This, apparently, is the real L. Brent Bozell.
L. Brent Bozell, the outspoken head of the Media Research Center, doesn’t write the syndicated opinion columns that run under his by-line and has not for quite a while. Reporter Jim Romenesko did a little digging, and discovered that the red-headed face of the conservative group, a favorite guest of Fox talk show host Sean Hannity, uses Tim Graham, the MRC’s Director of Media Analysis as his ghostwriter, both for his columns and apparently his recent books as well.
Before the embarrassing deception was exposed, however—-Bozell’s special crusade is exposing and condemning dishonesty in the liberal news media—the company that distributes Bozell’s columns managed to expose its own flawed ethics as well. Confronted with Romenesko’s suspicions, Bozell’s syndicator wrote this response:
“If you know of one of our columnists who supposedly is not writing the column but rather ‘assigning an underling to pen them (an underling who is not credited),’ I think it only fair that you tell us who has been accused of this so we can talk to the columnist. Yes, we expect all of our columnists to write their own columns, though we understand that some work closely with researchers.“
Once the evidence appeared too overwhelming to deny (as in “lie away effectively”)—-various Media Research Center employees confirmed that Bozell didn’t write his own copy, with one telling him in surprise, “I thought everyone knew it.”—the defense, predictably, began to evolve into “everybody does it.” Continue reading →
Not a composer, not deaf, and maybe Irish, female, and 12-years old, for all we know.
There need be no debate about whether this was unethical, or why. It is obviously one of the great arts hoaxes of all time.
Mamoru Samuragochi, the composer sometimes known as “The Japanese Beethoven,” was exposed this week as being more like a Japanese Milli Vanilli. A double fraud, he didn’t compose the works that made him Japan’s most popular classical composer, and he isn’t even really deaf, which was a large element of his fame and notoriety. Samuragochi has perpetrated a long, elaborate, audacious hoax, hiring a musical ghostwriter to compose for him over nearly two decades. The Man Behind the Curtain revealed himself as Takashi Niigaki, a lecturer at a Tokyo music college, who admitted to writing more than twenty compositions for Samuragochi since 1996, receiving the equivalent of about $70,000. Samuragochi’s most famous works include Symphony No. 1 “Hiroshima,” the theme music for the popular video games “Resident Evil” and “Onimusha,” and especially the “Sonatina for Violin,” which is the program music for the Japanese Olympic figure skater Daisuke Takahashi.
What interests me most about this strange story is how it illustrates the power of cognitive dissonance in the arts. Continue reading →
Audiences at Britney Spears’ “Circus” concert are complaining that the singer is lip-syncing all of her songs, and not dancing energetically or well enough to justify it.
Continue reading →