Super Bowl Sunday Ethics Warm-Up, 2/3/219…To Remind You That You Can’t Be Serious About Ethics And Support The NFL. Sorry.

ARE YOU READY FOR SOME

...ethics?

Started this post in the morning; now, after another wipeout sick day, I’m trying to get it up before midnight. I’m sorry.

1. As a refresher...here’s last year’s Super Bowl guilt trip. I’d write a fresh one, but believe it or not, I’m still sick and in bed. Key quote:

It’s your choice. If you do choose to cheer on the Pats and the Eagles [this year, the Rams], though, don’t pretend that you don’t know that what you’re really cheering, enabling, and ensuring will keep ruining lives.

Incidentally, NFL TV ratings are way up this year. DEE-FENCE!

2. Today’s blackface news...This is not a parody; academics really are this ridiculous: in New York Times op-ed too dumb to link to, headlined ‘Mary Poppins, and a Nanny’s Shameful Flirting With Blackface,’ Professor Daniel Pollack-Pelzner argues that the scene in the original 1964 film in which Mary cavorts with the chimney sweeps and ends up with her face blackened by soot is racially offensive, because it emulates blackface. Points:

  • This utterly deranged PC nonsense was actually seemed worthy of publication.
  • This tells us the risks parents of today take by entrusting the minds of their children to irresponsible institutions and educators who have devolved into advocates for racial paranoia.
  • Linfield College, in Oregon, employs this lunatic, meaning that its administrators think that someone who watches a fantasy dance number performed by chimney sweeps and sees a racist message can be trusted to teach its students.
  • Downton Abbey creator Julian Fellowes, who collaborated on the 2004 stage adaptation of Mary Poppins that returns to the West End later this year, explained for the benefit of the Times, the crazy professor, and anyone so gullibve as to take either of them seriously, that Mary’s acceptance of the soot on her face is meant to be a gesture of support for the sweeps. “All she wants to do is join the sweeps and show them she isn’t standing apart – that she wants to belong to that group. It’s a touching scene and it displays a warm friendliness towards the sweeps,” he said. Funny, I was able to figure that out when I saw the film the first time, and I was 14-years old.

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Morning Ethics Warm-Up, 12/27/18: It’s Video Thursday!

Happy inevitably confusing and disorienting period between Christmas and New Years!

1.. Is this a racially problematic TV ad, or an encouraging one that signals progress?

For me, the commercial raises the question: Have we reached a point when depicting an entire black family acting as moronic as white people are routinely depicted on TV is permissible and white people are allowed to laugh at it?

It made me uncomfortable. Am I alone?

2. Charley Parkhurst. The New York Times project to catch up on all the significant and remarkable women who never received the recognition of an obituary in its pages has been fascinating, and there has been no more interesting entry than this month’s remembrance of Charley Parkhurst, 1812-1879. Parkhurst was a famous driver of six-horse stagecoaches during California’s Gold Rush, a challenging job requiring strength, skill, and unusual honesty. Parkhurst was described as “short and stocky,” a hard-living whiskey drinker, cigar smoker and tobacco chewer, who wore  a patch  over the empty eye-socket where a horse had kicked out the eyeball. Charley was also universally regarded as male until a doctor discovered, post mortem, that she wasn’t. At a time when a women’s options  were severely limited, Parkhurst decided at a young age to live as a man, and was mighty good at it. She even registered to vote in 1868, and some give her the distinction as the first woman to vote in a Presidential election, though there is scant proof of it.

Looking at and thinking about a women “identifying a male” in a different cultural context is fascinating. Was Charley a woman, a male, trans, gay, a fraud, a hero (a heroine?), or just an opportunist and a gutsy realist who did what she wanted to do the only way it was possible for her to do it?

And does it matter? Should it matter?

We are told that Charley also was a lumberjack for a time. I wonder what she would have thought of the Monty Python song?

3. An Althouse quote: Continue reading