“The Rifleman”

Saturday Ethics Catch-Up, 6/22/2019: “The Rifleman” Whiffs. A Paralegal Spills, The Commies Like Democrats, But Students Hate Pioneers

/ Jack Marshall / 9 Comments

I am so, so far behind, both here on Ethics Alarms, and elsewhere, like prepping for some upcoming seminars, writing new programs, and trying to get the business and home budgets to work. Last week involved the car dying, getting a new one, enduring a six hour, 17 inning loss by the Red Sox, some lingering new computer glitches, and a major video shoot for which I had to write and refine the script, acquire the props and costumes, and rehearse the actors, then assist the team of seven who handled the shoot itself, all while being sick, and progressively exhausted. (This project would not have all happened without the brilliant and tireless work of my business partner and love of my life, Grace.)

Ethics Alarms was lower on the priority list this week than I would have liked it to have been. I’m sorry.

1. “The Rifleman” Ethics: As I have mentioned here before, “The Rifleman,” the 30 minute TV Western drama, starring Chuck Connors as Lucas McCain that ran from 1959-1962, was all about ethics, with almost every episode teaching an ethics lesson to the Rifleman’s son Mark, played by the charming juvenile actor Johnny Crawford.  I just watched an episode from the show’s final season that I hadn’t seen before. Guest-starring Mark Goddard (best known as the hot-headed young co-pilot in the original “Lost in Space” on ABC), the story involved a charismatic young huckster whom Mark admires but his father distrusts. This causes rare friction between father and son. Eventually, Lucas is proven right: the young man is a liar and a crook who was taking advantage of Mark’s guilelessness.

Mark shamefully but manfully tells his father, “I apologize for being wrong.”

NO! One shouldn’t apologize for being wrong. One  has an obligation to apologize for doing wrong, which includes making a bad decision because of laziness, carelessness, poor reasoning, inadequate analysis, or through some other failing. There is no shame or blame in being wrong in the kind of situation laid out in the episode, however.

Until the final moments, the audience couldn’t tell whether this would be one of the episodes where Chuck screws up, with the lesson to Mark being, “Jumping to conclusions and judging strangers harshly before you know anything about them is unfair, Mark. You were right. I’m proud of you.”

In fact, after Mark apologized, I expected his father to come back with exactly what I just wrote. This was moral luck: Mark had nothing to apologize for.

Boy, I’m never going to catch up if  I let issues jump in line like that… Continue reading →

Morning Ethics Warm-Up, 3/31/2018: The Baseball-Trained Rifleman, The Hockey Hero Accountant, And Some Other Stuff That’s Just Annoying…

/ Jack Marshall / 16 Comments

Good morning!

1. “The Rifleman” and “Fix the problem.” I recently was interviewed by a graduate student in organizational leadership and ethics. One thing we discussed was how popular culture in America once dedicated itself to teaching ethical values and ethics problem-solving, especially in shows aimed at young audiences. This is not so true any more; indeed, popular culture models unethical conduct at least as often today.

I told my interviewer about recently watching an episode of “The Rifleman,” the early ’60s TV Western about a single father raising his young son while being called upon to use his skill with a rifle to fight for civilization in the harsh frontier.  In the episode, hero Lucas McCain (played by the under-rated Chuck Connors) had to deal with an old friend, now an infamous outlaw, who had come to town. (The ethical conflict between personal loyalty and an individual’s  duty to society was a frequent theme in Westerns.) Lucas was a part-time deputy, and at the climax of the episode, his friend-gone-bad is prepared to ride out of town to escape arrest for his latest crime. Lucas tells him not to leave, and that if he tries to escape, Lucas will have to let his custom-made rifle settle the matter, as usual. (Peace-loving Lucas somehow managed to kill over a hundred men during the run of the series.)  Smirking, his friend (Richard Anderson, later known as the genius behind “The Six Million Dollar Man”), says that he knows his old friend is bluffing. For Lucas owes him a lifetime debt: he once saved “The Rifleman’s” life.  You’re a good man and a fair man, the villain says. “You won’t shoot me. I know you.” Then he mounts his horse , and with a smiling glance back at “The Rifleman,” who is seemingly paralyzed by the ethical conflict, starts to depart. Now his back is all Lucas has to shoot at, doubling the dilemma.  You never shoot a man in the back, an ethical principle that the two officers who killed Stephon Clark somehow missed. We see McCain look at his deadly rifle, then again at the receding horseman. Then, suddenly, he hurls his rifle, knocking his friend off his horse. The stunned man is arrested by the sheriff, and says, lamely, as he’s led away. “I knew you wouldn’t shoot me.”

