Comment of the Day: “As the NYT Enables Terrorism and Anti-Israel Hate With ‘Think of the Children!’ Porn: The Sequel”

This is an unusual Comment of the Day by Chris Marschner (on the post,“As the NYT Enables Terrorism and Anti-Israel Hate With ‘Think of the Children!’ Porn”), but it makes an important point, indeed, the crucial point that exposes the intellectual dishonesty of the Times’ “Think of the Children!” campaign to demonize Israel as it tries to defend its right to exist.

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I reworked the original Times story to reflect a similar situation in the mid-20th century. All I did was change the name and the players. If the Times had written its report this way, then the Brits, the French, the Poles, the Czecks and others would be goose-stepping to their new bosses and Israel would not exist.

It is obvious to any rational thinker that when a nation faces existential peril from zealots who believe they are the rightful heirs of the entire region and that no one except the devout believers of Mohammed may live peacefully there, that when they are attacked they must eliminate the immediate as well as the long term threat in order to minimize civilian losses. We did this twice in the Pacific and Europe when despots saw opportunities for empire building.

My NYT rewrite:

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I’m Curious: What Would You Call The Results of This Newsbusters Study In Addition To “Unethical”?

Newsbusters has the results of a study it performed to examine the political orientation of Late Night TV Guests. It isn’t a surprise to me in the least, yet seeing the results still gave me a jolt. As I write this, I am trying to figure out what this obviously intentional practice of the networks and entertainment industry is, exactly. But first, the study…

It tallied the guest appearances on five daily late night comedy shows: ABC’s Jimmy Kimmel Live!, NBC’s Late Night with Seth Meyers and The Tonight Show Starring Jimmy Fallon, CBS’s The Late Show with Stephen Colbert, and Comedy Central’s The Daily Show. The period examined was the nine months from October 2, 2023, to June 27, 2024.

In that period, progressive/Democrat guests outnumbered conservative/Republican guests 137 to 8, or 94% to 6%. If you just count partisan officials, the count was 34 Democrats to 5 Republicans.

Colbert—naturally—had the greatest cumulative discrepancy at 14-1. The Jimmy Kimmel balance count was 7-0. Seth Meyer’s was 3-0, and Jimmy Fallon, who is mostly apolitical (except in his monologues) was 1-0. Jon Stewart’s The Daily Show came in at 9-4.

In the category of journalists and celebrities, the slant was 104 progressives to 3 conservatives.

Colbert was again the most biased at 34-0. The Daily Show was second in bias at 29-1. Meyers had a 21-0 progressive imbalance, Fallon’s was 11-1, and Kimmel’s was 7-1. No journalists from conservative publications or platforms were allowed: here are the outlets represented:

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Now THIS Is Pandering…

Ugh. These are not the only corporations playing this dishonest and cynical game, as you know. There are so many ethics alarms this junk sets off it’s difficult for me to keep the clanging straight–oooh, can I still say “straight”?

1. The robotic response of companies and organizations falling into lockstep during “Pride Month” (and Black History Month, and…yada yada) has the stench of forced speech about it, like everyone flying swastikas in 1930s Germany. Are the companies afraid not to demonstrate the mandated rainbow obeisance? What does BP have to do with sexual orientations and non-standard sexual practices? Why should a company like that have any input into the conversation at all? Shut up and drill.

2. These phony gestures also indicate obedient mass participation in cultural propaganda and indoctrination. It is an abuse of power and influence, and it doesn’t matter whether the organizations are endorsing kittens or cannibalism. I feel my arm being twisted. I resent it.

3. If these rainbow logos really represented the companies’ values, then they wouldn’t hide them in nations where intolerance reigns. In fact, those are the cultures where the advocacy is most needed and might do the most good.

The bottom line, as those companies’ VPs might say, is that their management and ownership have no genuine values, other than the desire to make money. That’s fine: capitalism works, and the profit motive makes it work, but these facile, empty gestures should be reminders to all that the pandering organizations cannot be trusted or believed whether they are lining up to bow to BLM, DEI, #MeToo, the stupid Wuhan lockdown, or whatever the latest woke fad of the moment happens to be.

Why is Planned Parenthood Promoting Premarital Sex?

It couldn’t be that it’s trying to drum up more abortion business, could it? Nah, that would be…unethical. Unless, of course, one likes abortions.

