Here is Dion’s signature hit, 1961’s “The Wanderer”…
The song is ranked #243 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time.The lyrics (the song was written by Ernie Maresca) , for those of you who are lyrically challenged, are as follows… Continue reading
My mind was still on the topic of political correctness after finishing the previous post when, by chance, the pop song that has a fair claim to being the most politically incorrect of all time came on the radio. It was “Speedy Gonzales,” sung by Pat Boone, a 1961 chart hit written by Buddy Kaye, Ethel Lee and David Hess and featuring the voice of the cartoon Speedy (whom you almost never see on TV anymore because, well, you know), Mel Blanc. Here it is…
Your musical Ethics Alarms Ethics Quiz is this…
It probably isn’t the winner in the Ethics Alarms quest to identify the most unethical pop songs, but the 1949 ditty “Why Do They Always Say No?” is one of the most instructive nominations. The fascinating and essential feature of ethics is that our understanding of right and wrong evolves, changing and advancing with wisdom, cultural debate and reflection. This song is a tuneful reminder, arriving at our attention just as the culture, especially on campus, is struggling over exactly the dilemma the song celebrated. In 1949, however, literally no one thought about romantic or sexual gamesmanship as an ethical issue, or at least not a momentous one.
Have a listen (It’s on the B side of the record pictured, and starts playing at the halfway mark):
The lyrics are credited to Harry Pease, Frank Davis, Ed G. Nelson and Billy Glason. Only the latter has much of a footprint on Google, and none of them rate a Wikipedia entry. I doubt that it took four guys to write this song: It’s not exactly “A Day in the Life.” Glason (b. 1904) was probably the author. He shows up in the Encyclopedia of Vaudeville as a “singing comedian,” known for devising new punchlines for ancient jokes, such as
Q: “Who was that lady I saw you with last night at that sidewalk cafe?”
A: “That was no sidewalk cafe! That was our furniture!”
Pease, Davis, and Nelson were all musicians, though it’s also hard to imagine that the elemental tune required three collaborators. The lyrics are more disturbing read than heard:
Why do they always say no
When they know they mean yes all the time
You ask a girlie for a kiss or two
She’ll let you know that’s something I don’t do
How can they tell such a lie
And still look you straight in the eye
Whenever they say no to you go right ahead
Cause it’s 10 to 1 that they mean yes instead
Oh, why do they always say no
When you know they mean yes all the timeWhy do they always say no
When you know they mean yes all the time
You start to love them and they pout and fret
Down in their hearts they want all they can get
What keeps them acting that way
They don’t mean a word that they say
A girl that said she’d never marry me
She’s the mother of my happy family
Why do they always say no
You know they mean yes all the timeWhy do they always say no
When you know they mean yes all the time
You ask your girlie for a kiss or two
She’s lets you know that’s something I don’t do
How can they tell such a lie
And still look you straight in the eye
Whenever they say no to you go right ahead
Cause it’s 10 to 1 that they mean yes instead
Oh, why do they always say no
When you know they mean yes all the timeYou know they mean yes all the time.
“You know they mean yes all the time.”
Sure you do.
_________________________
Special thanks to my volunteer scout Fred, whose wife found this piece of musical ethics archeology.
We are coming up on the anniversary of my post asking for nominations for the most ethical pop songs from past decades. Both here and in my office mail box, I received excellent suggestion—so many, that I have not been able to find the time to finish the project. However, I am determined to have the final list ready by the anniversary date, November 14, 2014.
So there is still time to get your nominations in. Meanwhile, as I was driving home from a Virginia Beach ethics seminar and keeping myself occupied during the three hour drive with the Sirius-XM 50s-60’s-70’s and 80’s stations, I heard this song, by Leslie Gore, from 1964:
With the domestic abuser ethics issue still percolating in my fevered brain, it occurred to me, as it had not before, what a vile message the song sent to teenaged girls. “What else can” Leslie do about her abusive boyfriend? Dump him, that’s what. I wonder if Janay Rice knows this song.
Or sang it. Continue reading
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