Smithsonian

Hopeless, Legitimate or Right-Wing Propaganda? The White House’s Smithsonian Exhibit Hit List

/ Jack Marshall / 4 Comments

The New York Times reports,

The White House published a list of Smithsonian exhibits, programming and artwork it considered objectionable on Thursday, one week after announcing that eight of the institution’s museums must submit their current wall text and future exhibition plans for a comprehensive review.

The list borrows heavily from a recent article in The Federalist that objected to portrayals at several museums. It argued that the National Museum of American History promoted homosexuality by hanging a pride flag; overemphasized Benjamin Franklin’s relationship to slavery in its programming; and supported open borders by depicting migrants watching fireworks “through an opening in the U.S.-Mexico border wall.”

Other grievances were previously enumerated in an executive order that President Trump authorized in March, which criticized the National Museum of African American History and Culture for a 2020 worksheet that describes aspects of “whiteness” as “hard work,” “individualism” and “the nuclear family.” The worksheet was part of an online educational portal called Talking About Race; once it drew criticism, Lonnie G. Bunch III, the secretary of the Smithsonian, had it removed.

The White House list also featured complaints that were not part of the Federalist article or the president’s executive order. Those include a stop-motion animation at the National Portrait Gallery about Dr. Anthony S. Fauci, a government leader during the coronavirus pandemic, and a series at the African American museum that it says “featured content from hardcore woke activist Ibram X. Kendi.”

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On Trump’s Smithsonian Mission

/ Jack Marshall / 37 Comments

The latest freakout by the Trump Deranged and the Axis media is over President Trump’s assault on the woke and often anti-U.S. propaganda that has seeped into the Smithsonian museums over the past decades while conservatives, Republicans and patriots were metaphorically asleep at the switch.

That the Smithsonian had become dominated by curators, scholars and ideologues who genuinely don’t like their nation very much and who wanted to use the museum exhibits to promote an “America is racist, sexist and a blight on civilization” narrative is, I believe, beyond reasonable debate: smoking guns include the original signage for the Enola Gay (portraying the bombing of Hiroshima as a war crime) and the deliberate omission of Clarence Thomas in the National Museum of African American History & Culture.

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President Trump: The Kennedy Center, NPR, PBS…Now Fix The Smithsonian, Please

/ Jack Marshall / 18 Comments

I knew there was a reason I hadn’t been to the Smithsonian Institution for so long. Like so many other crucial institutions the apathy of sane and patriotic American allowed to become leftist propaganda weapons over the last 50 years or so, the Smithsonian, along with most of the major museums across the country, “stress on narratives over artifacts.” That’s a quote from Jonathan Turley in his annoying understated mode.

White House official Lindsey Halligan condemned the new National Museum of American History’s Entertainment Nation exhibit, writing, “American taxpayers should not be funding institutions that undermine our country or promote one-sided, divisive political narratives. The Smithsonian Institution should present history in a way that is accurate, balanced, and consistent with the values that make the United States of America exceptional.”

Gee, ya think?

That Star Wars exhibit above would have prompted me to walk out of the building. Turley comments, “I was one of those who went to the movie when it came out, and I cannot recall anyone thinking, let alone connecting, the film to Nixon or Vietnam.” Nor can I, because nobody thought that, even the most politics-obsessed. Even film reviewers, always mostly left-leaning and desperate to find hidden messages in the most apolitical films, didn’t think Jabba the Hut was meant to suggest Spiro Agnew, or something.

We’ve known this about the Smithsonian for a long time, of course, but just shrugged it off because so many other example of insidious political corruption are worse. The Institution tried to slap a war crimes narrative on the Enola Gay. It left Clarence Thomas out of the National Museum of African-American History because being conservative means that he doesn’t count.

Among the flagrant propagandizing noted by Turley:

  • The commentary tied to a 1923 circus poster, reads: “Under the big top, circuses expressed the colonial impulse to claim dominion over the world.” Ah. So those clowns were supposed to be scary…
  • The Smithsonian declares “One of the earliest defining traits of entertainment in the United States was extraordinary violence.” You know, because United States BAD. One of the earliest traits of HUMAN entertainment for thousands of years was “extraordinary violence”! That one would have also had me running for the exits. Gladiators? Bull-baiting? Public executions? Grimm’s Fairy Tales???
  • The Lone Ranger display states: “The White title character’s relationship with Tonto resembled how the U.S. government imagined itself the world’s Lone Ranger.”

Oh for God’s sake…

Fix this, Mr. President. Fire the administrators and curators, all of them. Start from scratch.

From The Ethics Alarms Archives: “Slow Loris Ethics: Great, Now Even The Smithsonian is Hyping!”

