Sunday Ethics Warm-Up, 1/12/2020: Broken Ethics Alarms, An Ethics Conflict, And “Who Are You Going To Believe, Me Or Your Own Eyes?”

Well, Hel-LO!

“Seinfeld” fans remember Jerry’s Uncle Leo, whose trademark was an over-enthusiastic, “Hel-LO!” The recurring character was played by the late Len Lesser, an obscure Hollywood bit player until the “Seinfeld” gig made him a familiar face. Well, I was watching “Bells Are Ringing, the 1960 film version of the hit Broadway musical known for the standards “Just in Time” and “The Party’s Over” (one of my Mom’s favorite songs), on TCM. The film is a reminder of just how luminous Judy Holliday was; she had won the Tony for playing the musical’s starring role on Broadway, and attention should be paid. Tragically, his was her last movie—during filming she was fighting the cancer that eventually killed her —-and I don’t know if there has ever been a female musical comedy star of greater range and presence. Anyway, there’s a number in the film where Judy tells Dean Martin that New York’s grim mass of humanity during rush hours will thaw if strangers only say “hello” to each other. Dean is skeptical, but he tries it on a dour-looking man waiting in the mob, whose face instantly breaks into a brilliant smile at the greeting. “Hel-LO!” the man responds to a surprised Dino, and soon everyone is happily saying hello to each other. You guessed it: the dour-looking man was played by “Uncle Leo” himself, Len Lesser. His catch phrase in “Seinfeld” was a deliberate reference to that bit, one of the very few memorable moments in the elderly actor’s career.

This is really a long introduction to a different point: I get a lot of ethics ideas from watching old movies. For example, I watched 1967’s “The St. Valentine’s Day Massacre, one of schlockmeister Roger Corman’s few films with an A-list cast and a big budget. The film’s solemn narrator is uncredited, but he is obviously meant to make the casual audience member think it’s Orson Welles. It wasn’t Welles, however: it was master vocal artist Paul Frees, who had a great, and often used, Welles impression. I assume he was uncredited so no one would realize that the narrator wasn’t the weighty Welles, but the voice of Boris Badinov from “Rocky and Bullwinkle.”

I don’t know how Corman got away with this.

1. Ah, the accurate, trustworthy news media. Reuters reports, “A South African military plane crash-landed on Thursday at the Goma airport in eastern Democratic Republic of Congo, a U.N. spokesman said….two sources at the airport, speaking on condition of anonymity, said there did not appear to be major damage to the plane.”

Here’s the plane:

2. Apparently the Democratic Party’s strategy regarding the economy is to just flagrantly lie about it. “The U.S. economy is working just fine for people like me. But it is badly broken for the vast majority of Americans,” Mike Bloomberg said this week. That counter-factual statement echoes Joe Biden, Elizabeth Warren, Bernie Sanders…pretty much the Democratic field, and it is demonstrably false.

The Atlanta Federal Reserve Bank’s monthly Wage Growth Tracker shows that Americans in the lower wage brackets are making more money, and at a better rate than they have for a very long time. Here’s a graph: Continue reading

Giving Credit When Credit Is Overdue: The Great Paul Frees And The Untold Secret of “Some Like It Hot”

I’m going to reveal a secret.

Paul Frees certainly isn’t a secret, or shouldn’t be. You know Frees, even if you don’t know his name. He was a brilliant vocal talent who, like his better-known contemporary Mel Blanc (the voice of Bugs Bunny, et al.) was called “The Man of A Thousand Voices.” Frees was more versatile than Blanc, however, and more ubiquitous as well. He was the voice of Boris Badenov in the “Rocky and Bullwinkle” cartoons, as well as the voice of Santa Claus, Jack Frost and dozens of other characters in the Rankin-Bass animated specials that are still shown every Christmas.

Frees did a killer Orson Welles impression that was used is several films, and by Stan Freberg as the narration for his immortal comedy album, “Stan Freberg Presents The United States of America (Part I). He was the voice of both John and George in the Beatles’ animated TV show, and  Ludwig Von Drake for Disney. He recorded the “Ghost Host” of Disney’s Haunted Mansion ride; indeed, his voice turns up in many rides in the theme parks, including “Pirates of the Caribbean.” In commercials, he was Poppin’ Fresh, the Pillsbury Dough Boy;  Toucan Sam, the Fruit Loops mascot who sounded like Ronald Coleman for some reason; and Boo Berry, who was a spoof of Peter Lorre. His Peter Lorre imitation had been honed as a member of Spike Jones’ troop of musical maniacs, and his Lorre-rendition of “My Old Flame” is a highlight of “The Best of Spike Jones” album, which I play often to maintain my sense of humor in dark days…

None of that is the secret, however. Continue reading