often the first to go. Or maybe they are the third to go, after the press and the intellectuals. The refusal of the president to celebrate them is a chilling and clear departure from American values. Perhaps the Trumps didn’t want to compete with the Obamas, who at the 2016 Kennedy Center awards received the longest standing ovation of the evening.”

What unbelievable gall!  Nowhere in Ruhl’s piece, which unflatteringly compares Trump to previous Presidents who attended the gala, does she mention a material fact. Did you catch the omission? Do you think Times readers and the people who are being primed to detest the President did?

The announcement that the Trumps would not be attending came only after honoree Norman Lear, creator of “All in the Family,” “Maude” and “Sanford and Son,”—and also of the ultra-left advocacy group People for the American Way—said that he would boycott the White House reception in protest of the President’s proposed funding cuts to the National Endowment for the Arts and the National Endowment for the Humanities. His fellow 2017 honorees musician Lionel Ritchie and singer Gloria Estefan also hinted that they were considering making a snub of their host a centerpiece of the event. Continue reading →

Morning Ethics Warm-Up: 8/29/17

/ Jack Marshall / 50 Comments

Good Morning!

1. Jezebel fails an integrity test. Are you surprised? The feminist site  has a story about John Smelcer, a successful novelist who has falsely claimed to be a Alaskan Native American  and has used  twenty-five-years of fake credentials and phony biographical details to gain a foothold with academia, publishing houses and critics. Smelcer’s deceptions are a good ethics tale on their own; I especially enjoy his tendency to use blurbs from dead authors on his Amazon pages. But it was this sentence in the Jezebel piece that really impressed me:

“…he was hired by the University of Alaska Anchorage as part of an effort to increase its diversity, with the understanding that he was an Alaskan Native.”

preceded by,

“Smelcer sounds like a Rachel Dolezal…”

Rachel Dolezal? The former NAACP official who claimed (and still claims) she was black when she wasn’t? Is that who comes to mind when you think about a prominent figure who was hired by a university as a diversity candidate after falsely claiming Native American status, and who has parlayed that fraud into national prominence?

The feminist website is shamelessly (transparently, clumsily, hilariously) protecting Senator Elizabeth Warren, aka “Fauxahontas,” and demonstrating how it and the rest of the left-wing media will try to whitewash her personal history to advance the hypocritical demagogue to the White House if possible.

The same story has another example of flagrant unethical conduct being unsuccessfully slipped under the ethics radar. In the process of noting that Smelcer’s Amazon page includes bogus endorsements by such dead literary luminaries as  Norman Mailer, Saul Bellow, and J.D. Salinger, the story quotes Roxanne Dunbar-Ortiz, author of An Indigenous Peoples’ History of the United States,  who also authored an accolade for Smelcer. She wrote to Jezebel that she has asked Smelcer to remove her blurb several times, explaining,

He was so intrusive, he kept lobbying me to give him a blurb. And I basically gave him one just to get rid of him. I was very busy on tour, and unbeknownst to me, he put it on a new book he just published. I’ve written him multiple times for over a year to take my blurb off his publicity, and he wouldn’t do it. He uses all these famous dead people’s names. I never thought someone would be so brazen as to do something like that, but I thought, okay, I’m in good company!

We see. Dunbar-Ortiz thinks it’s okay to give a fake endorsement of a book that she knows will be used to deceive purchasers and critics as long as she’s busy, and doesn’t have the integrity to say “no” and mean it. And wait—what? She gave him a blurb and says now that she didn’t expect him to use it?

No, Roxanne, you’re not in good company, all those dead authors are in bad company, with you. They didn’t give Smelcer blurbs; they’re dead. You’re the one who voluntarily aided his scam. Continue reading →

Ethics Dunce: George Stevens, Jr.

/ Jack Marshall / 6 Comments

Abuse of power, abuse of position, disrespect, unfairness and old-fashioned pettiness—these are just some of the ethics fouls the Kennedy Center’s George Stevens, Jr. committed during the 37th Kennedy Center Honors program last night in Washington, D.C.

“Take this job and shove it” is a pleasing anthem of the abused and disaffected in the workforce, but acting on the sentiment is usually a bad idea, and in some cases, like this one, a terrible idea. The Kennedy Center Honors program was Stevens’ baby from its inception nearly two decades ago, a gala honoring the greats of American culture with a star-studded stage show attended by the glitterati of Washington and Hollywood. Through his skill and showmanship—it runs in his family: he is the son of the great Hollywood director George Stevens, who directed “Shane,” among other classics–he had made the annual event an institution. The awards were considered the official confirmation of icon status, and the program was one of the few culture-related presentations remaining that was deemed worthy of a yearly network telecast. Apparently, Stevens felt that he made the Honors what they were, so he had the right to warp it to his own selfish ends.

Kennedy Center Chairman David Rubenstein thanked the audience for its support, and then, in a gesture unchanged from past years, thanked producers George Stevens Jr. This time, however, instead of waving from the audience as in past years, Stevens came on stage and announced that Rubenstein was forcing him out as producer after 37 years. “We accept that this will be our last Honors,” Stevens said. “This is our good night.” It was hardly a spontaneous show of pique, for he had programmed his comments into the teleprompter.

The sour note interrupted the flow of the evening, and cast a pall over the tributes to honorees Lily Tomlin and Sting, which had not yet begun. (The celebrations of the careers of Tom Hanks, ballerina Patricia McBride and soul singer Al Green had been completed.)

Stevens had been engaged in contentious talks with Kennedy Center management, which wanted to move the Honors show in a new direction and sought a fresh creative vision. In a messy split redolent of Jerry Lewis’s divorce from the Annual MS Labor Day Telethon, an aging creator of a cherished tradition was being retired against his will, and felt betrayed.

Jerry Lewis, however, did not crash the telethon to announce his departure.

This kind of petulant and vindictive exit may feel good in the doing, but is always destructive. The victims included the honorees, the audience, and Steven’s own good will and reputation, as well the event itself.  Can this be justified by the momentary satisfaction of telling his foes at the Kennedy Center off, and holding them up for brief, unwanted criticism? Of course not. All this act accomplishes is to make it clear why the leadership of the Kennedy Center concluded that it was time for Stevens to go. This was not the act of a professional nor the act of a gentlemen. It is the act of an egotist, or perhaps that of someone who has stayed too long and through age or complacency forgotten that maxim of both the theater and life, that you always want to leave your audience wanting more.

Geoffrey Holder Died, And Most Americans Don’t Care. There Is A Problem.

/ Jack Marshall / 40 Comments

Does the name Geoffrey Holder mean anything to you? It probably doesn’t. He died this week, at the age of 84, and his passing received less media attention than the death of Paul Revere, of the cheesy Rolling Stones-lite 60’s rock band Paul Revere and the Raiders, and wasn’t within light years of the orgies of sorrow lavished on the passing of Joan Rivers and Robin Williams. hundreds of thousands of Americans, especially African-Americans, wear jerseys honoring NFL wife beaters and child-batterers, who would have crossed the street to shake Geoffrey Holder’s hand or get his autograph.

Boy, are American values screwed up.

Let me tell you about Geoffrey Holder, one of my heroes. Continue reading →