I love this episode. It teaches that we have to seek the best solution available when we face ethics conflicts, and that this often requires rejecting the binary option presented to us, and finding a way to fix the problem.

Of course, it helped that Chuck Connors used to play for the Dodgers, and could hurl that rifle with the accuracy of Sandy Koufax.

2. Here we go again! Now that anti-gun hysteria is again “in,” thanks to the cynical use of some Parkland students to carry the anti-Second Amendment message without having to accept the accountability adults do when they make ignorant, dishonest, and illogical arguments in public, teachers and school administrators are back to chilling free speech and expression by abusing their students with absurd “no-tolerance” enforcement. At North Carolina’s Roseboro-Salemburg Middle School, for example, a 13-year-old boy in the seventh grade was suspended for two days for drawing  a stick figure holding a gun.

I drew pictures like this—well, I was little better at it—well into my teens. It’s a picture. It isn’t a threat. It isn’t anything sinister, except to hysterics and fanatics without a sense of perspective or proportion—you know, the kind of people who shouldn’t be trusted to mold young minds. “Due to everything happening in the nation, we’re just being extra vigilant about all issues of safety,” said Sampson County Schools’ Superintendent Eric Bracy, an idiot. How does punishing a boy for a drawing make anyone safer? It makes all of us less safe, by pushing  us one step closer to government censorship of speech and thought.

Then we have Zach Cassidento, a high school senior at Amity High Regional School in Connecticut who was suspended and arrested —arrested!—for posting a picture of his birthday gift, an Airsoft gun, on Snapchat. He was not charged, but was suspended for a day from school….for posting, outside of school, on his personal account, the picture of an entirely legal toy gun (It shoots plastic pellets: my son has several of them).

The people who do this kind of thing to children in violation of their rights as Americans are the same people who cheer on David Hogg while signing factually and legally ridiculous petitions. They should not be permitted to teach, and this kind of conduct ought to be punished.

Where is the ACLU? For the organization not to attack these abuses is an abdication of the organization’s mission. Continue reading →

Morning Ethics Warm-Up, 9/2/17: Keith Olbermann Tweet, The Rifleman On The Melting Pot, and What The Editors Of the New York Sun REALLY Wanted to Tell Little Virginia…

/ Jack Marshall / 10 Comments

GOOOOOD MORNING!

1. For some strange reason AMC and the Sundance movie channel alternate showing multiple episodes of “The Rifleman” every Saturday morning. Like most of the old TV Westerns, but even more than the rest, the Chuck Connors half-hour drama about a single-father rancher who doubled as part-time lawman was about ethics, despite the fact that Chuck as Lucas McCain killed over almost tw0-hundred men over the course of the show. In one of today’s episodes, young Mark, Rifleman Jr., played by the excellent child star Johnny Crawford, fought off some bullies who were abusing a young Chinese boy who was dressed in his native clothes and wearing long hair. As the boy’s father thanked Lucas and  Mark, the Rifelman pointed out that the boy would be tormented as long as he wore his hair “like that.” “His hair is worn in the manner accepted in my country,” the father replied.

“Yes, but you’re not living in China, you’re living in the United States,” Chuck said, wrinkling his brow.

That message was not a controversial one in 1880, or in 1960, but it would be today. Still, The Rifleman was right. There is cultural pressure on immigrants to accept and adapt to U.S. culture and values, and that is for the benefit of everyone involved.  Mark made it clear that he would keep fighting for the right of the young Chinese boy to wear his hair as he chose and Chuck endorsed that, because it’s another American core value. Still, being an American citizen should mean more than just an address. Our culture used to send that message powerfully and regularly, in TV dramas and elsewhere. Now it sends the opposite message most of the time. That’s a tragic change, and the results are becoming apparent.

