A rather long preface is in order. Bear with me, please…

In the great, underperformed Gilbert and Sullivan operetta “Iolanthe,” W.S. Gilbert, a lawyer by training, devised a satirical judicial solution to a dire turn in the plot. Iolanthe, a fairy, violated Fairy Law by marrying a mortal, who happened to be the Lord Chancellor of England (he never noticed her wings, apparently.) The transgression commands the death penalty, but Iolanthe received a pardon on the condition that she allow her husband to think her dead, which she does for a couple of decades, much of which she spends doing penance at the bottom of a froggy stream, on her head.…but I digress.

When she learns, however, that her husband of yore is about to marry the sweetheart of her half-fairy son, who, though the Lord Chancellor doesn’t know it, is also his son, Iolanthe reveals herself and the paternity to the Lord Chancellor, who is duly stunned. This again triggers the death penalty and just minutes away from the finale, it looks like Iolanthe is going to end up like Carlo in “The Godfather,” as the fairy equivalent of Clemenza waddles on to the stage. (That’s how I would stage it, anyway.) Then this happens: Continue reading →