And an ethical hat it is, too!

Readers who are not interested in the art of lyric writing and the mechanics of constructing a Broadway musical should probably avoid the second and final installment of Stephen Sondheim’s chronicle of his creative life, “Look, I Made a Hat.”  They will be missing something important nonetheless: a rare example of truly ethical memoirs.

As in his first volume, “Finishing the Hat,” America’s pre-eminent composer-lyricist for the stage reveals himself as a gentleman, an adult, and a thoroughly ethical human being, and does so not by proclaiming his virtues, but by demonstrating them in his writing. He is not uncritical, but always fair and kind. He accepts personal responsibility for projects that failed, and is generous with giving credit for projects that were successful. There is no false modesty in Sondheim about his own skills and achievements, but neither does he seem to overvalue them or seek his reader’s admiration by blowing his own horn.

The line Sondheim walks in both books is fine, and he walks it finely. For example, I initially thought his decision to only criticize the techniques of other lyricists who are dead was a cowardly one, but upon reading both books it is clear that the decision was motivated by kindness. Sondheim takes the craft of lyric-writing very seriously, and his integrity would not allow him to censor a critical observation regarding a colleague’s work when he believed the criticism was illuminating and had merit. Realizing how hurtful a critique from someone of his reputation and accomplishments could be, Sondheim restricted his frank and (mostly)  fair assessments to writers beyond wounding. If Jerry Herman isn’t grateful, he should be. Continue reading →