In 2018, I included a brief note about the Netflix streaming series “Ozark” in a morning “warm-up.” I wrote,
“Call me an old ethics fogey, but I don’t think these kinds of TV series are culturally healthy. I’ve been watching the Netflix series “Ozark,” and hating myself for it. The show is well acted and even has its ethics dilemmas, but like “Breaking Bad,” which was obviously its inspiration, there are no admirable characters, and the “heroes” are criminals. In the Golden Age of TV, there were unwritten (and sometimes written) rules that shows could not rationalize, trivialize or romanticize illegal, immoral or unethical behavior, and needed to reaffirm positive values. In “Ozark,” “Breaking Bad” and “Better Call Saul,” the latter’s spin-off, as well as “House of Cards,” and “Shameless,” among others, there are virtually no admirable characters at all. I have been watching “Ozark” in part because I like the actors, in part because there’s nothing I want to watch anywhere else except baseball, and, yes, in part because of voyeurism. Still, it makes me want to take a shower, and I felt that the increasing tendency of Hollywood to portray everything and everyone as corrupt makes a “the ends justify the means” rationalization seem like a matter of survival.”
Well, that was a shallow and unfair analysis, I am now compelled to say. Living alone with non-work time being a constant challenge between baseball seasons and disappointed by so many other series, I have returned to some old ones that I recalled as at least consistently excellent in scripting and performances, including consensus classics like “The Sopranos,” “Six Feet Under,” “Ray Donovan” and the best of them all, “Lonesome Dove.”
My reaction to “Ozark” the second time through has been completely different from the first time. For one thing, there is so much of it I don’t remember that I have to believe that I didn’t give the show my complete attention on the first viewing. Secondly, I realize now that “Ozark” is an ethics series as much as “The Walking Dead” is an ethics series, and for a similar reason. A normal family is thrust by a confluence of events beyond its control into a set of extreme circumstances beyond their experience and comprehension. They find themselves in a true Bizarro World ethical environment where what is considered ethical in a normal culture will not work, requiring the acceptance of new values and the mastering of new skills, with the alternative being death.