Watch, if you have the stomach for it, that video above, which Planned Parenthood promoted this way:

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Curmie’s Conjectures: The Belfry Theatre’s Crisis of Nerve

by Curmie

[ JM here: I want to let Curmie’s Conjectures stand on their own, so I apologize at the outset by intruding with a brief introduction. Lest anyone be dissuaded from reading the whole post because the author’s scholarly tone and apparent focus at the start suggests that this will be a narrow discourse on topics rather more relished by Curmie and me than by the majority of EA readers—theater and the performing arts—fear not. The tags on the article will be “Canada, censorship, the Hamas-Israel War Ethics Train Wreck, and political theater.” The post also involves some of the same considerations as one of mine two days ago. ]

There is a theory, one to which I subscribe, which suggests that the Dionysian Festival of classical Athens began not really as a religious observance in honor of a demi-god but rather as a means of consolidating the political power of the tyrant Peisistratus.  Whether or not this is true, there is no doubt that by 458 BCE Aeschylus’ Oresteia, widely acclaimed as “the world’s first dramatic masterpiece,” offers commentary on the reforms of the Areopagus enacted by the strategos Ephialtes some three years earlier.

There is no question that since that time the theatre has often—not always, but often—been political.  The 20th century offered more than a few examples of playwrights and production companies who, often at personal risk, critiqued the power structures around them: Jean-Paul Sartre took on the Nazis; Lorraine Hansberry, racism in the US; Athol Fugard, apartheid; Václav Havel, communism in Eastern Europe.

Not all such efforts were for causes most of us would endorse, of course.  Socialist Realism was a Stalinist policy under which all art had to support The Revolution: not just avoid criticism of the regime, but actively and explicitly endorse it.  More recently, the Freedom Theatre of Jenin (on the occupied West Bank) has been in the news.  A few weeks ago, one of the student organizations at my university posted an encomium to the company, which they described as “an example of creating liberating theatre and serving communities through theatrical pedagogy and profound performance.”  I remembered having written about that theatre a dozen or so years ago.  If I might quote myself for a moment: “Turns out that the Freedom Theatre was pretty damned proud of having turned out alumni who engaged in armed insurrection, and at least one of whom, a suicide bomber, richly merited description as a terrorist.” 

So no, propagandistic theatre isn’t always a good thing… but engaging with the world is.  Even subtle messages matter.  Under normal circumstances, Aunt Eller’s wish that “the farmer and the cowman can be friends” doesn’t amount to much.  But Oklahoma! hit Broadway after the declaration of war against the Axis powers and before D-Day.  “Territory folks” need to put aside their petty grievances when there’s a guy with a funny mustache who’s far worse than any of your neighbors will ever be.

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Boxing Day Ethics Quiz: The Gaza Mayor’s Lament

The conservative news media and punditry sites are exploding with criticism of the New York Times for publishing the op-ed on December 24 written by Yahya Sarraj, mayor of Gaza City. Sarraj was appointed mayor by Hamas, the terrorist organization that has ruled Gaza for more than a decade. The piece is self-evident proaganda that seeks to create outrage and sympathy for Gaza in the wake of Israel’s retaliation for the Hamas terrorist attacks in Israel on October 7 and its invasion of the Gaza Strip.

The Hamas-backed mayor writes in part…

“The Israelis have also pulverized something else: Gaza City’s cultural riches and municipal institutions. The unrelenting destruction of Gaza — its iconic symbols, its beautiful seafront, its libraries and archives and whatever economic prosperity it had — has broken my heart….Why did the Israeli tanks destroy so many trees, electricity poles, cars and water mains? Why would Israel hit a U.N. school? The obliteration of our way of life in Gaza is indescribable. I still feel I am in a nightmare because I can’t imagine how any sane person could engage in such a horrific campaign of destruction and death….The Gaza Zoo has been destroyed with many of its animals killed or starved to death, including wolves, hyenas, birds and rare foxes. Other casualties include the city’s main public library, the Children’s Happiness Center, the municipal building and its archive, and the seventh-century Great Omari Mosque. Israeli forces have also damaged or destroyed streets, squares, mosques, churches and parks.”

The clear and obvious answer to “why?” would seem to be “Because your government started a war, and this is what happens to places that start wars by massacring civilians, raping women, beheading babies and taking hostages.”

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The Big Lies Of The “Resistance”: A Directory, Updated (11/29/2023)

[When I wrote the previous post adding Big Lie #10 to this compendium, I decided to read the whole thing again. That occasioned numerous updates (and repaired typos, of course.). I found it worth reading again; heck, I wrote it, and I had forgotten most of it. So I’m re-posting the revised version now…]

Introduction

The “Big Lie” strategy of public opinion manipulation, most infamously championed by Adolf Hitler and his propaganda master Joseph Goebbels, has, in sinister fashion, become a routine and ubiquitous component of the Left’s efforts to remove President Donald J. Trump from office without having to defeat him at the polls, and subsequently after his defeat, to attempt to prevent him from defeating a hopelessly inept failed successor. One of the most publicized Big Lies, that Trump had “colluded” with the Russian government to “steal” the Presidential election from Hillary Clinton was eventually exposed as such by the results of the Mueller investigation, the discrediting of the Steele Dossier, and the revelation that Democrats (like Adam Schiff) and the mainstream news media deliberately misled the public. and Democrats, with blazing speed, replaced it with another Big Lie that there was a “Constitutional crisis.” I could have added that one to the list, I suppose, but the list of Big Lies is dauntingly long already, and this one is really just a hybrid of the Big Lies below.

