There is nothing unethical about “Noah,” the biblical spectacular that harkens back to the grand old days when Cecil B. DeMille reigned supreme. I haven’t seen the movie, and yet I can say that with absolute certainty. The reason I can say it that there is no way on earth that a movie about Noah and the Ark, in this day and age, could possibly be unethical. Even if the Old Testament were literal fact, which it is not, cannot be and in all likelihood was never intended to be, “Noah” couldn’t possibly be unethical, because it is a movie.
Never mind that of all the Biblical fables, with the possible exception of Adam and Eve, the tale of Noah is perhaps the most obviously impossible. The movie is art—of one kind or another—and does not represent itself as a documentary or make any factual assertions whatsoever. Thus it can be distinguished from a truly unethical film like Oliver Stone’s “JFK,” which intentionally misrepresented recent historical facts to “prove” a theory of the Kennedy assassination that was irresponsible and almost certainly false. Is “Noah” dishonest? It is impossible to be dishonest about a presumptively non-historical event about which there is no direct evidence whatsoever, and when there is no intention to deceive. Is it disrespectful? Art has no duty to be respectful. Is it fair? Fair to who? An artist’s stakeholders are those who appreciate his or her art. Does it do harm, or intend to? No. Continue reading






