The Rockettes Look Mostly White. So What?

In a classic cheap shot, race-baiting, virtue-signaling feature that is now standard fare in the mainstream news media, the New York Times implied that the Radio City Music Hall Rockettes are racist. The article, headlined in the print edition “Where All Your Christmases Are White.” included a cutline, “At the Rockettes holiday show I saw, there were more camels onstage than black women.” That made me read the article. I wasn’t aware that the EEOC had a camel/black woman percentage requirement. You learn something every day.

After pointing a bony finger and whispering “racist,” the author does note that while only one of the 40 dancers in the performance she saw appeared to be black, this was something of a deceptive proportion. “Among the 80 dancers who make up the Rockettes corps, 10 percent are women of color, a spokeswoman for the company told me; you are only seeing half the cast during any given show because there are so many performances to fill — on weekends, up to six a day,” Ginia Bellafante writes. Ah. So if she saw the other troupe of 40, there would have been seven black dancers. (OK,  “dancers of color,” whatever THAT means.) Not only would seven have outnumbered the camels,  it would make a percentage of  17.5.  12.3% of the population is black. Tell me what the point of this feature is again, New York Times?

Ginia also hints that the problem may be that the kickline looks too white. ” [A]ny variance in skin tone is obscured by lighting and makeup that have the effect of creating a stultifying homogeneity, which is the point and amounts, ultimately, to an eerie celebration of whiteness,” she writes. You know, I’ve seen the Rockettes many times, not that I don’t find kick-lines boring or have a single vivid memory of a performance. I never sat there, watching these impossibly tall, long-legged women kick over their heads, and spent my time counting how many of the looked white, or thought of the performance as having anything to do with race at all. Doing so would be like watching an exciting NBA game, where about 75% of the players are black, and think of it as  “an eerie celebration of blackness.” As they say, Ginia, if the only one hearing the dog-whistle is you, you’re the dog. Continue reading

Dear Rockettes: You Are Professionals And Americans…Act Like It.

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Asked about whether he would perform at the January 20 Inauguration or its subsequent official celebrations in Washington, D.C., country music super-star Garth Brooks said, simply, “It’s always about serving. It’s what you do.”

Right answer. This marked him as a professional, a patriot, and an adult (or perhaps as a lying hypocrite, since for whatever reason, he is not performing). The opposite reaction of so many of his show business colleagues mark them, in contrast, as divisive, arrogant, ignorant and unprofessional jerks.

Performers fit all the requirements for being regarded and respected as professionals, who are those who use their skills and talents for the benefit of humankind and society. The traditional definition adds that professionals do this service at some personal sacrifice, a virtue that most doctors and many lawyers can no longer claim. Performers, however, are largely impoverished, devoting their lives to making people gasp, laugh, weep, cheer or most important of all, think, because they love what they do, and understand the importance of art to society and civilization.

It is as unprofessional for a singer, dancer, juggler or actor to refuse to entertain audience members whose politics or character they oppose as it is for a doctor to refuse to treat them, for a lawyer to refuse to represent them, or a clergyman to  withhold from them spiritual guidance. The problem unique to performers as professionals is that they are not educated to appreciate their responsibilities like typical professionals, nor do their professions exercise any ethical oversight. As a result, we get the current display of divisive and ignorant grandstanding over performing—or not performing— at Donald Trump’s inauguration.

In Honolulu, Hawaii, yet another partisan and bigoted establishment has ordered anyone who voted for Trump to take its business elsewhere, as a local cafe posted a sign that reads: “If you voted for Trump you cannot eat here! No Nazis.” It has become clear that if many progressives have their way, their efforts to divide the nation into the Good and the Bad, with the fairly elected President of the United States as the defining feature of the latter, will shatter societal bonds coast to coast like nothing the U.S. has seen since the Civil War. The sooner the Angry Turned Vicious Left comes to its senses, the safer and healthier we all will be.

Performers, as professionals, are supposed to understand that they have a higher calling than restaurant owners. They are here to bind society together, for what we all experience in a diverse audience brings us closer in sentiment, emotion, empathy and enlightenment. For performers to decide to excise certain audience members from that process is madness, as well as a betrayal of their mission and art. Continue reading