Becoming addicted to relying on Big Lies as a political strategy is not the sign of ethical political parties, movements, or ideologies. Perhaps there is a useful distinction between Big Lies and “false narratives,” but I can’t define one. Both are intentional falsehoods designed to frame events in a confounding and deceptive manner, so public policy debates either begin with them as assumptions, thus warping the discussion, or they result in permanent bias, distrust and suspicion of the lie/narrative’s target. For simplicity’s sake, because I believe it is fair to do so, and also because “Big Lie” more accurately reflects just how unethical the tactic is, that is the term I will use.

Big Lie #1. “Trump is just a reality TV star.”

This is #1 because it began at the very start of Trump’s candidacy. It’s pure deceit: technically accurate in part but completely misleading. Ronald Reagan was subjected to a similar Big Lie when Democrats strategically tried to denigrate his legitimacy by  referring to him as just an actor, conveniently ignoring the fact that he had served as Governor of the largest state in the nation for eight years, and had split his time between acting and politics for many years before that, gradually becoming more involved in politics and public policy. (Reagan once expressed faux puzzlement about the denigration of his acting background, saying that he thought acting was an invaluable skill in politics. He was right, of course.)

In Trump’s case, the disinformation was even more misleading, He was a successful international businessman and entrepreneur in real estate, hotels and casinos, and it was that experience, not his successful, late career foray into “The Apprentice” (as a branding exercise, and a brilliant one), that was the basis of his claim to the Presidency.

The “reality star” smear still appears in attack pieces, even though it makes even less sense for a man who has been President for four years. The tactic is ethically indefensible . It is not only dishonest, intentionally distorting the President’s legitimate executive experience and success,  expertise and credentials, it is also an ad hominem attack. Reality TV primarily consists of modern freak shows allowing viewers to look down on assorted lower class drunks, vulgarians, has-been, exhibitionists,  idiots and freaks. Class bigotry has always been a core part of the NeverTrump cabal, with elitist snobs like Bill Kristol, Mitt Romney, the Bushes, and George Will revealing that they would rather capitulate to the Leftist ideology they have spent their professional lives opposing (well, not Mitt in all cases) than accept being on the same team as a common vulgarian like Donald Trump. Continue reading →

The Res Ipsa Loquitur Files: Yeah, Thanks Lincoln Center, But I Think I’ll Skip “Jungle Book Reimagined”

Surely there are still some live theater production that are not arm-twusting agitprop and woke propaganda. Surely.

The production is described on the Lincoln Center website as a “rethinking of the Rudyard Kipling classic ‘The Jungle Book'” that “updates the original’s colonizer-centric perspective.” More specifically, the New York Times review tells us,

“Instead of a boy raised by wolves, Mowgli is a refugee girl separated from her family as sea levels surge. She is adopted by animals who have formed a peaceable kingdom in a city that humans have left behind. Many familiar characters appear, slightly altered. Baloo the bear is now a bear who was forced to dance by humans before escaping the humiliation. The Bandar-log monkeys are now former lab specimens, still traumatized by being experimented on but longing to replace their former masters. Kaa the python is dangerous and hypnotizing but also hung up on memories of captivity in a zoo.”

Gee-what-fun. Can a Disney version be far behind?

The ‘Great Stupid’ Woke Mug That’s Even Worse Than The ‘Great Stupid’ Woke Lawn Signs

This embarrassing thing has over 5,000 “likes” on Facebook, including many from friends of mine who I will henceforth have a hard time looking in the eye.

The mug, which is available free of charge “for a limited time only,” annoys me more than the “In this house we believe” signs with their fatuous virtue-signaling, generalizations (“Love is Love”) and rationalizations (“No Human Being Is Illegal”). because the game it plays is more sinister and confusing to the intellectually handicapped. It is a political propaganda device that deliberately uses false equivalencies in order to ridicule and denigrate legitimate dissent from current progressive cant.

The smug mug’s three statements of the obvious (“The Earth is not flat,” “Chemtrails aren’t a thing” and “We’ve been to the moon”) contradict fringe wacko conspiracy theories that don’t require debunking, since only a tiny and insignificant percentage of the public believes in them or ever has, and almost all of that group breathe through their mouths. However, mixed in among those topics as if they are in the same category are reductive generalizations about two public policy issues involving serious and valid controversies. That’s dirty pool, and worse, the statements aspire to end debates that they don’t even fairly reference.

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Ethics Quiz: Is This An Ethical Teacher Training Film? Just Kidding: Of Course It Isn’t…

Imagine a culture that could permit something this biased, divisive, reductive and vile to get funded, green-lighted, produced and used.

Never mind: you don’t need to imagine it. That culture’s here.

Now what?