OH NO! Trump Is Toppling A Work Of Art Outside The Kennedy Center! Democrats Would NEVER Take Down…Oh. Right.

Well, I’ll say this for my Trump Deranged Facebook Friends: they are useful for keeping up on that group’s rapidly progressing mental illness, which exhibits symptoms manifesting constant fury over trivia, obsessive behavior, presumptions of certitude, and loss of all perspective. Oh, and hypocrisy! Mustn’t forget hypocrisy.

My friend the Trump Deranged professor posted this today with favor:

“Today, a permanent artistic gift—Joel Shapiro’s “Blue”—was taken from the nation because Donald Trump didn’t like it.

“September 18, join Hands Off the Arts to raise your voice and make sure Trump pays the political price for his vandalism of John F. Kennedy’s memorial and our nation’s cultural center.”

I’m marking my calendar right now!

The alleged vandalism was Trump’s ordered removal of the ugly thing above, which, since I started personally boycotting the monument to one of our most unethical Presidents and his corrupt family dynasty that included a U.S. Senator who left a young woman to die in a submerged car, I had never seen before. Huh. Is the outrage over Trump getting rid of that piece of blue crap more contrived than the fury over the 250th Commemorative coin, or less?

In a risible report, the New York Times informs us that “Blue” is a “towering artwork.” And it fit so well with the neo-Classical style of the Edward Durrell Stone white marble box-shaped Center, too!

The John F. Kennedy Center for the Performing Arts removed a major outdoor sculpture from the center’s grounds on Wednesday. The work, installed in 2019, was targeted for elimination after President Trump’s takeover of the center, according to internal documents obtained by The New York Times.

The Kennedy Center made no advance announcement of its plans to remove the towering, vivid blue metal sculpture of a stick-like human figure, called “Blue.”

On Wednesday morning, the limbs and torso of the figure were wrapped in protective material; an arm was the first to be removed.

The Kennedy Center confirmed in a statement on Tuesday that the sculpture was being deinstalled and that a foundation dedicated to the artist would determine its next location. It did not say the reason for the removal but noted that the deinstallation of artworks that had been donated or lent was common practice for conservation or preservation purposes.

A news release from around the debut of “Blue” describes it as a permanent sculpture for the grounds.

“We are deeply grateful to Joel Shapiro for the years ‘Blue’ has spent animating our campus and connecting visitors to his vision,” the statement said. “We are honored to have been stewards of his vibrant work and a part of his enduring legacy.”

Mr. Shapiro died in 2025. His daughter, Ivy Shapiro, who is president of his foundation, said in an interview that she thought her father would have been “alarmed” that the sculpture was being taken down from its intended location.

“In Joel’s mind, it was one of his greatest site-specific commissions, which celebrated joy, freedom and creativity,” she said.

Hear! Hear! I know I’ve always seen giant metal stick figures as celebrations of joy, freedom and creativity. Not as much as those inflated wiggly-men, of course, but still.

If there is one thing I do not care to hear knee-jerk progressives bleat about in their ravings, it is President Trump removing a single ugly artwork from the grounds of a public building because “he didn’t like it.” In this case the President showed exquisite taste (for a change) but even if the thing weren’t a big blue metal stick figure, the reason “It stinks!” is still a brilliantly-reasoned critique compared to the Axis and Friends removing over 160 statues from public grounds

…because a black lifetime petty thug died after an accidental use of excessive force by a Minnesota police officer while he was resisting arrest and over-dosing on drugs.

The hypocrisy—and willful blindness to it—exhibited in this latest episode of “Everything Trump Does Is Terrible And Justifies Impeachment If Not Death!” is…I need a new adjective for “beyond belief.” Let’s see…it looks like I use all of them, and the Thesaurus list doesn’t even include “gobsmacking,” “head-exploding” or the phase that keeps jumping into my mind right now, “so fucking stupid it makes my pancreas whimper.” I guess I’ll go with the Cambridge Dictionary’s more dignified and restrained “impossible to comprehend.”

Statue Ethics: “Hey Lucy, I’m Ho…OH GOD NOOOOOOOOOOO!!!!”

Lucy statueIconic comic actress Lucille Ball was born in Celoron, New York, and in 2009 the town’s residents commissioned a statue to honor her. It was designed to show the comedienne performing one of the most famous of her routines on “I Love Lucy,” the “Vitameatavegimin” bit.  For some reason, however, the sculptor either decided to portray Lucy as a creature from Hell, or had never actually seen a picture of Ball and just guessed, badly, at what she looked like. The result, which a sighted “Let’s Honor Lucy” committee member should have rejected at first glance, now stands in the town park, an eyesore and an insult to Ball’s memory.

Now some of the residents are trying to get the town to junk the statue, and rallying Lucy fans to put pressure on the town leadership to act. My question is, what took them so long? Six years of this incompetent abomination is six years too long. A memorial is ethically obligated to honor its subject, not insult and defile her memory. Would the public tolerate a Lincoln Memorial where Abe was sculpted to look like an ape? Would it have stood by at the unveiling and said, “Well, okaaay, I guess we can live with that…I guess. I mean, its paid for and all”?  What’s the matter with the populace of Celeron?
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Yes, Putting Underpants on Michaelangelo’s “David” Is Unethical.

japan-David

So is putting a bikini on the Venus de Milo, in case you’re wondering.

The issue has been raised because a huge replica of the nude male statue was unexpectedly donated to a Japanese town, where it is unsettling some people and frightening others. Clothing “David” in a big Speedo or something has been suggested as a way to make the artwork more viewer-friendly.

Uh, no. Not all art will be welcome in every culture, and it may be that a mega-“David” in a Japanese park was a mistake. It is a work of visual art, however, and it is wrong for anyone other than the artist to alter or censor that artist’s creative work, especially when such a change renders the work of art risible. Putting underwear on “David” is as unfair and disrespectful as putting Groucho glasses on the “Mona Lisa.”

The town of Okuizumo has precisely two ethical choices, and no more: remove the statue and give it to someone else who will take care of it and appreciate it, or leave it alone.

Fruit of the Loom is not an option.

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Pointer: Lianne Best

Facts and Graphic: News.com.au

 

Neighborhood Ethics and the Snow Babe

It’s time to play “Who’s the Worse Neighbor?”!

It’s clear that the media take on the New Jersey story about the risqué snow sculpture will favor the snow-artist neighbor and ridicule the Puritanical neighbors, but the ethics fouls may be on the other side.

A brief summary: a woman and her son used the ample snow on their lawn and the their substantial sculpting talents to make a life-size, headless, armless, torso and trunk of a rather well endowed naked woman instead of the more traditional Frosty the Snowman. If this  “came to life one day,”  that traffic cop would arrest it for indecent exposure. Continue reading