“Well, I don’t know that I would say in a theatrical context that it isn’t true. I believe that when I perform it in a theatrical context in the theater that when people hear the story in those terms that we have different languages for what the truth means.”

—Actor, writer, activist Mike Daisey, in an interview with NPR’s Ira Glass, exploring how Daisey was able to justify fabricating facts and accounts for the earlier aired—and just retracted—“American Life” installment called “Mr. Daisy  Goes To The Apple Factory.” NPR checked the particulars of Daisey’s first hand account of the human rights and labor violations he claimed to witness at Apple’s factory in China, and found that the writer had embellished, exaggerated,  and misrepresented much of what he reported. What NPR had broadcast as journalistic reporting was an excerpt from Daisey’s acclaimed touring one-man stage show, “The Agony and Ecstasy of Steve Jobs.”

Mike Daisey, lying to us for our own enlightenment

Daisey’s quote, which is both illuminating and chilling, argues that using made-up stories and personal accounts in a theatrical context qualifies as truth, even if the same misrepresentations in a journalistic context are inappropriately false. The problem with his argument, and the flawed ethical theory behind it, is that both the NPR audience and his theater audience believe that Daisey is telling the truth. Daisey’s solution to the problem is simple: his one-man show does tell the truth…it just uses lies to do it. Continue reading →