/ Jack Marshall / 15 Comments

[The latest entry in the periodic series of old Ethics Alarms posts I had completely forgotten about was dredged from my memory by a Geico commeicial featuring a sloth that a woman in the ad calls a badger. Naturally, this prompted me to think about the distinction between slow lorises and pottos, and from there to this 2013 post, which, I was surprised to discover, wasn’t really about that. My mind is a strange and terrible thing.]

If we can’t even trust the Smithsonian not to lie to us, what hope is there?

The February issue of the Smithsonian magazine arrived, full of articles about origins and evolution. I immediately gravitated to the essay about komodo dragons, whose bite, as those of you who have been bitten by one know, is poisonous. In a colorful sidebar to the main article was a smaller note about the wide range of other animals that poison their victims, titled “Pick Your Poison.”

“The komodo dragon may be the newest addition to the elite corps of predators that kill with chemistry, but the venomous world is already more diverse than people realize,” it began. The note was illustrated by photos of a duck-billed platypus (owner of a leg spur with a poison gland that gives the thing quite a kick); the tiny Pacific cone snail, which can kill a human; the black mamba, the snake that had a co-starring role as an assassin in “Kill Bill, Part 2,” and…a slow loris???

The little, big-eyed, furry, cute Asian primate is venomous? That was a surprise. The article included no details, just noting that the slow loris was the only “venomous primate.” I managed to pass along this information as fact to my wife and two friends before bedtime (it takes so little to excite me these days!), and this morning dived into the web to learn the details of the slow loris’s poison. What I discovered was even more shocking than the original note. The Smithsonian magazine was hyping, and badly at that. Continue reading →

Jackie Mitchell, The Girl Who Struck Out Ruth And Gehrig: A Legend And Ethics Conundrum

/ Jack Marshall / 15 Comments

jackie-mitchell

The Jackie Mitchell saga is a great, feel-good story ruined by ethics rot. On one level, it is exactly the kind of tale that compels the treatment recommended by the old newspaper editor in John Ford’s “the Man Who Shot Liberty Valence”: “When the legend becomes fact, print the legend.” On another, it is an ethics mess, which might explain why I had never heard of Jackie Mitchell, once a proto-feminist icon, until I cracked open my new issue of Smithsonian Magazine.

Mitchell was a Depression era Chattanooga teenager who had been taught how to pitch by her friend and neighbor, Major League ace Dazzy Vance. A star on local women’s baseball teams, the tomboy southpaw was signed to a pro contract by the promotion-minded owner of a local AA level minor league team, the Lookouts, in 1931. Her big moment came when the New York Yankees came through Chattanooga from Spring Training on the way to opening the season up North. Lookouts owner Joe Engel arranged for two exhibition games against the Bronx Bombers, who, you baseball fans should know, included Babe Ruth and Lou Gehrig. Engel promoted the game as a David and Goliath showdown with Jackie playing David, and he was rewarded with a full stadium. Then this happened: Continue reading →

Slow Loris Ethics: Great, Now Even The Smithsonian is Hyping!

/ Jack Marshall / 12 Comments

Slow Loris

If we can’t even trust the Smithsonian not to lie to us, what hope is there?

The February issue of the Smithsonian magazine arrived, full of articles about origins and evolution. I immediately gravitated to the essay about komodo dragons, whose bite, as those of you who have been bitten by one know, is poisonous. In a colorful sidebar to the main article was a smaller note about the wide range of other animals that poison their victims, titled “Pick Your Poison.”

“The komodo dragon may be the newest addition to the elite corps of predators that kill with chemistry, but the venomous world is already more diverse than people realize,” it began. The note was illustrated by photos of a duck-billed platypus (owner of a leg spur with a poison gland that gives the thing quite a kick); the tiny Pacific cone snail, which can kill a human; the black mamba, the snake that had a co-starring role as an assassin in “Kill Bill, Part 2,” and…a slow loris???

The little, big-eyed, furry, cute Asian primate is venomous? That was a surprise. The article included no details, just noting that the slow loris was the only “venomous primate.” I managed to pass along this information as fact to my wife and two friends before bedtime (it takes so little to excite me these days!), and this morning dived into the web to learn the details of the slow loris’s poison. What I discovered was even more shocking than the original note. The Smithsonian magazine was hyping, and badly at that.

To begin with, there is a difference between venomous animals and poisonous ones. “Venomous” means that the creature injects toxin into its prey, through a sting, a bite, or other means. “Poisonous” means that the animal carries some kind of toxin that the prey ingests, absorbs or inhales, occasionally fatally. The Smithsonian article ignores this distinction for sensational purposes, as the title “Pick Your Poison” suggests. But the slow loris, which is definitely not venomous,. and  it isn’t really poisonous either. Continue reading →

Jesus, Ants, Art, and Republican Abuse of Power

/ Jack Marshall / 12 Comments

The Republicans haven’t even taken over the House of Representatives yet, and they are already emulating Islamic extremists—and I’m not exaggerating. Continue reading →