Tennessee Williams

From The Ethics Alarms Cultural Illiteracy Files: “A Streetcar Naked Desire”

/ Jack Marshall / 43 Comments

On Wheel of Fortune, an unfortunate contestant named Kevin was confronted with the board above, and had only to name the missing letter to collect his prize.

He guessed “K.”

1.  It is fair to say that he had never heard of the Tennessee Williams drama, easily one of the top ten plays in the classic American theatrical canon.

2. Does this amazing gap in Kevin’s basic education prove that American schools are failing our children and society? No. It shouldn’t fill us with confidence, either.

3. What else does this mean Kevin has never heard of? “Stella!!!”?  Brando? Elia Kazan? The House Un-American Activities Committee? Naming names? Guilt by association? “I have always depended on the kindness of strangers”? “Cat on a Hot Tin Roof’?

4. What does it say about U.S. society that someone this ignorant of basic culture feels confident going on a nationally televised game show? I think it suggests that not only are too many people ignorant and uneducated, they don’t even know how ignorant and uneducated they are.  Worse yet, it may mean that such people don’t think that there is anything wrong with being ignorant and uneducated.

5. Though Kevin is being widely mocked on social media, I bet there are more adults who wouldn’t be able to solve the puzzle that we would like to think.

6. This is why I started a professional theater company dedicated to producing great American plays that theater companies didn’t produce any more. “A Streetcar Named Desire,” however, was on the list of plays so common, so frequently taught in schools and so well-known that we would never mount them.

Oops.

[I’m still sick, by the way, and have been sleeping most of the day. This story made me sicker.]

Theater Ethics: The Big Daddy Affair

/ Jack Marshall / 8 Comments
"Yes, why DON'T you want to make love to a young Liz Taylor, Brick? I've been wondering about that myself..."

“Yes, why DON’T you want to make love to a young Liz Taylor, Brick? I’ve been wondering about that myself…”

It is convenient when the perspectives of my longtime dual personas as a stage director and an ethicist are simultaneously relevant, so I couldn’t pass up this juicy story.

From the LGBT blog of the LA Weekly:

A Southern California production of the Tennessee Williams classic “Cat On a Hot Tin Roof” was canceled today after a homophobic outburst in the audience led to a physical confrontation, the firing of an actor, and an apparent cast revolt….the Repertory East Playhouse… announced in a statement today that the run of the play was “suspended” …as a result of “cast members leaving the show with no time to adequately re-cast their parts … “[A] man in the audience was allegedly drunk and heckling the performers during Saturday night’s performance….The heckling had been building up, …with whistling and cat-calling aimed at the character Maggie, as if the heckler and his friend “were at a strip club.”….at the moment Brick is asked why he rejected a kiss from Maggie….the heckler called out something like, “Because he’s a fag,” according to the director. At that point the actor playing Big Daddy, John Lacy, went into the audience to confront the man…”

“It was almost like he [Big Daddy] was still in character,” another actor told the LA Weekly blogger, Dennis Romero. He and a third actor then left the stage, and helped subdue the drunken audience member and his friend. Apparently the audience applauded the scene—does this remind anyone else of “My Favorite Year”?—and the play continued. Said a cast member: “The rest of the play has more resonance than ever.”

The theater fired Lacy after the show.  Anton Troy, the actor playing Brick who had been heckled, then announced on Facebook that he was quitting the production in protest, saying in part, “I will not support homophobia or an establishment that doesn’t support its talent. Hate in any form is not something I choose to subscribe to. John is a seasoned professional and an honorable man. It should never escalate to a point where the talent has to handle an unruly drunk in the audience themselves regardless of the outcome. Producers dropped the ball..”

Other actors quit the production as well, and the entire run, which was to have included a tour, was cancelled.

Wowsers.

Here are some ethics observations: Continue reading →

Fracking Ethics

/ Jack Marshall / 17 Comments

The Eric Massa affair quickly revealed itself as the spectacle of a foolish, narcissistic, dishonest man trying to milk every drop of attention out of the well-deserved implosion of a political career that never should have begun in the first place. Fortunately, there was a side benefit: its reporting by the media exposed the dishonesty of the practice of fake civility. Genuine civility is one of the foundations of ethical conduct, though admittedly a shaky one right now. Fake civility, however, is cynical, dishonest, disrespectful and, on top of all that, silly and ineffective.

One of the inappropriate supervisory moments that punched Massa’s ticket out of Congress was that he told a male staffer, in the presence of others, that “I should be fucking you.” Someone at the Mainstream Media High command issued a memo that the gentile and classy way of reporting this statement was “I should be fracking you.” Not that there was any pretense about what the word signified. On the Headline News morning show with giggly news-bimbo Robin Meade (an in-your-face insult to every serious female broadcast journalist in America), Meade listened to the “fracking” account and said—every one of the times the story was repeated during the program— some version of “Gee, I never heard that word before (giggle)!” Whereupon the newsreader replied with some form of “I know (snicker) neither have I!” They were far from the only ones. Dana Milbank used the same code in his account of Massa’s messes in the Washington Post.  “Fracking” is the euphemism of the week. Continue reading →