Observations On “The Circle” (2017)

The best thing about “The Circle,” the dystopian social media-on-steroids drama starring Emma Watson and Tom Hanks, is that you now can watch it as part of a double feature with Netflix’s new “The Social Dilemma,” and consider how much of the movie is coming horribly true. Without offering too many spoilers, the film is the story of a young woman (Watson) who believes she has found her dream job working for an Amazon/Facebook-like Big Tech company run by creepily a slick and charismatic Tom Hanks. He is the prophet of over-sharing, developing and peddling products that will feed every aspect of everyone’s life into Big Data-storing and manipulating computers and banish privacy forever, all for the Greater Good, of course. The young woman, Mae, is quickly corrupted, and soon a force within “The Circle,” as Tom’s creation calls itself, to expand and use the company’s power to facilitate universal, indeed mandatory voting, for example. Law enforcement! Social control!

Mae’s epiphany is that secrets are bad, the equivalent of lies. She decides to become the first person to share every waking moment—except three minutes to use the toilet—with Hanks’ ubiquitous social network.

The movie, which is basically a long “Dark Mirror” episode, was panned by critics for its predictability, lack of originality and unambiguous ethical issues. They were right. (The movie was a box office success anyway, because apparently fans of Harry Potter will watch anything with Emma Watson in it. Watson has even less screen presence as an adult actress than fellow ex-child star Natalie Portman, something I wouldn’t have believed possible.) Continue reading