2. Now THIS is an uncivil tweet: The degree to which the unhinging of the Trump-hating left has reached frightening proportions was illustrated last week by a tweetstorm meltdown by onetime MSNBC star Keith Olbermann, who is still anchoring a public affairs commentary show somewhere, I think. It reached its apotheosis with this masterpiece or reason, nuance, and civility:

 

Olbermann finally took down the tweet, but the rest remained:

I don’t think Olbermann is significantly more addled by blind rage at Trump’s election than a large number of prominent journalists, editors, academics, professionals and others, or more emotional in his hate.  He  just has less restraint than most in giving vent to it, that’s all. Continue reading →

Ethics Quiz: The Ethical Duties Of Santa Claus Imposters

/ Jack Marshall / 43 Comments

11 photos for movie review running Thanksgiving Eve. Billy Bob Thornton in Terry ZwigoffÕs BAD SANTA. Photo Courtesy of Tracy Bennett.

A post yesterday described the outrageous conduct of the management at the Six Flags Over Texas theme park, which declared a local man named Jerry Henderson person non grata and kicked him out of the park because he “looked too much like Santa Claus” (they want him to shave his white beard to resume his park privileges). He also gave candy canes to children after their mom asked him to pose with her kids for a photo.

A regular Ethics Alarms commenter related this 180 degree variation on the story:

My kids take swimming classes at our local park authority pool, and last week, while we were signing in, one of the managers came out of the back office dressed as Santa. However, he was doing it as a gag for the other employees, not for the kids. (About 80%+ of the people there were children.) My kids went running up to him shouting, “Santa, Santa!” He did not acknowledge them or the other kids, didn’t even say hi, and just walked into one of the workout rooms.

I thought my kids were going to cry. I had to tell them that Santa was busy right now, but not to worry, we would go see him tomorrow when he had time to talk to them.

Your “Bad Santa”-themed Ethics Alarms Ethics Quiz of the Day:

If you look like Santa Claus, are you ethically obligated to act like Santa Claus?

Continue reading →

Ethics And “The Rifleman”

/ Jack Marshall / 37 Comments

If you want to ground your child in basic values and ethics, buying the new DVDs (available next month) with all 168 half-hour episodes of “The Rifleman,” the classic Western TV series, is a good way to start. I’ve been watching episodes recently (they are currently showing on both AMC and Starz), and am struck by how virtually every one has a strong ethics lesson to teach, and teaches it well without interfering with the drama. Most of the TV westerns from the genre’s Golden Age (which had already ended before the demise of “Bonanza,” the last of the great ones) had strong ethical values embedded in their plots, but few made ethics as thematic as the show starring Chuck Connors as a single father, living on the prairie in the 1880s, who used his Winchester rifle the way other cowboys used a pistol, but faster and with more accuracy.  Because Lucas McCain was trying to survive while teaching his young son (played by original Mousekateer Johnny Crawford) how to be a good man and citizen, he was always striving to be a role model while solving the difficult and often dangerous problems that came his way. Unlike many Western heroes, McCain didn’t always get it right, sometimes letting his emotions get the better of him or being unfair or impetuous, and had to undergo an ethical course correction by the end of an episode.

A repeated theme in the show was redemption and trust, as McCain often became the champion of a fallen woman or reformed criminal, or had to rely on an ally with a less than sterling past.  Villains in “The Rifleman” sometimes saw the error of their ways at the last second, committing a noble act before dying or going to jail. And sometimes they didn’t, and got shot with the Winchester. I’m sure that “The Rifleman,” with its gun-happy opening sequence (it presents the rifle as the star of the show as much as Connors) will seem like an unlikely source of ethics to the gun-queasy parents out there, and that is a shame. There is much to learn from “The Rifleman.”

You can watch some episodes of the show here,  here and here. The catchy theme music is here; I was surprised to discover that it had lyrics, which by the standards of the generally terrible lyrics of westerns that had songs that were actually sung on a show, aren’t too bad. The best of its endless verses:

                           
THERE IS A MORAL TO HIS EXPLOITS                         

AND HE’S TAUGHT IT TO HIS SON

SPEAK SOFTLY TO YOUR ENEMY

BUT LET HIM SEE YOUR GUN!

Chorus:             

THEY CALL HIM THE RIFLEMAN
THE STRONG, COURAGEOUS RIFLEMAN
A GREAT BIG MOUNTAIN OF A MAN!

 

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Sources: Wikipedia, The Rifleman, Chuck Connors,