1. The good brother. It’s not worth a full post, but Ron Howard deserves a call-out for being a good brother. Last night I finally watched “Frost/Nixon,” and wondered if, since it was directed by Ron Howard, Opie’s hideous younger brother Clint Howard would be in the cast. Sure enough, he was. Clint, like Ron, was a child star, most prominently in the TV series “Gentle Ben.” Unlike Ron, Clint was not treated well by the puberty fairy, and once his goofy looks stopped being cute, he had a face that was usable, if at all, in cheap horror flicks and in bit parts playing various creeps and thugs. Clint’s not a bad actor, he’s just not very versatile, and relentlessly hard on the eyes. He would probably not have an A movie to his credit were it not for the fact that his brother, the rich and famous star director, puts him in the cast whenever he can.

Well, good for Ron. Sure, it’s nepotism, but Clint is serviceable, and certainly capable of playing the parts he’s cast in, like one of the NASA guys in the control room in “Apollo 13,” or a referee in one of the less important Jim Braddock fights in “ Cinderella Man.” Getting such roles in Ron’s prestige films make Clint more attractive for the parts he’s up for in his usual vehicles, like the upcoming “Hell of the Screaming Undead.”

2. On a related casting issue, I watched the Netflix production “Enola Holmes.” It was fun, but the “anti-racism” casting was already in evidence: African Americans were scattered through Victorian London in odd and ahistorical places. It didn’t undermine the quality of the productions: all of the black actors and actresses were pros, but it did make the piece seem set in some fantasy land that never existed. If you know history, it is jarring; if you don’t, then it has no impact at all. I did find the non-traditional casting half-hearted: in virtually all cases, the actors “of color” were relegated to extremely minor roles a step above the extras. You know—like the parts Clint Howard plays in his brother’s movies.

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