show business

Discovered: An Ethics Hero and a Theater Code of Ethics—From 1945!

/ Jack Marshall / 10 Comments

The ethicist in “Singing in the Rain”

For many years, I have been attempting to persuade the local professional theater community in Washington, D.C. to develop and adopt an official Code of Ethics. I have not been successful, and it’s not surprising. Theater, indeed professional show business of all kinds, has been almost ethics-free for centuries. These are tough pursuits, and tough pursuits easily gravitate toward the Law of the Jungle—“Kill or be killed”—unless the culture makes a concerted effort to evolve in a different direction. Theater certainly has not. There a few unwritten rules in theater that could form the backbone of a useful code, such as “The show must go on!”, and there have certainly been members of the profession who are thoroughly ethical, they tend to be very successful individuals who have taken on high ideals once the need to back-stab has lessened, people who are so talented and fortunate that the need to lie and cheat never arises, or, a special category, marginally talented but hard-working and versatile professionals whose trustworthiness is their primary asset. (This last group usually fares poorly in the end.)

Not only have I been unable to interest anyone in developing a code for the theater, I have never heard of one being developed anywhere else. Until now, that is. I recently learned that Kathleen Freeman, a great character actress* who died in 2001, wrote and adopted an ethics code for a small theater company, the Circle Players, that she established in Los Angeles when she was 24 years old. Continue reading →

Non-Douche Neil Patrick Harris Almost Gets It Right

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Neil Patrick Harris...no douche he! But is it for the right reasons?

In a cover feature story for Entertainment Weekly, Neil Patrick Harris (or whoever ghost-wrote for him) lays out his Hollywood Survival Guide. Secret of Hollywood Survival #6 for the star of “How I Met Your Mother” and ubiquitous awards show host is “Don’t Be A Douche”:

“Hollywood affords many opportunities to be a douche of epic proportions,” writes the grown-up “Doogie Howser,” “Avoid the temptation.”  He continues:

“Being a pleasant person has got to count for something….Actors sometimes take themselves far too seriously and put themselves on a different level [from the crew.] But everyone’s working really hard and should be afforded the same level of respect.”

For that, Neil gets an Ethics Alarms salute. Unfortunately, he scars his achievement by going on to explain how the make-up people, the film editor and the transportation department can really nail you if you don’t treat them well.

Given the breezy tone of the article, Harris was probably joking, but the joke reinforces the misconception many people have about ethics, which is that ethical conduct is a quid pro quo. It’s not. The Golden Rule isn’t “Do nicely unto others do they won’t screw you over,” and someone’s less than nice behavior  toward you doesn’t justify your being a douche to him. One isn’t respectful to the waiter because he’s liable to spit in your soup if you’re not, but because it’s the right way to treat other human beings.

Neil Patrick Harris certainly seems like a decent guy, and he probably is. I just wish, in the pursuit of a pretty stale joke about how the make-up people will get even by making you look like a troll, he hadn’t reinforced one of the most persistent of unethical rationalizations.

For Broadway Patrons, A Bill of Non-Existant Rights

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What do Broadway theater-goers have a right to know and expect? The blog Gratuitous Violins has proposed a “Ticket-Buyer’s Bill of Rights.” While superficially reasonable, this manifesto embodies what is wrong with the expectations of consumers in general and theater patrons in particular. “Let’s face it,” the blogger, “Esther”, writes, “the producers are selling a product and we consumers should be able to make an informed purchase.” Okay. An informed purchase, however, does not require being routinely informed of all aspects of the production, particularly when the information is readily available to the responsible consumer.

Here are Esther’s three tenets of the “Bill of Rights”: Continue reading →

The Weintraub Delusion

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Jerry Weintraub, the epically successful producer of movies and manager of legendary performers, notably Elvis Presley, has written an entertaining autobiography entitled, “When I Stop Talking You’ll Know I’m Dead: Useful Stories From a Persuasive Man.” Maybe the stories are useful, but clearly not in the way Weintraub thinks they are.

As Weintraub was promoting his book on NPR this morning, he told several stories, all amusing. One involved a period when he was managing the late singer John Denver. Continue reading →

Isolating Corey Haim: Child Star Deceit and Disinformation in the Media

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It is clear that the news media, and especially the entertainment and pop culture media, don’t want to lose their cuddly child performers. Thus when a former kid star like Corey Haim perishes at a young age, the victim of a dysfunctional childhood turned fatal by addictions to fame and drugs, the sad story is usually told as a cautionary tale about how one young actor’s early promise and talent turned to dust and destruction because of his own weaknesses and missteps. A responsible media would use such events to examine the larger, serious, and mostly ignored problem of child abuse and exploitation in the entertainment business, and its terrible toll of casualties.The media is not responsible on this topic, however, and in the case of Haim, seemed to go out of its way to falsely represent his fate as the exception, rather than the rule. Continue reading →

Ethics Dunces: The Learning Channel, and Us

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Remember “Jon and Kate Plus 8,” the late, unlamented TLC cable hit that managed to  destroy the Gosselin family, turn a mother of eight young children into a single mom, and raise troubling questions about child labor and the exploitation of kids by the entertainment industry? Apparently the only thing the Learning Channel remembers about it is all the money the channel made from the show, because it has recruited yet another family to exploit and destroy. Continue reading →