“Snow White and the Seven Dwarfs”

The Last “Snow White” Post (I Promise)

/ Jack Marshall / 2 Comments

Why is the Cognitive Dissonance Scale the graphic I chose for the final word on Disney’s “live-action” remake of Walt’s biggest and most important hit, 1937’s “Snow White and the Seven Dwarfs”? (For some perspective, realize that we have the same relationship on the timeline to that film that it had to the Presidency of Millard Fillmore.) It is clear that this cultural ethics train wreck, which EA has been dutifully covering (here, here, here, here here, and here), is now stuck inextricably in cognitive dissonance territory. For most viewers, what they think about the movie will be influenced far more by their biases and what they associate with the movie than the movie itself.

That’s how the scale works, as I keep explaining ad nauseam. If Disney is generally a plus-5 on a ticket-buyer’s scale (once upon a time, Disney would have been a plus-10 or higher on everyone’s scale) and the movie in a vacuum would be at “Meh”-level Zero, Disney would pull the film into positive territory. If Disney is in negative territory already for a different viewer, the film begins with an anchor chained to its metaphorical ankles.

Thus it is hardly surprising to see this as the early returns on the film (which doesn’t officially open in theaters until tomorrow):

Now that’s polarization!

What’s going on here? Well, a lot…

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Ha! Disney Gets The Message!

/ Jack Marshall / 8 Comments

Discussing the last Ethics Alarms post about the totally botched live -remake of “Snow White and the Seven Dwarfs,” one of the most influential and ground-breaking (and popular, and profitable) films in Hollywood history, I told my wife, “If I were in charge of Disney, I’d just re-release the original in a restored version.”

And that’s exactly what the company is doing.

The best part about the move is that it implicitly rebukes Rachael Zeigler, the current Snow Of Color who foolishly trashed her own vehicle by calling the original dated and “weird.” It also commits the company to the ultimate version of the live-action rip-off emerging as an homage to its predecessor, not a rejection of it: all those kids who see Walt’s movie and love it are not going to like a live-version that defames Snow and her friends. Even Disney’s not that stupid. (Are they?)

Anyway, there is hope: the profit motive and the instinct to survive may have overwhelmed toxic wokism. Disney may have rediscovered the ethical virtues of competence, responsibility, and respect.